SANYO INTRODUCES A NEW 120 HZ FULL HD LCD FRONT PROJECTOR WITH TOPAZ REAL HD AND COLOR MANAGEMENT SYSTEM

April 28, 2010
- 3D Color Management through TopazReal HD system for extraordinary color accuracy
- 120 Hz Full HD panel produces artifact-free motion and is 1080p24 capable
- Very high contrast ratio of 65,000:1 produces rich, deep blacks
- Lens shifting and short-throw capability for ultra flexibility in installation


CHATSWORTH, CA.—April 28, 2010 – SANYO North America Corporation (SANYO), a subsidiary of SANYO Electric Co., Ltd., one of the world’s largest manufacturers of LCD and DLP projectors, announces the introduction of the PLV-Z4000, a high-performance 120 Hz Full HD 3 LCD front projector with 1080p24 capability for an exquisite home theater and HD video experience. With SANYO’s exclusive TopazReal HD system, the projector produces superb image quality and has a 3D color management system that enables extraordinary color accuracy. Through dual HDMI 1.3b inputs, it is Deep Color and x.v.Color capable. Rated at 1,200 ANSI lumens, with a 65,000:1 contrast ratio, it produces superb black levels even in ambient light conditions. The addition of installer-friendly mounting and optical features allow it to be used in a wide variety of rooms and environments. Scheduled for release at the end of May 2010, the SANYO PLV-Z4000 will have an MSRP of $2,495.

With its exclusive 3D color management system, SANYO’s TopazReal HD system melds several advanced technologies to create superb optical performance and a sharp and highly accurate image. The system uses 14-bit digital signal processing and a real-focus HD lens system that combines variable iris and lamp reactivity with a newly-developed high efficiency lens. The 3D color management system addresses changes in color phase and color level to produce near-perfect color reproduction, taking full advantage of the Deep Color and x.v.Color capabilities of the projector through its dual HDMI 1.3b inputs. Approximately 216 billion color combinations are possible.

With a 3LCD design that uses inorganic liquid crystal panels, motion blur and artifacts are virtually eliminated by doubling the input frame rate from 60 to 120 frames per second. Special interpolation frame generation technology determines the motion differences between frames, and through interpolation, generates new frames to fill the gaps between the original frames. The result is improved resolution and a smooth presentation, even with fast moving sports action. The projector is also capable of displaying an HD source from film material in its native 24 frame/second rate with full 1080p/24 resolution.

"The high performance achieved by our TopazReal technology makes this projector an extraordinary value in today’s home theater projector market,” says Sam Malik, Vice President and General Manager of the Presentation Technologies Group in the Consumer Solutions Division of SANYO North America Corporation. “The PLV-Z4000’s ability to display very high resolution artifact-free images with superb color accuracy, while being easy to install in any home theater environment, make it a great choice from the standpoint of both consumers and installers.”

Thanks to thoughtful design, the projector offers ultra flexibility to installers when using with a mount. With the industry’s most advanced lens shifting capability, the PLV-Z4000 allows the projector to be placed or installed in a number of settings, as images can be shifted vertically up to three screen sizes, and horizontally up to two screen sizes. Its short throw capability and 2x zoom functions allow a large image in virtually any size room and from most any mounting location. Ideal for small to mid-sized home theater environments, it can project a 100-inch diagonal image from between 10 and 20 feet away.

Unwanted noise produced by the projector is kept to an extraordinarily low 19dB through its use of a large aperture, low noise Sirocco cooling fan, allowing it to be mounted near viewers without special baffling to reduce noise. Its eco-friendly design requires minimal power consumption, drawing just 0.3 watts in eco-standby mode. A three-year parts and labor warranty covers the projector, with 90 day coverage on the original lamp.


PLV-Z4000 Specifications:

Brightness:
1,200 lumens

Contrast Ratio:
65,000:1

Input Terminals:
HDMI 1.3b (x2), Component RCA (Y-Pb/Cb/Pr/Cr) (x2), D-sub 15 pin (RGB), S-video, Composite RCA

Control Ports:
DIN 8pin (RS232C)

Dimensions:
15.7 (W) x 5.8 (H) x 13.6 (D) inches

Weight:
16.5 lbs.

For additional specifications, please see the linked document below:
PLV-Z4000.pdf

About SANYO
SANYO Electric Co., Ltd. is a global company providing solutions for environment, energy and lifestyle applications. The Presentation Technologies Group is part of the Consumer Solutions Division of SANYO North America Corporation (SANYO North America is a subsidiary of SANYO Electric Co., Ltd.), and is based in Chatsworth, California. The Consumer Solutions Division is a service and sales division that markets digital projectors, digital still cameras, digital media camcorders, home appliances, security video equipment, audio systems, portable and mobile electronics and HD televisions. For more information on SANYO, please visit http://us.SANYO.com.

Source: SANYO North America Corp

Optoma PK-301 Pico Projector Review
Allan Abbott , August 4, 2010
ProjectorCentral.com

Let's say you have some video clips on your iPhone, a portable DVD player with photos, a brief PowerPoint presentation on your laptop, and you need to see five different clients in their homes and offices today. The last thing you want to do is haul a briefcase-size projector with you, so what do you do? You slip the Optoma PK-301, the company's newest pico projector, into your coat pocket, and off you go.

As long as ambient light can be controlled, the PK-301 is bright enough for intimate settings. It offers a digital input via an optional adapter cable, and if you store your images in the projector's internal memory, you won't need any external sources at all. Battery operation is good for 45 to 90 minutes depending on content, and there's an AC adapter for longer presentations. At a list price of $399, the 854 x 480 native-mode PK-301 is attractively priced, and its small size and 0.5 lb. weight is a real advantage for mobile presenters.


Overview

Brightness and Uniformity: Unlike many projectors, the PK-301 more than delivers on its brightness specification of 50 ANSI lumens. It put up 53 lumens in both Bright and Movie modes, 26 lumens in Standard mode, and 13 lumens in Eco mode. Note that Bright and Movie mode brightness levels are not available in battery operation . . . you must use the AC adapter to achieve the brightest picture.

Our sample unit's brightness uniformity of 72% was a little lower than expected for LED illumination where light is more collimated than with high-pressure lamps, and the left side of the image was slightly brighter than the right.

Connections: To save space, Optoma uses micro connectors on the rear of the PK-301, so adapter cables are required. The included cables are a Universal I/O which terminates in a female DB-15 for computer connection, an AV cable with RCA connectors for composite video, and a Micro USB that presents a full-size USB male connector. These micro connectors also accommodate several optional adapter cables. There is also a mini-jack audio output for an external amplifier and a micro SD slot on the side of the PK-301.

Image Size and Position: To project a 72" diagonal image in native 16:9 aspect ratio, the PK-301 needs to be about 9.5 feet from the screen for the focus adjustment to be effective. Image offset is +18.5% of image height, so a 72" diagonal image has its lower edge about 6.5" above the centerline of the lens. This is a good offset for tabletop placement as the center of the image is at about eye level for an audience that is sitting close to the screen.
User Settings: It is common for pico projectors to limit the ability to change image settings, and in the case of the PK-301, brightness, contrast, and two color temperature settings are the only choices. As it turns out, this is not a serious limitation since colors are well balanced in all modes.

Aspect Ratio vs. Brightness: The PK-301's 16:9 aspect ratio is well-suited to video presentations and movies since all of the light falling on the 854 x 480 chip is sent to the screen. However, if you present computer data regularly, you might prefer a 4:3 aspect ratio projector. The PK-301 handles 4:3 presentations with no problem, but part of the DLP chip is not illuminated for content in this aspect ratio, and image brightness and resolution will be reduced. The pixel matrix of a 4:3 image is standard VGA 640x480, rather than 800x600.

File Conversion: Optoma uses ArcSoft's Media Converter software to convert video files, PowerPoint presentations, etc. so that they can be stored in and played back from the PK-301's internal memory. Be aware that this converter is not Mac compatible, so Mac files must be displayed directly from your computer.

Warranty: Optoma offers a one-year parts and labor warranty for the PK-301 with a 90-day warranty on the battery.

Advantages

Image Quality: For such a small projector, the PK-301 does very well in putting up saturated and evenly balanced color. Data images have adequate contrast, and photos are lifelike. Flesh tones in video images are excellent, but shadow detail is somewhat limited. The PK-301 uses LED illumination, and rainbow effects are minimal.

Digital Input: Few pico projectors offer a digital connection, but you will find a mini-HDMI on the PK-301. To connect to it, you will need an optional cable that adapts the mini-HDMI to a full-size HDMI, but it is worth the expense if you have a digital source such as a DVD player.

Battery Life: Though the standard battery life is specified as "up to one hour" in Eco mode, our test unit delivered a simple PowerPoint presentation for nearly 90 minutes. It also lasted for 45 minutes in composite video mode. If you need extended display time in battery mode, you can purchase a larger battery for about $100.

Aspect Ratio: With its native 854 x 480 resolution, the PK-301 maps widescreen 480i video one-for-one . . . a rarity among pico projectors. Most competitors offer an 800 x 600 native mode which is great for standard 4:3 data presentations, but it means black bands above and below a 16:9 image.

Fan noise: You might think that a pico projector would not need a fan, but when you get into the 50-lumen range, there is just enough heat generated to warrant one. Fortunately, even in high brightness mode, the PK-301's fan is just a gentle whir, and in Eco mode, it is nearly inaudible.

Remote Control: Even though it is an extra cost item, the remote control is well worth it. It makes it unnecessary to remember what the menu buttons on the projector are for (no easy task), and it keeps the projector from wobbling while you make menu selections . . . a common problem for most pico projectors lacking a remote control.

Lamp Life: Like many pico projectors, the PK-301 relies on color LEDs for illumination of its DLP chip. That translates into an exceptional lamp life of 20,000 hours, so you will probably be tossing the projector before the LEDs fail. Just think . . . no lamp replacement hassle or cost for the life of the projector.

Maintenance: Very simple . . . if you clean the lens once in a while, you are done with maintenance for the life of the PK-301. No air filters to change, no lamps to replace, no nothing.


Limitations

Placement Flexibility: The PK-301 has a fixed 1.8:1 throw ratio. With no zoom lens, that means you will have to set up at a specific distance from the screen for each image diagonal you want. For example, for a 60" diagonal, the projector will be 6.5 feet from the screen. If this is inconvenient, then you will have to move the PK-301 and live with a larger or smaller image.

Image Focus: Optics for pico projectors lack the sophistication of their larger brethren, and the PK-301 is no exception. The best focus setting for our sample unit is a bit "soft" and is not consistent across the image. When the top of the image is focused, the bottom is slightly fuzzy. However, the optimum setting produces an acceptable compromise for data images, and some minimal focus softness is not all bad for video, particularly movies.

Audio Quality: As you might expect with a 0.5-watt speaker, the PK-301's audio is weak and tinny, but voices are clear if lacking bass. There is a mini-jack for earphones or an external amplifier, and you may have to use it if there is much ambient noise in the room.

On-Screen Menus: The on-screen menus for image adjustment have no labels, only icons, so you must memorize the function of each icon. It is not that hard for video since there are only five settings, but for data, there are eight settings to contend with (although several of them are used infrequently).

Projector Control Panel: While the remote control is very effective, the control panel on the projector itself is not very intuitive. Pushing buttons on the panel can jostle the projector.

Internal Memory: Only 28 MB of memory is available for internal image storage, but if you need more capacity, the PK-301's microSD slot will accommodate up to 16GB cards.

Optional Accessories: Several adapters are shipped with the PK-301 including adapters for composite video and VGA computer inputs. But there are also a few optional accessories that you might want, and they increase the cost of the projector system. They include a remote control (I recommend it highly), a mini HDMI-to-HDMI adapter (needed if you are attaching a digital source), a female USB adapter (for connecting USB flash drives), a component video adapter that fans out into five RCA females for video and audio, and an iPod/iPhone adapter. Prices range from $20-30 apiece.


Conclusion

The Optoma PK-301's combination of aspect ratio and brightness put it in a unique class by itself. With a list price of $399 and very fine video and data images, it is well suited for those who do widescreen presentations, or want to watch movies at home or on the road. A variety of sources can be accommodated although some require optional adapter cables. The cost of the highly desirable remote and whatever optional cables you might want will add to the price. As with all pico projectors, ambient light must be controlled to keep the image from washing out and image controls are minimal. But for intimate presentations to just a few people, or movies anywhere at anytime, the PK-301 is well worth a close look.

BenQ SP890 1080p DLP Presentation Projector
Bill Livolsi, June 24, 2010
ProjectorCentral.com

Thanks to the spread of high-resolution laptops and associated content, there is increasing demand for high-resolution data projectors in the workplace. The BenQ SP890 is one such projector, a 4,000 lumen 1080p DLP projector that's tailored for presentation use. Unlike other 1080p business projectors, the SP890 has a 50,000:1 contrast ratio, making it a good choice for the display of photography or other images on a large screen. Color is more accurate than many competing models as well. A 1.5:1 zoom and H/V lens shift make the projector easy to install, while dual 5W speakers are useful in a conference room or even a back-yard summertime theater. It is available now at prices just under $3,000.


Advantages
High resolution. What distinguishes the SP890 from the crowd of me-too business presentation projectors is a combination of factors, but the most obvious of them is its resolution. At native 1920x1080, the SP890 brings the highest commonly-available widescreen resolution into the workplace. This makes it well-suited to the display of detailed content such as photographs, data graphics, spreadsheets, or even video. And while 1080p resolution isn't necessary for the display of text documents or Powerpoint presentations, those look great as well. Any content you choose to display on the SP890 comes out looking crisp and sharp.

Light output. Then again, if all you need is 1080p, there are plenty of home theater projectors available that will do just that--some of them for less money. But the SP890 has more than one trick up its sleeve. It is rated at 4,000 lumens of brightness, far exceeding the typical lumen output of a 1080p projector. Our test sample at its brightest measured 2692 lumens, or roughly 67% of the specified maximum output. This output was measured in Dynamic mode using high lamp and the widest angle lens setting. This mode emphasizes highlights at the expense of contrast and color accuracy, so it is best used when you have a high-contrast document where color is not critical, such as a simple Powerpoint presentation or text document. Presentation mode, with slightly better color and contrast, measured 2092 lumens (also in high lamp mode). However, if you are really looking for great color performance, there is no replacement for custom calibration. After such a fine-tuning, our test sample measured 853 lumens. This is not much for a presentation projector, but grayscale tracking was very close to the 6500K standard and contrast was excellent. For the display of film or photography, this is an excellent operating mode.






Several factors can adversely affect lumen output. First of all, using the telephoto end of the zoom lens (smallest image at a given distance) will reduce lumens by 10%. Using low lamp mode, which increases lamp life from 2,000 to 3,000 hours, also drops lumen output by 22%. VGA signals measure roughly 10% brighter than HDMI signals, so using the projector's VGA port will result in a slightly brighter image than our readings would otherwise imply (we used HDMI). We did not see any significant lumen reduction when using the extreme edges of the lens shift range.

Contrast. The SP890 is not the first 1080p presentation projector, but it does have the highest contrast of any comparable projector. At 50,000:1, the difference between the SP890 and a typical 2,000:1 data projector is immense. As far as black level, there is no contest. Shadow detail is exceptionally well-defined and high-contrast scenes are presented accurately. Foregrounds seem to pop off of backgrounds, and there is a clear sense of depth in high-contrast material. Photographs in particular look striking and life-like. Even 1080p film content, which is notoriously hard to reproduce well on a data projector, looks vivid and three-dimensional.

Color. The SP890 is unusual for a data projector in that it has the potential for very accurate color. The preprogrammed image modes are not terribly inaccurate, though Dynamic exhibits a clear green push and can be rough on photographs or film. Cinema and sRGB modes are better, though nothing is as accurate as a custom calibration. This is not as daunting as it sounds, but it does require some special equipment. If you do not own this equipment or merely want a place to start from, these are the adjustments we made to our test sample. Remember, individual variances in projectors and lamps mean that our settings will be, at best, a ballpark estimate for your projector.


Red Gain 49
Green Gain 53
Blue Gain 49
Red Contrast 47
Green Contrast 50
Blue Contrast 49

Placement flexibility. The SP890, while a business projector, has the flexibility of a home theater machine. A 1.50:1 manual zoom/focus lens with H/V lens shift makes it easy to place the projector in many common room configurations. A 120" diagonal 16:9 picture can be displayed from any throw distance between 14' 2" and 21' 2" inclusive. Lens shift allows the picture to be moved 1.2 image heights up or down from the center position, so you can place the projected image completely above or below the lens. You can also move the image roughly 2/3 of the picture width to either side. This sort of flexibility is expected on a home theater projector, but seeing it on a presentation product is a welcome surprise.



Warranty. The SP890 is warrantied for three years from the date of purchase. A three-year warranty is increasingly becoming an oddity these days, but BenQ has shown that it stands behind its products. A three-year warranty displays the utmost confidence in a product, which is why we like to see it.

Speakers. With two five-watt speakers, the SP890 is capable of outputting some serious sound. The speakers themselves sound a little tinny, as is typical of small speakers everywhere. However, used at 50% to 75% volume, they are still loud enough to be heard by a small group and do not exhibit any unpleasant distortion. If you plan to use the SP890 for summertime movies in the yard, you will want a larger sound system. In fact, in almost any instance where sound is an important part of the presentation, an external sound system is preferable. But if you just need a quick-and-dirty solution, the SP890's onboard speakers are better than most.

Connectivity. The SP890 has a comprehensive connection panel. Whether you want to hook up a brand new laptop with HDMI or an old VCR with composite video, you will not have any problems. The SP890 also has both VGA and component video (as separate jacks, not just using a breakout cable) as well as monitor-out, RJ45 wired networking, and USB. One thing it does not have is dual HDMI, though BenQ's website claims such. This claim is placed just above a picture of the connection panel showing the single HDMI port.


Limitations



Digital noise. While the SP890 isn't intended as a theater projector, it is reasonable to expect that someone will use it for film or video given its 1080p resolution. When using it in this application, you will see more digital noise than you would on a comparable home theater product. Noise is visible in solid-colored fields, such as skies and fabric. It manifests as a dancing, sparkling artifact. Some people find this more objectionable than others, but it is an undesirable artifact in any case.

2x color wheel. Like many data projectors, the SP890 has a 2x-speed color wheel. The segments are RGBCYW (red, green, blue, cyan, yellow, white). If you are sensitive to rainbow artifacts, as I am, you will notice flashes of color where none should be; this is especially evident in content with bright highlights and dark shadows in close proximity. The effect is even more noticeable when coupled with fast motion. While this is most often seen in video and film, it can also be found in Powerpoint presentations. White text on a dark background, coupled with a fast frame transition, can be a recipe for rainbows.

Edge enhancement in BrilliantColor. On most projectors, BrilliantColor does not have anything to do with color, instead boosting highlights without affecting the rest of the image. But BrilliantColor is not a rigid standard - it is a technology used in DLP projection, and it is up to the manufacturer how they choose to implement this technology. Engaging BrilliantColor on the SP890 does indeed affect color. We saw a noticeable boost in saturation, but especially in green. We also saw an increase in artificial edge enhancement, so soft edges suddenly stood out clearly and detailed textures seemed artificial. There is also a net boost in brightness. There is no way to have one without the other, so those using the SP890 for video or photography will want to leave BrilliantColor disabled.


Conclusion
BenQ's SP890 is a strong presentation projector that is ideal for high-resolution applications from photography to medical imaging to light video use. It is not a home theater projector, and its 2x-speed color wheel and digital noise detract from this application significantly. However, its 50,000:1 contrast ratio is evident on screen, and its accurate colors make photographs look their best. And with brightness to spare, the SP890 can be used on a very large screen. When you need a bright 1080p projector for data display, the SP890 should be on your short list.

Optoma GameTime GT720:
a perfect projector for the
Playstation 3 or Xbox 360
Bill Livolsi, July 22, 2010
ProjectorCentral.com

What's the only thing better than playing your favorite video games in stunning high definition? How about playing them in stunning high definition on a massive, wall-filling screen? The Optoma GameTime GT720 is a companion projector for the Playstation 3 or Xbox 360 gaming consoles, bringing you everything you need to turn your game console into a bright, high-resolution, dynamic mobile party starter. It's not a perfect product; placement can be difficult and the 3D capability is deceptive. But when you want a big HD picture on the wall for an evening of gaming with your friends, and don't want to break the bank to get it, the GT720 is the way to go. Street prices begin at $799.




Advantages
Image quality. The GT720 puts up a great looking picture. The image is plenty bright, so ambient light is not much of a concern. If you don't have light shining directly on the screen, you should be fine. Contrast is impressive as well, giving the image a very three-dimensional appearance. Since the PS3 outputs in standard HD formats like 1280x720 and 1920x1080, you will see some slight black bars on the top and bottom of the picture; the GT720 is a 1280x800 projector. But the end result is still a big beautiful HD picture.

Light output. At 2500 lumens, the GT720 promises to be very bright indeed. Our test sample measured 2233 lumens in its brightest mode, or 89% of the stated specification. Now, that's fantastic if you want to put up a 100" or 120" screen in ambient light, or even a 150" screen in the dark. But what if you're not aiming quite so large and need to reduce light output? Low lamp mode drops lumen output by 9% in all modes and also increases lamp life. Cinema mode improves the appearance of mid tones and color accuracy, and comes out at 1165 lumens in high lamp mode. For something between those two, Game mode has better color saturation and dynamic range than Bright mode does while still cranking out 1977 lumens.

Contrast. When a projector is meant to be used in ambient light, the contrast specification tells you almost nothing. The GT720 looks great in some ambient light, producing a picture with good dynamic range. Shadow detail is clearly visible, and blacks are solid without crushing detail in the shadows. Highlights can appear a touch overdriven with BrilliantColor turned all the way up, but even that only occurs in certain scenes with a lot of detail in very bright highlights. Even without any adjustment, the GT720 has a balanced, high-contrast picture that seems to pop off the screen.

Sharpness and clarity. Game consoles like the Playstation 3 and Xbox 360 output in standard 16:9 HD formats such as 1280x720 and 1920x1080. The GT720 is a 1280x800 projector, which is a 16:10 format. This means you'll see some small black bars at the top and bottom of the image, unless you fill your 16:9 screen with a 16:9 image and let the bars fall onto the frame. It also means that 1280x720 can be displayed natively, while 1920x1080 must be scaled to fit. This scaling leads to a slightly softer picture, but when you start with native 1080p content, this softness is essentially invisible. Image quality after scaling is often a problem on lower-resolution projectors, but the GT720 did an excellent job of keeping the image crisp, clean, and detailed.

Color. The GT720's color performance is impressive. The projector is not exactly 6500K accurate, as one would expect from a movie projector, but then again this isn't a movie projector. The picture has a slight bluish cast to it, which we found useful when projecting in ambient light (which tends to be overwhelmingly yellow). The two tend to cancel one another out. Color is saturated, though, and looks good. Most importantly, the projector includes RGB Gain/Bias controls in case the color is not to your liking, and our test sample was very responsive to these adjustments.

Audible noise. Like its sister projector the GT360, the GT720 is nearly silent during operation. Unless you have your head within about three feet of the GT720's exhaust vent, you probably will not be able to hear it during operation at all--especially not if you are taking advantage of the on-board stereo speakers.

Stereo speakers. The GT720 has dual five-watt stereo speakers, which is much better than the usual tinny one-watt mono speaker found on many data projectors. In addition, the GT720's speakers are capable of some incredible volume. Volume is adjustable between 0 and 10. For normal use in a quiet room, there was no real need to go above 2 or 3; in a loud room we might increase volume to 6 or 7. Above 7 or 8, there was some tinny character to the sound produced, so do not exceed this level unless you must.

Portability. The real allure of the GT720 over other, similar projectors is portability. In this case, portability means more than just small size and light weight. It means that the projector's short-throw lens is ideal for setup in a small room against a light-colored wall. It means that the onboard speaker system keeps setup simple, allowing you to connect one HDMI cable and get back to playing. It means that the projector comes in its own backpack, freeing up your hands to carry other gaming equipment. One thing worth mentioning is that, despite the backpack's large size, the game system will need its own carrying bag; there is simply not enough room for a Playstation 3 or Xbox 360 in addition to the projector itself.

Cost of ownership. The GT720 is a very low-maintenance machine. It has no air filter, so the only maintenance you'll have to perform is the occasional lamp change. Lamps are rated to last for 5,000 hours in eco-mode or 3,000 hours in bright mode. When the lamp finally does blow out, replacements cost only $200, which is exceptionally low for such a bright projector. All in all, the GT720 is cheap and easy to maintain, which is ideal for an entertainment projector. Keep a spare lamp on hand and you'll never have cause to worry.

Video delay. Some gamers, intent on milking the best possible performance from fighting or racing games, obsess over video delay. Video delay is what happens when the video output from a source device is delayed for a number of milliseconds in transit to the display. In a time-sensitive game, this can lead to frustration, low scores, and general discontent. The GT720 does not have any noticeable video delay, or at least not enough to manifest during our testing.


Limitations
Placement flexibility. Having a fixed-throw lens is great for portability, keeps costs down, and works for the majority of users. It is also common to see short-throw projectors like the GT720 with no zoom lens, as short throw and zoom lenses don't get along very well. However, such a lens will not work for everyone. A 120" diagonal 16:9 image requires 6'3" of space, and in small rooms this can constrain the viewers to the very back of the house. If you intend to ceiling mount the projector, it will need to be mounted rather close to the front of the room. This almost requires a cable run through the ceiling to avoid unsightly dangling wires. While you can sometimes get away with stringing wires around the back of the room, this is less acceptable when those wires would hang between the audience and the image.

3D. The GT720 includes Texas Instruments' DLP-Link technology, allowing it to be used with active shutter glasses to display 3D content at a maximum resolution of 1280x720. There are now several games available for the Playstation 3 capable of stereoscopic 3D display. A potential buyer might make the assumption that a 3D projector meant to be paired with a 3D console would be able to display 3D content from that console. It's a reasonable assumption. It is also wrong.

The GT720 will display 3D content only if that content is presented at 1280x720 pixels and 120 frames per second. The PS3 will output a 3D signal only if it is connected to a display it recognizes as 3D capable. For lack of a better explanation, the GT720 and PS3 do not properly "handshake," so the PS3 will not output a 3D signal. Without a 3D signal, the GT720 will not switch into the proper 3D mode. Since it is not in a 3D mode, it cannot be recognized as a 3D display, so the PS3 will not output the proper 3D signal... the whole thing becomes a catch-22.

Now, if you would like to use the GT720 with a PC that is set up with NVIDIA's 3D Vision, it works perfectly. After several hours of use, we can confidently say that the GT720 displays a beautiful 3D picture. It just won't do it with the Playstation 3.

2x-speed color wheel. The GT720 has a 2x-speed color wheel, with five segments: red, green, blue, yellow, and white. If you see rainbow artifacts when using a DLP projector with a two-speed wheel, you'll see them on the GT720. This is not much of a problem for games, since the player's eye generally stays fixed on the center of the screen. But during movies, when the eye is free to roam, rainbows may become a factor. The solution is twofold: one, find out if you or anyone in your intended audience is sensitive to rainbows. Two, use the GT720 for games, not movies.


Conclusion
The Optoma GameTime GT720 is a great projector for the display of high-definition video games from the Playstation 3, Xbox 360, or even a high-end PC. It has a bright, dynamic image that pops off the screen, beautifully saturated color, and crystal-clear sharpness. It is highly portable and easy to use, and the onboard sound system is enough for all but the largest rooms.

The projector uses a 2x-speed color wheel, so rainbows are a factor when watching movies or other non-interactive content. And while the projector is 3D ready, it also serves as an object lesson of the perils of being an early adopter--3D from the Playstation 3 doesn't work. But as far as 2D is concerned, it puts a big beautiful HD picture on your wall or screen.

Optoma EW330 WXGA DLP Micro-portable Projector
Bill Livolsi, July 27, 2010
ProjectorCentral.com

So imagine for a moment that you're a traveling presenter, moving from city to city and making your pitch. Whether flying or driving, you probably want to travel light. The Optoma EW330 is a 2.5-pound, 2200-lumen WXGA projector that's dead simple to use and displays a bold, striking data picture. It combines the features of a much larger projector, such as an HDMI port and a laser pointer, with the portability of the sub-3 pound projectors. And the EW330 does not even require an external power transformer, as do many micro-portables. With street prices around $890, it is not the most affordable projector on the block, but its unique combination of features and performance make it a valuable tool for those who travel.


Advantages
Great data picture. The big question for any portable projector like the EW330 is "how does the picture look?" We ran the projector through its paces with some common presentation material: a Powerpoint presentation complete with images and transitions and medium-sized text, a spreadsheet with charts and graphs and plenty of data, a text document, a video clip, and some photos. Powerpoint looked fantastic, especially when there was color involved. Text documents and spreadsheets were sharp and clear, though text smaller than 10-point tended to get muddled. Photos looked bold, with plenty of shadow detail and a very three-dimensional appearance, though color needs some fine-tuning for optimal display. After adjustment, color looks natural and life-like. The EW330 produces a sharp, bright, clear picture with bold, vivid colors, ideal for the sort of bright environment in which one would typically use it.

Bright picture. For such a tiny projector, the EW330 packs a serious punch. Rated at 2200 lumens, our test sample measured 1976 lumens in its brightest mode, using high lamp mode and the lamp's widest angle setting. For the traveling presenter, this kind of light output equals freedom--freedom from having to worry about your presentation environment and the amount of ambient light in the room.

If your presentation environment doesn't require quite so much light, the EW330's other image modes will serve you well. The next step down from Bright mode is Presentation, which features higher contrast and more saturated colors. It measured 1442 lumens on our test sample. Movie mode, with more defined mid-tones and a warmer white balance, measured 949 lumens. And sRGB mode, which had the best balanced picture of any mode, measured 571 lumens. Any mode can also have its output reduced by 24% by using low lamp mode, which can help split the difference between some of the higher output image modes.

Highly portable. The EW330 is a micro-portable projector with a unique twist. Usually, these tiny portables reduce size and weight by moving the power transformer from the projector's case to a separate brick. So while the projector might weigh two pounds, there's an extra pound and a half of power transformer that needs to come along as well. At best, this is inconvenient; at worst, it is deceptive.

The EW330 isn't like this. There's no power brick to lug; the projector uses a standard IEC power cable just like most other pieces of home theater equipment. These cables are inexpensive, ubiquitous, and extremely lightweight, so you won't find your travel bag packed with a bunch of projector-related clutter. In fact, the EW330's small travel case can easily hold the remote, power cable, and a signal cable of your choosing (VGA or HDMI). External dimensions of the case are 9.5" x 8" x 4" when fully loaded--add a laptop and you have everything you need. The EW330 fits inside your carry-on luggage, rather than replacing your carry-on luggage.

Connectivity. The EW330 is tiny, sure, but it does not compromise on connections. The connection panel is decked out with VGA, HDMI, s-video, composite, and a mini-USB port for control of your computer's mouse. There are no breakout cables to pack, no adapters to worry about, and no expensive cable replacements when something is lost or broken.

Placement flexibility. The EW330 has a 1.1:1 zoom lens, so you can adjust total image size by about 10%. This allows you to put a 100" 16:10 image on screen from 11' 3" to 12' 4", which isn't a lot of leeway. The throw angle offset is roughly 28%, meaning the bottom edge of the image will appear 28% of the image's height above the centerline of the lens. In practical terms, a 100" diagonal 16:10 image will have an offset of 15". This is a good middle ground, high enough to compensate for a low conference table. Unfortunately the projector does not have a quick-adjust front foot, so any height adjustments will have to be made by turning the foot manually. When you are trying to set up a presentation as quickly as possible, this sort of delay can be aggravating.

Low cost of ownership. With no filter to clean and an estimated 5,000 hour lamp life, the EW330's maintenance schedule is about as easy as it gets. When the lamp does go out, replacements are available for less than $250. In other words, assuming that the lamp runs for its full specified lifespan, the EW330 will cost you a nickel per hour to operate.

Quiet operation. During use, the EW330 produces remarkably little audible noise for such a small, bright machine. When it is first turned on, the fan is little more than a whisper, especially if you are not seated directly in front of the exhaust vent. The downside is that, as the projector heats up, the fan will occasionally kick into high gear, creating more audible noise at unpredictable intervals. Our test sample ran for about 15 minutes before the fan kicked up, but we also test at 3,000 feet of elevation, so your results will likely be different from ours.

Video quality. Let's make this clear right out of the gate: the EW330 is not a video projector. It has a 2x speed color wheel with a substantial white segment, so highlights appear brighter than everything else and shadow detail can seem washed out in comparison. But for that traveling presenter who wants to watch a movie in his off-time, the EW330 will do an admirable job for what it is. There were no real problems with video playback, but the EW330 is not a projector we would recommend specifically for video, either.


Limitations
Pincushion distortion. The EW330 shows signs of "pincushion" distortion, when the sides of the image bow inwards towards the center. It's subtle, and in cases where you have a screen to project on, you might not even see it. But if you are just putting the picture on a wall or the image's edges are clearly visible, it's easy to spot. This has the greatest effect when you are displaying something with a lot of strong vertical or horizontal lines, such as a spreadsheet. If you're using the EW330 to display Powerpoint presentations, video, photos, or text documents, chances are good that you won't notice any distortion.

2x speed color wheel. This is only a concern if you want to watch a significant amount of video, but since the EW330 is technically an HD projector, someone will try it. The projector's 2x-speed, five-segment color wheel will cause rainbows for those sensitive to them, especially with fast-moving content where bright highlights move quickly across a dark background. If you are doing mobile presentation, you have no way of knowing how your audience reacts to 2x-speed color wheels, since the audience is different every time. If your presentation involves a lot of video that fits these criteria, you may want to take this into consideration before making a purchase.


Conclusion
The Optoma EW330 is a presenter's new best friend. Its tiny form factor and light weight make it a great travel companion for someone on-the-go, and it is among the brightest small WXGA projectors available. The EW330 uses industry standard connectors, so you can use any cable you like and not have to worry about expensive replacements in the future. There's no power brick to lug around, no adapter cables, and no hassle. When it comes to image quality, the projector is a solid performer, putting up a bright picture with very good contrast and color. It is, in short, a very well-constructed mobile presentation projector.

Sanyo PDG-DWL2500
Ultra Short Throw Classroom Projector
Bill Livolsi, July 29, 2010
ProjectorCentral.com

The Sanyo PDG-DWL2500 is an ultra short throw WXGA projector. It produces a large image in very little space - an 80" diagonal 16:10 image requires only 13" of clearance. With a 2500-lumen maximum light output, 3D capability, and excellent connectivity, the DWL2500 makes a great addition to any classroom or conference room. Never again will you need to worry about casting a shadow over your presentation. It is not portable and placement can be a hassle, but once installed, the DWL2500 is a solid performer. It retails for $1,995.


Advantages
Image quality. The DWL2500 is a bright projector, with a brilliant data image that looks best with simple content like text documents and spreadsheets. Contrast is sufficient for use in ambient light, though shadow detail is not as well-defined as on some competing models. On our test unit, shadows were often crushed in lower illumination areas, meaning the DWL2500 is best used with bright, high-contrast content such as text documents and simple Powerpoint presentations. And while color accuracy and saturation is excellent at higher brightness, less intense colors suffer from the same crushed shadows. The DWL2500 is best paired with text, data graphics, and spreadsheet data, while photographs can look good depending on content. Using one of the less bright image modes, like Real or Cinema, can also help correct for this imbalance.

Ultra Short Throw. The DWL2500 is known as an ultra short throw projector, which is a somewhat fuzzy category. However, the generally accepted characteristics seem to include projectors that can display a moderately-sized image from throw distances of less than a foot. This makes the DWL2500 ideal for rooms where there isn't a lot of space or where a presenter must interact with their material often--classrooms come to mind immediately.

The DWL2500 will display an 80" diagonal 16:10 image at 13" throw distance from lens to screen. This is already impressive, but more so when you realize that the lens housing is situated near the back of the projector. For that 80" diagonal image, the front edge of the projector can be positioned only 1" away from the screen surface.

This also has the advantage of reducing the shadow cast by a presenter operating close to the screen. Since the DWL2500 has such an extreme throw angle, you can get very close to the screen (say, within nine inches) before you begin to cast a shadow on the projected image. In a teaching environment, this allows you to lecture from the front of the class without blocking the picture or having the bright projector lamp shine in your eyes.

Mounting Options. The DWL2500's ultra short throw lens is unique, and the projector has to be mounted differently than other short throw projectors. Basically, the user has two options: the projector can be mounted directly above the screen on an arm mount, or directly below it on a table or shelf. The throw angle offset is such that the bottom edge of the image will appear 8% of the image's height above the projector's case; in short, the bottom edge of the image is very close to the projector itself. Because of this, a ceiling mount is impractical in most cases, as it would place the image too high on the wall.

The DWL2500 can display an image between 60" and 110" diagonal. When the projector is placed flush against the wall, the image diagonal is roughly 72". The smaller 60" diagonal is only possible if the screen protrudes over the projector housing by about 3". This is useful when a screen is not mounted absolutely flush with the wall--you can still project a focused, clear image. Scooting the projector back about an inch gives a diagonal of 80". The maximum size of 110" is reached from roughly 6.3".

Light output. As far as lumen readings go, the DWL2500 is exceptionally difficult to measure. Lumen measurements depend upon a series of nine meter readings and the size of the projected image. Due to the extreme throw angle of the DWL2500, we were unable to obtain a dependable reading from the projector. Laying the meter flat against the screen surface returned a reading of 800 lumens, but the picture looks much brighter than that. Tilting the meter to allow more light to hit the sensor resulted in readings far above the specification, above 2700 lumens. In this case, a subjective judgement will have to suffice: the DWL2500 is very bright indeed, and more than capable of projecting a 100" diagonal image in moderate ambient light. The projector's focus range is somewhat limited, so images above 110" diagonal are not possible in any case. In a dark room, the DWL2500 has more than enough light to go around.

One thing we can comment on is low lamp mode. It reduces lumen output by 23%, cuts audible noise, and extends the life of the lamp. On a projector this bright, there are few downsides to engaging low lamp mode.

Connectivity. The DWL2500 has an extensive array of connections available. Topping the list are HDMI and two VGA ports, one of which can double as a monitor pass-through. This is a desirable feature for classrooms because it allows the room's desktop computer to be used with the projector without disabling the teacher's monitor. Composite and s-video round out the visual connections. Next up is an RJ45 LAN port for network monitoring and connectivity, a 9-pin d-sub serial port, and a 3-pin VESA 3D sync jack. This allows the DWL2500 to work with a wide array of 3D hardware, though it is not NVIDIA certified, so users of that system may have to jump through some hoops to get the projector working properly. Audio connections include two 1/8" audio inputs, a 1/8" audio output, and an L/R RCA stereo input. With all of these connections available, one would be hard-pressed to find a signal the DWL2500 can't handle.

3D Ready. The DWL2500 uses Texas Instruments' DLP Link technology for 3D Display, allowing for the showing of stereoscopic 3D content up to 1280x720 resolution. Like all DLP 3D Ready projectors, the DWL2500 is capable of displaying 3D content transmitted in the frame-sequential format - that is, frames are transmitted left-right-left-right at 120 frames per second, giving a frame rate of 60 frames per second per eye. So the DWL2500 can be used with a computer outputting 120Hz 3D, but will probably not work with Blu-ray or broadcast 3D. This isn't so much a problem with Sanyo's projector as it is with the state of 3D technology, but it is something to consider before purchasing.

Documentation. This is not something we normally comment on, but the DWL2500 has an exceedingly well-written and comprehensive manual. It includes plenty of clear, easy to understand graphics and detailed instructions - including a how-to on using 3D content, which is absent from almost all other 3D Ready projector manuals. Sanyo deserves kudos for this addition.


Limitations
Difficult placement. One of the downsides of short throw projectors is that placement is usually a chore. The projector must be placed perfectly square with the screen, down to the millimeter. The DWL2500 is even more difficult due to its ultra short throw; even the slightest alignment error can lead to strange problems with screen geometry. Getting the projector adjusted just-so is vital for achieving proper edge to edge sharpness and detail clarity, so the installer will have to take extra care to ensure that each projector is mounted precisely in the correct position. Typically, this is achieved with the use of a special mounting arm bracket which holds the projector in the proper position and secures to the wall itself. This is much easier than trying to place the projector on a table, as we found during testing; the slightest shift, the tiniest imbalance, and the rectangular image is skewed or made trapezoidal.

Focus. Related to placement is focus. The DWL2500 has a very limited focal range, in that it is only capable of displaying images between 60" and 110" diagonal. Smaller or larger images are impossible and will appear out of focus. This is part of why placement is so crucial with the DWL2500: if the image is not perfectly square, focus will not be even across the projected image. When displaying detailed information like a spreadsheet, a lack of focus in any part of the image can be detrimental to audience comprehension.

Gamma. The one flaw with the DWL2500's image is that mid-tones look dark and shadowy, causing a loss of detail in the mid- to low-end of an image's tonal range. So while bright data graphics and simple Powerpoint presentations looked vivid and life-like, photographs and especially videos seemed dim, dark, and dingy. This is not as much of a problem for most classrooms, where the focus is on bright and vibrant education material, but it can be a cause for concern in business applications where shadow detail can be important.

Maintenance. The DWL2500 is relatively high-maintenance compared to other DLP projectors. The 2500-lumen lamp is rated to last 3,000 hours in eco-mode, which is a modest lifespan these days. Replacements cost $600, which is above average. The DWL2500 also has an air filter, which is unusual on today's DLP projectors. While the benefits and downsides of air filters are debatable, the fact remains that they need to be cleaned and changed fairly often. Sanyo's filter on the DWL2500 is a long life model, rated to last between 2,000 and 4,000 hours depending on use environment. In a nice touch, the filter reminder timer can be set to 2,000, 3,000, or 4,000 hours. However, when compared to other DLP projectors with no filters, this is another piece of regular maintenance.


Conclusion
Sanyo's PDG-DWL2500 is great for the classroom. Its bright picture is perfect when you have a sizeable room full of students who all need to see the material. The high upward throw angle and short throw distance make instruction easy, since a teacher can stand very close to the projected image without casting a shadow. A cornucopia of connections makes it easy to attach any equipment you need, from laptop computers to Blu-ray players to the venerable low-tech VCR. The price tag of $1995 is high for a WXGA projector, and it is not designed as a multi-purpose machine; if you need a projector you can bring with you or place in many different viewing environments, this isn't the one for you. But for short-range projection of very large images, the DWL2500 is one of the finest projectors around.

Optoma TW775 Conference Room Projector
Marc Davidson, August 3, 2010
ProjectorCentral.com

If you need a projector for a large conference room, lecture hall, or small auditorium, and want one bright enough to let you leave the lights on, the Optoma TW775 can easily fill the bill. Built around a DLP engine with a WXGA (1280 x 800) native resolution, it's rated at 4500 lumens and delivers a measured brightness close to the rating.

The TW775 is highly flexible, with lots of connection options and a choice of three lenses, depending on whether you need a short, standard, or long throw. It's even 3D-ready, a feature that Optoma doesn't tout, but may come in handy as 3D content becomes more common. At $2,999 street for the projector itself and $499 (standard throw), $1,499 (long throw), or $1,999 (short throw) for the lenses -- a total of $3,498 to $4,998 -- it's a potentially good fit for a variety of large venues.


Advantages

Near excellent image quality for data. Data image quality on the TW775 was just short of excellent, with only minor issues. Yellow was a little mustard colored, which is common in DLP projectors, but colors were generally attractive, fully saturated, and vibrant. Similarly, white text on a black background was almost impossible to read at the small sizes that might show up in, say, a spreadsheet. However, black text on a white background was easily readable at the same sizes, and, of course, black on white is what you're most likely to use.

Data images were excellent in almost every other way, from edge to edge sharp focus, to absolutely neutral grays at all shades from white to black, to showing little to no pixel jitter with an analog VGA connection even on images designed to bring out pixel jitter. For photos (as well as video), the image was visibly lacking in contrast, even with theater dark lighting, but that's not surprising, since Optoma claims only a 1500:1 contrast ratio. It's fair to say that the colors don't pop, but they're in within a reasonable range of reality, and the projector did a good job retaining detail in both dark and light areas as well as otherwise avoiding any notable problems.

Better than par video quality. Image quality for video was above par for a data projector, at least when using an HDMI cable and setting the source for 1080p to upconvert standard DVDs. As with photos, the projector did a good job retaining detail in dark areas, and even in scenes that are prone to showing posterization (with shading changing suddenly where it should change gradually) it showed only the slightest touch of a problem. You'll want to stay with 1080p input for video, however. Composite video is never recommended if you want the best picture quality, and it is particularly true of this model.

Bright image with good uniformity. We measured the TW775 at 4431 lumens. That's about 98% of it's rating and easily bright enough to throw a big, bright image that can stand up to ambient light. It also scored well on brightness uniformity, at a measured 74% and no noticeable variation across the screen even with a solid white image.

Wide range of brightness levels. High brightness isn't always a good thing. The TW775's brightest setting is a good choice for a large image or a brightly lit room, but with the roughly 95" diagonal, 16:10 image we used for testing, it was too bright to view comfortably in a dark room. For smaller rooms or low light conditions, the TW775 offers five additional preset modes, which we measured at 1565 to 3849 lumens. In addition, the eco mode drops the brightness by about 17%, all of which gives you a wide range of brightness levels to choose from. Eco mode also saves energy, lowering the power draw by about 13%, from 400 to 338 watts in our tests. According to Optoma, it increases lamp life too, from 2000 to 3000 hours.

Flexible placement, with a choice of lenses. We tested the TW775 with the standard lens, which offers a recommended projection distance of 4.9' to 23', a recommended diagonal image size of 34.2" to 200", and a 1.25x manual zoom. The long throw and short throw lenses differ from the standard lens in every one of these specifications. Between the three lenses, however, the recommended projection distances range from 1.6' to 65.6' and the recommended image size ranges from 28" to 457", giving you tremendous flexibility for choosing an image size and placement for the projector. In addition, the projector's lens shift range with the standard lens is plus or minus 10% of the image width horizontally, and minus 20% to plus 60% vertically. This give you still more placement flexibility.

Excellent connectivity. The back panel of the TW775 includes nearly every type of connector in the projector universe, starting with two VGA ports that can each connect to either a computer or a component video source. You'll also find an HDMI port and a DVI-D port that each offer digital connections for a computer or video source and a VGA pass-through port to let you connect a monitor. Still other choices include a set of five BNC connectors for component video, a set of three RCA phono plug connectors for component video, a phono plug for composite video, and an S-Video port. One of the VGA ports can also be used for a SCART connection.

For audio, each of the VGA ports and the set of BNC connectors is paired with its own mini jack stereo audio input (or output in the case of the pass-through port). Similarly, the set of phono plugs for component video is paired with a set of stereo phono plugs, and the S-Video and composite video ports share a single set of stereo phono plugs. The HDMI port, of course, already includes audio. (There is no audio port to go with the DVI-D port.) Having all of these audio inputs lets you plug in an assortment of computer and video sources along with audio from each, and automatically switch the audio when you switch sources.

Finally, the projector includes a USB connector so you can connect to a computer and control the mouse pointer from the remote, both RS-232 and LAN connectors to let you manage the projector from a computer or a control box, and two 12 volt triggers. The most likely use for one trigger would be for lowering and raising the screen. Few situations can actually take advantage of two, but the second one is there if you need it. With all of these connectors, it's hard to picture a situation where the TW775 will leave you wishing for more.

Well designed remote and menus. The remote and the menu system are both well designed and easy to use, both for changing settings and for controlling a computer mouse from the remote. The remote also includes a laser pointer as a welcome extra.

Better than typical audio. The TW775's stereo sound system, with two 3-watt speakers, delivers better than average sound quality for a data projector and enough volume to fill a medium size conference room. If you need more volume, the audio out port makes it easy to connect to an external sound system.

Excellent warranty. Optoma offers a longer than usual warranty, at 3 years for the projector and a full year for the lamp. You also have the choice during the first year of getting a replacement unit immediately, or getting a loaner while Optoma repairs the original unit. After the first year, the loaner is the only choice.


Limitations

Not totally 3D-ready. There are a number of competing 3D schemes, so when a manufacturer says its projector is 3D ready, you have to ask which 3D technologies it's ready for. Without getting into details, the variations emerging as most important for projectors for home, education, and business all require a 120 Hz refresh rate. The TW775 offers 120 Hz at resolutions up to and including 1280x720, so in that sense it's 3D ready. However, that's not the whole story.

Optoma says the TW775 works with TI's DLP-Link, which means it can show 3D if it's connected to a computer with a Quadbuffered, Open GL 3D-compatible graphics card. Unfortunately, we didn't have a 3D computer on hand for testing, so we can't confirm that it works.

We tried testing with a Sony PlayStation 3 with upgraded firmware for 3D. However, the PlayStation wouldn't run in 3D, saying that it couldn't find an appropriate display. Optoma confirmed that the projector currently works only with computers, but also says it's working on ways around the limitation. For the moment, then, the 3D capability is partial. It may or may not turn out to be useful when you're ready to show 3D content, depending on what you want to show and assuming you're willing to buy enough glasses to accommodate your audience (they are currently more than $100 each). Even so, given that the 3D feature is essentially free -- because it's built into the DLP chipset and doesn't increase the projector cost -- there's certainly no harm in having it.

Color breakup (rainbow artifacts). Because single chip DLP projectors show only one primary color at a time, they have the potential for what's known as the rainbow effect or rainbow artifacts. If a light area surrounded by a dark area moves on screen or you move your eye, each primary color can hit a different part of your retina, and you may see the individual colors as little red-green-blue rainbows.

People vary in how easily they see these artifacts and projectors vary in how easily they show them. The TW775 shows the effect easily enough so anyone who's sensitive to it will likely see it in both data and video images, but probably not often enough for any but the most sensitive to find it annoying.


Conclusion

The TW775 is easy to recommend, with its long list of strengths and notably few weaknesses. It can connect to just about any source; its high brightness makes it a good choice for large venues from boardrooms to small auditoriums; and its range of brightness levels and choice of three lenses gives it the flexibility to be a good fit in almost any physical layout. For large venues, the combination makes the TW775 hard to beat.


http://www.projectorcentral.com/Optoma_TW775_conference_room_projector_review.htm?em

Sony BRAVIA VPL-VW85
1080p SXRD Home Theater Projector
Bill Livolsi, June 15, 2010
ProjectorCentral.com
Sony's flagship home theater model, the BRAVIA VPL-VW85, is a behemoth of a 1080p projector. Designed from the ground up for home cinema use, the VW85 sports 800 ANSI lumens of real-world brightness and a 120,000:1 claimed contrast ratio. Amenities like a 1.55:1 powered zoom lens with both vertical and horizontal lens shift make it easy to place the VW85 in a wide variety of theaters.

However, few people buy a projector like this for the features since there are many projectors that have the same features but cost much less. Most potential buyers of the VW85 are concerned with one thing: image quality. When you pop in a Blu-Ray movie or turn on Sunday's game, what you get is the experience as it is meant to be seen, right there in your home theater. The VW85 has a dynamic, three-dimensional image that jumps off the screen, with color so life-like you'd swear you were there. Home theater excellence is attainable for just under $8,000 from your local custom installer.


Advantages
Light output. The VPL-VW85 is rated for 800 lumens of brightness. In the ideal mode for home cinema--Cinema 3 with a custom color temperature--our test unit measured 763 lumens, or 95% of the specified output. Many home theater projectors have much higher lumen ratings, but once they are calibrated they lose a significant amount of light, causing cinema mode to be much dimmer than the specification would imply. 763 real, color-calibrated lumens in cinema mode is excellent performance by any metric, and the VW85 outputs more than enough light to be used on even a 160" screen in a theater with proper light control. On smaller screens, one might wish to engage low lamp mode to decrease output. Switching to low lamp mode reduces light output by 36%, to 490 lumens. This is just about right for a 120" screen in a light-controlled room or a 100" screen with mild ambient light.

These lumen readings were taken with the lens at its widest angle. As with all zoom lenses, some light is always lost when moving the lens from its widest angle setting to the longest throw; in this case, the drop-off was 23%. This would bring Cinema 3 to 586 lumens in high lamp mode or 376 lumens in low lamp mode. Even at 376 lumens, using the VW85 on a 100" diagonal low-gain screen results in a bright, engaging picture.

Contrast. In a darkened room, the VW85 has great contrast. Thanks to the action of an automatic iris, dark scenes are dimmed down significantly, while bright scenes are opened up. This allows both highlights and shadows to be fully expressed, though never in the same scene--obviously, the iris cannot selectively dim some parts of an image while brightening others. Even in scenes without extreme highlights or shadows, the VW85 still has a very three-dimensional picture. And when switching between the two extremes, the operation of the iris was undetectable, even during rapid changes between low and high average light levels.








Color. As expected from a projector of this caliber, color is impeccable. We tested the VW85 with our CalMAN Professional system. Even fresh out of the box, grayscale tracking in Cinema 3 measured an average white balance of 6350K, very close to the 6500K reference point for video and film. Still, after some fine-tuning of the color temperature controls, grayscale tracking can be improved even further. Likewise, the color gamut matched the reference standard very closely, with a deviation so small that it is for all practical purposes nonexistent.

The settings we used on our test sample are as follows:

Red Gain 4
Green Gain -12
Blue Gain 7
Red Bias 6
Green Bias 6
Blue Bias -7

At factory defaults, the VW85's color saturation is too low. This is easy to fix by simply increasing color saturation. The saturation control runs from 0 to 100 and defaults to 50; our preferred setting was 55. Be careful not to overdrive saturation, as it will begin to make objects look artificial and one-dimensional.

Sharpness and Clarity. The VW85 uses a three-chip SXRD light engine, SXRD being Sony's trade name for LCoS. We saw no undue softness on the VW85, nor did we see any evidence of panel misalignment, but the image is also not quite as sharp as the Optoma HD8600, which sells for about the same price. The VW85 looks plenty sharp on its own, and the HD8600's subtle edge in this regard is only evident when the two models are placed side by side.

Placement Flexibility. The VW85 has a 1.55:1 powered zoom/focus lens as well as powered H/V lens shift. It can display a 120" diagonal 16:9 image from throw distances of 12' 9" to 19'. Likewise, the image can be placed either completely above or completely below the centerline of the lens, as well as moved up to 20% in either direction horizontally. Keep in mind that the total range of the lens shift is like an oval; using the maximum vertical shift will limit the amount of horizontal shift you can apply, and vice versa.

Frame Interpolation. Frame interpolation is a technology by which a projector buffers several frames, analyzes the differences between them, and then creates intermediate frames. These intermediate frames are inserted between the "real" frames and can make motion appear smoother as well as almost completely eliminate the appearance of judder. The downside is the occasional artifact as the algorithm gets "confused," leading to some interesting visuals (for a great example of this, find a scene with a horizontal pan across vertical stripes). The other downside is what's called the "digital video effect," sometimes derogatorily called the "soap opera effect," where the overall picture looks too real. Those who dislike the effects of frame interpolation say that it induces a sense of hyper-reality, breaking your immersion in the film and making it difficult to suspend disbelief. Others enjoy the effect, saying that it looks different from 24fps film but not necessarily bad. There's no way to know which camp you'll fall into until you witness the technology in action.

The frame interpolation system on the VW85 goes by the trade name "Motionflow." It does a good job of reducing judder, though it has a slightly higher incidence of artifacts than we are used to seeing. It also appears to have more of the "digital video effect" than similar systems on other modern 1080p projectors, so home theater purists may wish to leave the system disabled.


Limitations
In almost every way, the Sony BRAVIA VPL-VW85 exceeds the performance of most lower-priced 1080p projectors on the market. So it is indeed a real step up in performance that justifies its higher price. However, we would describe is as being unexceptional in its own class, since its performance is in general equal to or slightly less than competing products in its price bracket. There is no single area where the VW85 is obviously flawed. But there is no area in which it uniquely outperforms the competition either. Its shortfalls are minor, and only apparent in side by side viewing with similarly priced 1080p projectors.

User Interface. The VW85 uses a remote very much like that of the earlier HW15, with the addition of a few buttons to access some of the new features. It retains the same large size and the same bright blue backlight. In a dark theater environment, the backlight is bright enough to be annoying--especially since it is difficult to actually read the labels on the buttons when the light is shining. The backlight button itself does not light up. Some projector remotes feature a backlight button that glows in the dark; this would have been a handy feature.

Digital noise. There was a small amount of digital noise visible on the VW85, slightly more than on competing models in its class. This has the effect of "flattening" the image a little bit in certain scenes, ordinarily those which are already low-contrast. It can occasionally detract from the overall clarity of the image. There is a slight graininess to the VW85's image, separate and distinct from the normal film grain that comes from the content being displayed. Some people are hypersensitive to this artifact, but it is not a concern to most viewers.


Conclusion
The Sony BRAVIA VPL-VW85 is a very impressive home theater projector, designed for the cinema enthusiast who wants to put the best possible image in a light-controlled environment. Despite its low 800-lumen rating, it has the brightness to drive a low-gain screen up to 160" diagonal. It has excellent color and very good contrast, giving it a solid three-dimensional look. It has some digital noise and a less-than-perfect frame interpolation system, as well as some stiff competition, so it is not the undisputed king of the $8,000 price bracket. Nevertheless, if you're looking for a high-performance home cinema projector, the VW85 is a great option

Sony BRAVIA VPL-HW15
1080p SXRD Home Theater Projector
Bill Livolsi, September 9, 2009
ProjectorCentral.com

Sony's newest projector, the Sony HW15, was just announced today at the CEDIA expo. This 1080p SXRD projector, which is Sony's implementation of LCOS, features a 60,000:1 contrast ratio, whisper-quiet operation, and a flexible 1.6:1 zoom lens with vertical and horizontal shift. Most importantly, it has a great picture, with bright highlights, inky deep blacks, and vibrant color.

The HW15 succeeds Sony's HW10, which we reviewed in November of last year. While the spec sheets look similar, the HW15 does have some improvements which should make it even more attractive to the home theater enthusiast. Most notably, brightness has been increased in Cinema mode by 20%, on/off contrast has been improved with deeper blacks and brighter highlights, and the price has been lowered, making it the least expensive 1080p LCOS projector ever released. You can expect to find the HW15 very soon for $3000 retail.


Advantages
Lumen output. The HW15 is rated at 1,000 lumens, as was its predecessor, the HW10. In Cinema mode, using high lamp and the lens's widest angle setting, our test sample measured 830 ANSI lumens. This is a modest boost from the HW10, which already had a very bright Cinema mode at 697 lumens. This gives the HW15 one of the brightest Cinema modes we've seen, and makes it a versatile, flexible projector for use in almost any viewing environment.

Low lamp mode introduces a significant drop of 30%, so Cinema mode is reduced to 575 lumens. This setting still produces enough light for a 150" screen in a light-controlled room. If you find high lamp mode to be too bright for your room, which is quite likely if you have good light control, low lamp mode can help curtail lumen output to a more reasonable level.

The HW15, like the HW10, has a 1.6:1 manual zoom lens. This lens transmits the maximum amount of light when using the wide angle setting, or the largest possible image at a given distance. Using the telephoto end of the zoom lens introduces a drop in lumen output of 22%. In a worst-case scenario, when using Cinema mode with the low lamp setting and the telephoto end of the zoom lens, the HW15 measures 443 lumens. This is still more than enough light for a 120" diagonal 16:9 screen in a light-controlled room, so the bottom line on the HW15 is that it's bright enough for just about any traditional home theater application. The high maximum light output also means you could use the projector to watch HD sports or play video games with the room lights turned up and still have a fairly pleasant picture.



Contrast. The HW15 is rated at 60,000:1 on/off contrast, while the HW10 is rated 30,000:1. There is indeed an increase in apparent contrast when compared to the older model, but it does not appear to be two-fold. Even though there has been a clear increase in on/off contrast, ANSI contrast is about the same. The HW10 measured 416:1, which is the highest ANSI contrast we've measured on any LCOS projector, while the HW15 measured 409:1. This is functionally irrelevant, and one can say that the HW10 and HW15 have identical ANSI contrast.

The projector's auto iris is effective, and significantly boosts on/off contrast in typical use. However, its adjustments can sometimes be seen with the naked eye, and it is one of those phenomena that, once seen, cannot be unseen. If the action of the auto-iris bothers you, the automatic adjustment can be disabled, and it can then be adjusted manually on a scale from 0 to 100. Closing the iris completely reduces lumen output by 87%, so it is an effective way to curtail lumen output if you are using low lamp mode and still find the image too bright for your liking.



Color. The HW15 has fairly accurate color straight out of the box. The "Medium" color temperature setting tracked closer to the ideal 6500 Kelvin white balance than the default "Warm." For videophiles, the HW15 includes several custom color temperature settings which can be fine-tuned to your specific preferences and saved. Each custom setting has one of the existing presets as a baseline, so (for example) you can start from "Medium" color temperature and work towards your goal. This makes adjusting color balance much less arduous. The controls are intuitive and responsive, so tuning the HW15 is a snap. When placed next to the Samsung A900, which has reference-quality color when calibrated correctly, it was often difficult to see a difference between the two projectors in terms of color accuracy. For a projector at its price point, the Sony HW15 does an excellent job.

No visible pixelation. The HW15 has no visible pixelation - not even a hint. Even when standing with your nose to the screen, it is difficult to discern any sort of inter-pixel gap or screen door effect. This inherent smoothness makes the HW15 a good choice for very large image sizes, as the audience will not see any pixelation. While 1080p projectors usually have images which are nearly free of pixelation, the HW15 is outstanding even among its peers.

Placement Flexibility. The HW15 has a 1.6:1 manual zoom lens with vertical and horizontal lens shift, making it simple to install and position. Horizontal lens shift has a range of 1.6 screen widths (a shift of 30% in either direction), while vertical shift allows for a total range of two image heights. This allows the image to be placed completely above or completely below the centerline of the lens, making it easy to mount the projector on a coffee table, rear shelf, or ceiling mount. One thing to note is that the extreme edges of the vertical and horizontal shift cannot be used simultaneously. Think of the lens shift range as an oval, rather than a rectangle -- the more horizontal shift you use, the less vertical you can apply, and vice versa.

Quiet Operation. Fan noise on the HW15 is almost nonexistent. The projector only produces 22dB of audible noise in high lamp mode, and even less in low lamp. Even using high altitude mode, the projector did not get loud enough to engage the sensor on our sound pressure level meter. Unless you position the projector directly next to your ear, chances are very good that you'll never hear it in operation.

Inexpensive. At $3000, the HW15 is the lowest-cost 1080p LCOS machine yet released. This new price point opens up the benefits of LCOS performance (excellent black level, no visible pixelation, and extra-quiet operation) to many more consumers who may have previously been too budget-conscious to consider the technology.

Panel alignment feature. One of the little-acknowledged truths of projectors is that any multi-panel light engine may be susceptible to alignment problems. LCOS, LCD, and 3-chip DLP projectors, each of which use three panels to create an image, can sometimes have issues with imperfect alignment, resulting in color shift across part or all of the image. The easiest way to check alignment is to display a white-on-black crosshatch pattern and inspect the individual bright lines. If you see any colored pixels around the edges of the white pixels, this could be an alignment problem.

With most projectors, there is no way to fix this issue - you can either send it back to the manufacturer and hope that it's covered under warranty, or you can buy a new projector and hope for the best. The HW15, though, has a feature which allows the user to adjust the alignment of the LCOS panels, which should correct for any mild panel misalignment issues you come across.


Limitations



No frame interpolation. Frame interpolation is a feature of interest to many people these days. Some people enjoy the reduction of judder associated with 24p film content, while others feel that it detracts from the "purity" of the image or that it looks artificial. Personally, I like to keep my options open, so I appreciate it when a projector includes an optional frame interpolation system, even if I do not plan to use it myself. The HW15 does not offer this, so if you want your next projector to incorporate such a feature, you're out of luck.

Lens not powered. The HW15 has a manual zoom and focus lens, which makes it more difficult to adjust the projector. 1080p projectors represent the pinnacle of home theater, and bring an exceptional amount of detail and clarity to the screen. Other projectors in this price range often have powered zoom/focus lenses, which make it much easier to obtain perfect focus.

Cumbersome remote. The HW15 uses a larger remote control than the HW10 did. The remote has all of the typical adjustments, as well as some odd choices, such as brightness and contrast. These seem like the type of controls which, once adjusted, one would want to avoid accidentally changing; direct-access buttons on the remote seem counterproductive. Furthermore, the remote uses a bright blue backlight which can momentarily ruin your vision if you're not careful.

BRAVIA Sync. The HW15 has a feature known as BRAVIA sync, which allows HDMI devices to "talk" to one another. We discovered this when we turned off the power to the HW15 and found that our Panasonic Blu-Ray player had shut itself down as well. It turns out that we had inadvertently discovered BRAVIA Sync, and we can independently confirm that it functions quite well, even with non-Sony devices. This is more of a quirk than a limitation, and many people might even think of it as an advantage. The only reason we're listing it as a disadvantage is that we can't seem to find a way to turn it off.


Conclusion
Sony's new HW15 is their lowest-priced 1080p projector yet released. Despite the price, Sony has made few compromises regarding image quality and feature set. The HW15 improves upon the HW10 in several ways. It brings the best features of LCOS, like a silky-smooth film-like picture, deep black levels, and silent operation down to a price point that's accessible to more consumers.

Last year, in reference to the Sony HW10, we said it was "easily the finest projector from Sony we've yet seen." This year, we find ourselves in the pleasant position of having to make such a declaration once again. Sony have truly outdone themselves, taking a great projector and making it better - brighter in cinema mode, higher in contrast, and more accurate in its representation of color. It does all of these things, and yet manages to cost less than the HW10 did at launch. We give the Sony VPL-HW15 our Highly Rated award without reservation.

SONY INTRODUCES NEW FULL HD HOME THEATER PROJECTOR BRAVIA SXRD Model Features High Contrast and Exceptional Performance



ATLANTA, Sept. 9, 2008 (CEDIA Booth #1409) – Sony today announced a new high-contrast, high-definition projector, adding more options for those looking for a true cinematic home theater experience.

The new VPL-VW85 projector features a full HD 1920 x 1080 progressive Silicon X-tal Reflective Display (SXRD™) and 24p True Cinema™ technology, delivering a true film-like performance. The new model also has an exceptionally high dynamic contrast of 120,000:1 and brightness of 800 ANSI lumens.

Specifically designed with the custom installation market in mind, the VPL-VW85 has a motorized, fully adjustable, ‘lens shift’ function that offers more options in terms of installation and projector placement, without any image distortion. Additionally, the lens offers a 1.6x motorized zoom with horizontal and vertical adjustment, making it easy to set up in a variety of environments.

The VPL-VW85 projector also adds Sony’s Motionflow™ 120Hz with black frame insertion technology, providing exceptional clarity and resolution for fast moving images. The model also features Sony’s Anamorphic Zoom Mode that, when paired with an external anamorphic lens (sold separately), allows users to enjoy a true big screen home theater experience.

The new projector also offer RS-232C control, as well as two HDMI inputs, single component and composite inputs, and a PC input. In addition, the VPL-VW85 includes access to a dedicated CEDIA certified technical support hotline for all troubleshooting and is eligible for Sony’s Advance Exchange program. This minimizes downtime for exchanges if a customer experiences any problems within 90 days of original purchase.

The VPL-VW85 will be available in October for about $8,000, and will be offered direct at Sony Style® retail stores nationwide and authorized installation dealers around the country.

For those looking to upgrade their home theater at a value, Sony also introduced the VPL-HW15 SXRD projector. The full HD 1080p model features 24p True Cinema™ technology, a 60,000:1 dynamic contrast ratio and a brightness of 1,000 ANSI lumens. It offers RS-232 control, two HDMI inputs and single component and composite inputs, as well as a PC input.

This VPL-HW15 projector will also be available October, for about $3,000, and will be offered direct at Sony Style® retail stores nationwide and authorized installation dealers around the country.

BenQ's new models – MP780 ST, MP778, SP840, and SP890
World’s Top-Selling Projector Brand Debuts Education Series Projectors That ‘Work Your Magic’With Interactive PointDrawTM, 3D, Short-Throw, Full HD 1080p, High Brightness
2010-06-25

TAIPEI, TAIWAN, June 25, 2010 –BenQ, the world’s #1-selling DLP® projector brand in the education market (Futuresource, Q4 2009), announced today the launch of four superbly-equipped models that let teachers, IT administrators, and students ‘work their magic’ for optimized results in class performance and cost-performance. The new models –MP780 ST, MP778, SP840, and SP890 – comprise a comprehensive series that satisfies every education scenario from small portable classroom to large auditorium, and every IT buyer requirement from best value and brand reputation to future-proof technology. Teacher-tailored features include the exclusive BenQ PointDraw™ Technology with calibration-free, whiteboard-free interactive pen, 3D-readiness, integrated microphone-in jack, built-in big speakers, and PC-less projectability.* IT buyers are equally catered to with low-maintenance features, product longevity, easy, low-cost classroom integration, and the enhanced security and control of LAN connection.* Breathtaking colors and exquisite details made possible by Full HD 1080p, HQV™, BrilliantColor™, and VIDI™, will likewise unleash the magic in student learning, attention, and participation.*

"Education is a deeply rooted passion at BenQ. Our mission of delivering the latest technology via the highest quality products at the best possible value is the ideal answer to the institution sector’s needs,” said Peter Chen, EVP and General Manager of BenQ Technology Product Center. “Our extensive research and unparalleled insight into what teachers, administrators, and students desire once again gives BenQ the edge in creating class-leading projectors that ignite the magic in teaching.”

With 1 out of 5 projectors in schools today being a BenQ model (Futuresource 4Q 2009), BenQ continues to set the curve in innovative projector solutions that make teaching easy and learning fun. The flagship MP780 ST features an short-throw 0.5 ratio coupled with an advanced PointDraw system utilizing an interactive pen that allows users to point, draw, and doodle on any projected surface with no need for a whiteboard and no need for calibration. It saves schools the high costs of purchasing whiteboards and additionally overcomes space constraints, allowing users to custom-fit an interactive work space of 48” to 300” (diagonal size) on any blackboard, chalkboard, painted wall…any open space. The short-throw ratio, PC-less capability, and integrated speakers further make the MP780 ST a cost-effective, all-in-one projector that facilitates sharing between classrooms while accommodating small to large settings. Staying on the edge of the newest advancements in teaching, the MP778 and MP780 ST are also 3D-ready. Teachers can seamlessly switch from traditional projection to 3D without any complexity or time-consuming adjustments. The plug-and-play easy MP778, like the MP780 ST, also features USB display and USB reader, integrated mic and big speakers, but with an additional big 1.6:1 zoom ratio.

For large-scale projection needs in auditoriums or lecture halls, BenQ offers the ultra-bright 4000-lumen SP840 (3,000:1 contrast ratio) and SP890 (50,000:1 contrast ratio). Both models captivate student attention with flawless Full HD 1080p splendor and the magic of BrilliantColor, VIDI, and BenQ’s Independent Color Management. Spellbinding colors, immaculate definition, and the ‘wow’ of a 500” projection size (diagonal) are just as mesmerizing in full lights-on settings when note-taking is required. The SP890 is further distinguished by sophisticated Hollywood Quality Video processing, which not only renders HD video sources in true 1080p definition, but automatically converts standard definition content –analog or digital – to Full HD-like quality using motion-adaptive de-interlacing and enhanced noise reduction. Installation challenges are never a concern with the SP890’s versatile horizontal+vertical lens shift, 1.5:1 zoom ratio, direct power on/off, and LAN control.

Demanding IT buyers seeking minimum product overturn, proven brand reputation, and best cost-performance will likewise be impressed with BenQ’s new offerings. Low-cost maintenance and product longevity are made possible with filter-free designs, and leading-edge DLP technology for 100% accurate colors that never decay. All four projectors also go beyond expectation with standard-equipped LAN control (Crestron® RoomView Express) for security and easy maintenance. Schools equipped with any of BenQ’s new education projectors on a Crestron network are capable of real-time, facility-wide management and control of up to 250 projectors in addition to all other AV devices such as screens, curtains, lighting, etc. The MP778 and MP780 ST are additionally capable of one-cable LAN control and display for easier installation. Teachers, IT buyers, and students will further benefit from industry-leading low noise levels, cool-touch temperatures, and shatter-safe bulbs.

The SP890 ($3,999 MSRP) will debut worldwide April, followed by the SP840 ($2,999 MSRP) and MX750 ($2,099 MSRP) in June, and MP780 ST ($2,099 MSRP) in July.

DVDO EDGE and iScan Duo Firmware Updates with 3D Pass-through Support Coming Soon

HDMI 1.4a specifies a large number of 3D formats, and it specifies a smaller number of formats whose support is mandatory for 3D displays. EDGE and iScan Duo will pass the mandatory formats through from input to output, based on the specifications.
Availability: Q3 2010.

We will continue to update firmware as needed to provide compatibility with as many products as possible.


iScan Duo Color Management System

C.M.S. What is it? Why do we need it? How do we make it work?
Imaging Science Instructor and Home Theater Evangelist Terry Paullin explains how you can use the iScan Duo's comprehensive CMS feature to turn your home theater screen into a truly studio quality display.

Optoma Breaks New Ground In Entry-Level 1080p DLP Home Theatre Projectors
Mississauga, ON. (August 5, 2009) Breaking new ground in price and performance in home theatre projectors, Optoma Technology, Canada Inc. has introduced the HD20. Delivering 1080p resolution, 1700 ANSI lumens and a robust 4000:1 contrast ratio, the HD20 represents a significant breakthrough for consumers seeking high-definition home theatre performance at an affordable price.

“We’re very excited to be at the forefront of such a significant breakthrough in HD projectors,” said Jon Grodem, director of product and marketing for Optoma. “This new low price opens up a whole new audience to the high definition, large screen, and home theatre projection experience.”

According to Grodem, the HD20 offers many of the features found on more expensive home theater projectors. The new projector offers the connectivity necessary to meet most consumer’s needs, including two HDMI inputs VGA, component and composite video inputs.

Like all Optoma projectors, the DLP engine operates without filters, keeping ownership and maintenance costs low while ensuring consistent performance throughout the projector’s life. The HD20 also incorporates a rapid shutdown feature that further reduces ownership costs, and it comes with a one-year parts and labor warranty, with the lamp being covered for 90 days. Optoma expects the HD20 to street for $1099 CDN. Additional product details and specifications are available at www.optoma.ca.

OPTOMA® EXTENDS PRODUCT LINE AS IT SHIPS TWO NEW LARGEVENUE PROJECTORS


TW775 and TX785 Integrate Crestron® RoomView Express Compatibility, Ideal For Numerous Corporate, Education and Military Applications



MILPITAS, Calif. | June 9, 2010 | Optoma®, the world's bestselling brand of DLP projectors, expanded its growing product line in the large-venue market by shipping its all-new TW775 and TX785 models, which are designed to fill auditoriums, lecture halls and conference rooms that seat up to 200 people. Sporting three high-quality lens options and high-efficiency lamps that put out 4500 and 5000 ANSI lumens, respectively, each of these new projectors can deliver a maximum screen size of 300" at throw distances ranging from 17' to 60'. Both projectors are also compatible with Crestron RoomView® Express, which is the first and only real-time, multiuser help desk software to deliver complete global network control of AV resources.

"Adding the TW775 and TX785 to our line put us in an ideal position to meet challenges faced in high-end applications, including corporate and government conference facilities, lecture halls, rental and staging and house of worship," said Jon Grodem, senior director of product and marketing for Optoma. "Both models deliver extraordinary brightness, network control and monitoring capability, and complete installation versatility."

Both models use a center-lens position with full lens shift to deliver more flexible projector placement without compromising image quality. The full lens shift capability allows users and installers to tackle even the most challenging installation setups. Both are networkable through an RJ45 connection to allow IT administrators remote management from anywhere on the network through an easy-to-use Web interface that is compatible with Crestron's RoomView® Express software. And like all Optoma projectors, both the TW775 and TX785 use a filter-free design that reduces maintenance, thus lowering the cost of ownership.

Both new projectors offer a full complement of features to meet the installers' and endusers' needs, including three lens options which provide greater installation possibilities. Users can choose between a dedicated short-throw lens which produces large images in tight spaces, a medium/standard-throw lens, and a dedicated long-throw lens, all of which employ a quickchange bayonet mount.

According to Grodem, each lens attachment has been optimized for its individual throw range. These lens attachments contain superior quality "ED" glass elements which reduce distortion, providing overall sharper images with better brightness and contrast.

For more information on the new Optoma TW775 and TX785 projectors, including complete product specifications, contact your Optoma representative.

OPTOMA® INTRODUCES NEW PICO ACCESSORIES Portfolio Screen Comes with Mini Tripod


MILPITAS, Calif. | June 9, 2010 | Optoma®, the world's bestselling brand of DLP projectors, is adding more than just projectors to its micro projector product lineup. The company announced that it is introducing the Pico Projector Screen Portfolio, a zippered case that incorporates a built-in 15.5" diagonal matte white screen, a dedicated pocket to hold an Optoma Pico projector, an additional pocket to store cables and accessories, and a sleeve to transport your netbook computer and paperwork. A mini tripod is also included that conveniently attaches to the base of your projector during use. The sleekly designed black leatherette portfolio will carry an end user price of $49.99.

"Optoma is focused on providing a full range of Pico solutions to business professionals who are looking for flexible and convenient options," said Jon Grodem, Optoma's senior director of product and marketing. "The market research we conducted indicated that this would be a welcome accessory." For additional info and availability, go to www.optomausa.com.

OPTOMA® INTRODUCES TWO NEW NETWORKABLE PROJECTORS FOR LECTURE HALLS AND CONFERENCE ROOMS


TX779 and TH1060 Give Optoma Broadest Corporate, Education Product Lines


MILPITAS, Calif. | June 9, 2010 | Increasing its penetration into the lecture hall and large conference room arena, Optoma®, the world's bestselling brand of DLP projectors, has introduced the TX779 and TH1060, two new networkable projectors with a host of features to meet the demanding conditions found in larger, well-lit rooms. Using high-efficiency lamps that put out 4500 and 3500 ANSI lumens, respectively, both projectors are also compatible with Crestron RoomView® Express for projector management and control via RJ45 connection. Both also employ advanced power-conserving green technology that uses less than 1 watt of power during standby mode.

"With the addition of these two projectors, there is no question that Optoma offers the deepest line of DLP projectors for the business and education markets," said Jon Grodem, senior director of product and marketing for Optoma. "From Pico projectors meeting the ultra portable needs, all the way up to the challenges of large venue installations, Optoma has the ideal projector for any use."

The TH1060's 3500 lumens and full HD1080p resolution produce vivid, widescreen images, perfect to show off detailed graphics or simply provide a larger workspace to display information. The TH1060 offers a wide range of features and connectivity options, including two HDMI ports. Closed captioning is built in, and a presentation-friendly IR remote is included. To enhance accessibility during maintenance and service when ceiling mounted, the projector has been designed to allow for easy, convenient lamp access.

The TX779 provides XGA resolution in a 4500 lumen package. While it has been enhanced with many of the same features as the TH1060, including a wide range of connectivity options, built-in closed captioning, a presentation-friendly IR remote, and easy lamp access when ceiling mounted, the TX779 is also 3D capable for 3D computer content.

Both offer similar connectivity options, including HDMI (the TH1060 has two), DVI-D (TX779), VGA-In, VGA-Out, Component, S-Video, Composite Video, Stereo RCA Audio-In, Stereo Audio-In, Stereo Audio-Out, RS-232, USB, RJ45, and a 12V trigger.

Both are also PC and MAC compatible and support computer resolutions up to 1920 x 1080 pixels (HD), and can also accept common global video inputs and video formats up to 1080p (HDTV, EDTV, SDTV, NTSC, PAL, SECAM).

For more information on the new Optoma TX779 and TH1060 projectors, including complete product specifications, contact your Optoma representative.

Logitech Squeezebox Touch review
By Tim Stevens posted Apr 19th 2010 11:14AM Review
Logitech's touch-sensitive addition to the Squeezebox family, aptly named the Touch, has taken a long and hard road to retail. First uncovered by the FCC almost a year ago, announced by Logitech back in September of 2009, and then delayed again and again, we've finally managed lay our hands on one and, more importantly, start putting some fingerprints on its 4.3-inch capacitive touchscreen. Does it deserve a hallowed place in the Squeezebox canon and, more importantly, is it worth the $299 -- $100 more than the Squeezebox Radio we reviewed last year? Those answers and more after the break.

Logitech Squeezebox Touch unboxing


The design



If you're not familiar with the Squeezebox line, it's a series of radios and receivers that pull tunes from a media server over the network. Squeezebox devices don't rely on DLNA or UPnP or other standards like that, instead sucking down bits courtesy of custom software from Logitech called, appropriately, Squeezebox Server that must be installed and running on a desktop or laptop computer (or ReadyNAS) to serve up both locally-stored music and internet stations. Thankfully it's available for every major OS, like Windows (including Home Server), Mac OS X, and Linux. You can even download the source code if you know your Perl. The Touch then connects over a local network over either 802.11 or Ethernet to pull in music, though it can also connect to external storage via USB or the SD slot on the side.

The last addition to the Squeezebox lineage, the Radio, exists as something of a simple, semi-portable desktop or bedside solution for playing tunes wirelessly and even getting you up for work in the morning. The Touch feels just as solid and well built as the Radio but is rather different in intent -- a little more serious. Unlike the Radio it doesn't have a proper speaker built in, relying instead on external speakers provided by you. Nestled on the back are outputs for stereo RCA, optical and coaxial digital, and a simple 3.5mm port. This gives the Touch the flexibility to connect to anything from a high-end home theater setup to a simple set of powered speakers or even headphones if you're so inclined.

But, for the cost, $299, we're expecting most people investing in the Touch will be looking to utilize those higher-quality outputs to connect it to a receiver or the like. And, in that mode -- sitting atop a home theater stack -- it works well, pumping out its beats interference-free. Unfortunately that setup isn't always compatible with the best way to interact with the Touch: touching it.


The interface



Naturally that big, reasonably bright 4.3-inch capacitive touchscreen on the front is the primary way to find your tunes here. Tap the screen and a simple, finger-friendly interface comes up that allows you to browse through artists, albums, playlists, and also to search using an on-screen keyboard. That's nice and intuitive but, honestly, how often are you standing next to your home theater setup when you want to pick some tunes?

The Touch also can be used via remote control, and it does include one (though surely Logitech would love you to replace it with a Harmony). As soon as you touch a button on the remote the text grows larger, the menu options swell, and in general everything gets legible from across the room, though the default light-blue wallpaper doesn't help to highlight the white text. Thankfully that's easily changed to something higher contrast. It's workable from afar, but interacting with the Touch is naturally much less satisfying with a remote -- certainly nothing like the Duet. Thankfully, defining playlists is quick and easy, so you can queue up a series of tunes while standing next to the stereo and then go away and do whatever you like.

The Touch offers the ability to download and run apps, but we're not seeing a wealth of new apps available here since the Radio shipped in October. We're guessing that means we also shouldn't expect many new options going forward, either, but the current options are still nice, including Facebook for checking up on your friends and Flickr for cruising photos.


Wrap-up



The Touch is another great addition in the Squeezebox series and, for many, the missing link in home entertainment system that needs only network connectivity. Build quality is predictably top-notch, audio quality is great, and compatibility with nearly any OS is killer. But, it's best suited for a situation where your entertainment system isn't too far out of reach, because interacting with the Touch is, unsurprisingly, best when you can touch it. If that's you, we think it's a great option, but we're thinking the Duet is still a slightly more couch-friendly option if your entertainment center is out of reach -- and if you don't mind having another remote kicking around, of course.

Casio XJ-A130
LED/Laser Hybrid Projector Review
Bill Livolsi, June 17, 2010
ProjectorCentral.com
Casio has been making slim-profile projectors for a few years now, and their previous examples have been great presentation machines. Now, Casio's new line of "Green Slim" projectors combines the dimensions of their earlier Super Slim line with a new light source. The XJ-A130 uses Casio's new proprietary Hybrid Light Engine, combining an LED and a laser to create a picture that is brighter than other purely LED-based projectors. The XJ-A130 is the entry-level product in this line, and is rated at 2,000 lumens with 1800:1 contrast. This XGA projector features a 2.0:1 powered zoom lens and instant-off technology, potentially making a presenter's life much easier - especially when they can pack it into their briefcase, rather than a separate bag.

As Casio's new light source is still young, the XJ-A130 is a first-generation product in many ways. Light output is not where it's supposed to be for some projectors early in the production run. There's a lot of fan noise, and the projector gets hot during operation. We also noticed quite a few rainbows during use, which bodes ill for those sensitive to the artifact. Despite all of this, it has a great picture for data display, and at $799 it is priced competitively.


Advantages
Low maintenance. The big buzz around this projector is Casio's new hybrid light source, which uses a combination of a red LED and a blue laser to create an image. As a result, it is supposed to be much brighter than many other LED projectors but also much longer in life than traditional metal halide lamps. While the technology is far from perfect (see the section on light output under Limitations), it shows some promise. The XJ-A130 is indeed brighter than most LED-based projectors we have seen, and is certainly far smaller than the few brighter examples which exist. Since the projector uses Texas Instruments' DLP technology, there is no air filter to clean or replace. In theory, the XJ-A130 will run until the light source finally gives out, which is estimated to take 20,000 hours.






Highly portable. The XJ-A130 is one of Casio's Green Slim projectors, with external dimensions of 11.75" x 8.25" x 1.675". That last dimension, as you might imagine given the "Slim" moniker, is height. The XJ-A130 is small enough to slip into a laptop bag or briefcase, making it easier to travel with than a portable projector in a traditional form factor. For portable presenters who are always trying to reduce baggage, especially with current baggage fees for air travel, having one fewer case to carry is a welcome improvement.

Instant off. The XJ-A130 has an instant off function, so you can start packing up immediately rather than waiting for the projector to cool down. "Instant" in this case is about two seconds, after which the fan shuts off and it's safe to unplug the power. This does not mean, however, that the projector is cool; it will still be quite warm for a few minutes afterwards. This is not a problem for most people; just make sure you don't place it in the same case as your prized wax figure collection or a bunch of chocolate bars.

Placement flexibility. The vast majority of portable projectors have very limited lensing. When shopping for a portable, it is common to see a zoom of 1.2:1 or less with manual adjustments and a fixed throw angle. Casio's XJ-A130, and indeed all of their Green Slim projectors to date, use a 2.0:1 zoom lens with powered zoom and focus. Over the entire range of the zoom, light output is only decreased by 23.5%, which is far less than the 40% which is not unusual for a 2.0:1 zoom. The XJ-A130 has a fixed throw angle offset of zero, so the bottom edge of the image will appear at the same height as the lens centerline. Still, compared to its peers, the XJ-A130 is head and shoulders above the others when it comes to placement flexibility.




There's also a feature called Zoom Memory. When enabled, it remembers the last used position of the zoom lens, which is ideal when you intend to use the projector in the same environment every day - such as in a conference room. However, the projector also has the option to turn this off, which resets the lens to its maximum wide angle setting each time upon startup. If you are on the road and trying to get your projector set up in a hurry, this removes any doubt about the current position of the zoom lens, which can save you a few seconds.

Image Quality. Technical limitations aside, the XJ-A130 produces a nice data picture. The inter-pixel gap is minuscule, so there is no screen door effect to speak of, even when standing right next to the screen. The standard operating modes do not overly emphasize highlights, as do many other DLP presentation projectors. Brightness uniformity is excellent; we took several readings and our minimum was still an impressive 86%. In the end, the projector has a smooth, evenly-illuminated image that is great for presentations and data graphics. Contrast is decent, though not among the best in its class; for the display of high dynamic range photographs, our recommendation would tend towards a higher-contrast projector. The XJ-A130 certainly has problems with light output and color accuracy, but the data picture it produces is not unpleasant or otherwise flawed.

Connectivity. The XJ-A130's connection panel doesn't look like much. The engineers at Casio opted to keep things simple, with an HDMI port, a VGA port, a small A/V jack for composite and L/R stereo (a breakout cable is included), and a serial port. There's also a Kensington lock point, in case you want to use the projector on a rolling cart. This simple arrangement keeps the projector small and easily portable while not depriving the user of possible connections. HDMI can take an adapter and display DVI, while VGA can take a breakout cable and display component video. About the only connection not covered by a breakout cable or adapter is s-video.

Warranty. The XJ-A130 has what might be the best warranty in the industry. The projector is fully guaranteed for three years from the date of purchase. No big deal, you say. I've seen that before, you say. Well, this warranty includes the light source as well. For three years (or 6,000 hours, whichever comes first), your projector is covered, including the LED/laser. This shows confidence on Casio's part that their new hybrid LED/laser engine will stand up to presentation use without giving out.

Pointer function. Pointers are fairly common in presentation projectors, whether they are laser pointers or simple graphics added to the projected image. The XJ-A130 uses the latter type, with the default being a yellow arrow. However, there are other options available: the cursor can be changed into a crosshair, a white gloved hand, or (and this is particularly useful) a simple horizontal rule, useful when looking at spreadsheets. It is much easier to draw the audience's attention to a particular line of text when you can underline it on-screen.


Limitations
Brightness. The most obvious flaw in the XJ-A130 is light output. The XJ-A130 is advertised as a 2,000 lumen projector. Thus far we have tested four samples of the A130, two provided by Casio's marketing department and two acquired through retail purchase. Maximum measured brightness on the two samples provided by Casio marketing was 1098 and 1630 lumens, respectively. The two purchased samples measured a maximum of 1134 lumens and 1228 lumens. So three of the four samples have fallen over 40% short of the official spec.

Casio informs us that a lumen shortfall was seen on some of the initial production units due to a "slight misalignment of the mirrors in the light path." Casio believes this has been corrected, and states that each unit produced is tested according to the ISO 21118 protocol for lumen measurements.

Most projectors will "warm up" to their full light output over the course of 15 to 20 minutes, at which point they stabilize. We test projectors after this warm-up period, with ambient room temperature normally in the range of 72-74 degrees Fahrenheit. As it turns out, Casio's Green Slim projectors actually get dimmer, not brighter, as they warm up. After 10 minutes of operation, the XJ-A130 measures approximately 10% less bright than it does immediately after startup.

We also discovered that ambient temperature affects the lumen output of the Casio hybrid light engines. Casio notes that the ISO 21118 standard stipulates that testing be done in an ambient temperature of 18 degrees Celsius, or 64.4 degrees Fahrenheit. This is colder than our test facility, and colder than most typical conference rooms and classrooms. When we cooled our test area down to 64 degrees and remeasured, we found brightness was boosted by 5%.

The ISO 21118 procedures call for projectors to be measured after they have stabilized. Casio interprets stabilization as occurring on its solid state light engine immediately upon power up. Therefore, they take their measurements "within the first minute" of power-up. This enables them to record the brightest possible output, prior to the degradation that occurs after it warms up. This is another factor that has contributed to the wide range of measurements we have seen on these units. If our 1630-lumen test sample were measured in a cold room within one minute of startup, it would measure 1917 lumens--very close to the published specifications.

The problem with these measurements is that few people will be using these projectors in a 64-degree room, and presentations do not occur in the first minute of operation. So the ANSI lumen spec, when measured under these conditions, does not accurately reflect the actual brightness the user will get in normal operation.

Lumen degradation. While Casio claims that their light source is not subject to the degradation over time that normal metal halide lamps undergo, our test samples indicate otherwise. Over the course of 200 hours of use on two test units, lumen output degraded by 25% on both of them. The unit that initially measured 1228 lumens was putting out a maximum of 949 lumens after 200 hours, and the unit that initially measured 1630 lumens degraded to 1216 lumens.

It is important to note that this extended test was done running the units 24/7 until they accumulated 200 hours. We do not know whether the degradation we have seen would occur in more typical duty cycles where the units are turned on and off frequently. The tests simply indicate that this hybrid light engine is indeed subject to lumen degradation over time. More testing is required to determine how big of a problem this will be for the average user.

Color. Fresh out of the box, the XJ-A130 is nowhere near color balanced. Our test samples had a clearly visible green or purple cast, depending on the scene and the content. The projector has only rudimentary color controls, with one slider each for red, green, and blue. These can be found under the color temperature adjustments in the Image Adjustment 1 menu. The color controls are limited in their ability to correct the inherent color deficiencies.

In Eco mode, there are four color presets available: Standard, Graphics, Theater, and Blackboard. Each gives the image a different "feel;" Standard boosts saturation but has a bluish tint while Theater has more open midtones but looks greenish. These presets are not accessible in Eco Off mode, so those looking for slightly better color should stick to the Eco modes. Obviously, this comes at the expense of lumen output.

Still, even after adjustments, saturation is lacking and there is no way to adjust it--at least, not with the signals we were testing. We fed the projector 1080p over HDMI and native XGA over VGA, and both times the Image Adjustment 2 menu remained unavailable. If you were planning to use the XJ-A130 for photography or video display, you may want to consider other options.

Interestingly, after 120 hours of burn time, the color balance on the dimmer of the two XJ-A130's shifted, showing more red and less blue/green, which pushed it toward a more neutral and natural balance. Even though light output decreases, we preferred color balance after 120 hours to color balance fresh out of the box. We have not seen a similar improvement in color balance in the brighter of the two samples we have subjected to extended use testing.

Rainbow effect. The XJ-A130 is likely to display color separation artifacts, known colloquially as the rainbow effect. This is typically seen on DLP projectors with slower color wheel speeds. Since the XJ-A130 uses a dual light source, wheel speeds are not comparable with other projectors; the red component of the signal comes from an LED and does not use the wheel at all. The blue component comes from the blue laser, which the wheel passes into the blue channel. The green component is produced by the blue laser stimulating a phosphor on the color wheel, the light from which is deflected into the green channel. In the end, we were able to see rainbows even on still images, including on a plain white screen during our measurement of light output. During video, the effect was most pronounced under the usual circumstances, namely bright highlights in motion in a dark scene.

The frequency of rainbows is dependent on content, viewing distance, and the viewer's sensitivity to the phenomenon. When sitting further from the projected image, say at a distance of 2x the screen width rather than 1.5x, rainbows were less frequent. This is due to the fact that less eye movement is required to view the entire image.

Light scatter. Casio's Green Slim projectors share an amazing little lens; it crams the versatility of a 2.0:1 powered zoom into a package smaller than a roll of quarters. This versatility comes at a price, and in this case it is light scatter. Reflections within the lens and/or light engine cause considerable light scatter, which show up as blobs of unfocused light distributed around the projected image. These are not noticeable in rooms with ambient light, but in a darkened room you may notice stray light on the walls surrounding the screen.

Fan noise. The XJ-A130 has three lamp modes - Eco 2, Eco 1, and Eco Off. Eco 2 has the lowest light output of these modes and, consequently, the lowest fan noise. But Eco Off, which is the brightest mode--and the one used to generate the lumen readings above--causes the projector to kick into high gear, and fan noise gets louder to match. In a small room, this can cause distractions during presentations. Many users will want to forgo the maximum brightness and opt for eco modes that reduce the fan noise. Eco 1 mode offers a good compromise in that it does not radically cut lumen output while providing a significant reduction in fan noise. Eco 2 is much quieter, but it puts out less than half of the light that the projector does when in its maximum brightness configuration.

No USB port. Most of Casio's other Green Slim projectors have a USB port, which has a plethora of uses. It can be used with a USB flash memory stick to make PC-free presentations. It can be attached to Casio's optional WiFi adapter, allowing wireless presentation and control. As the XJ-A130 lacks this USB port, some of the advanced features found in more expensive models are missing. Since the next model in the line costs only $200 more and includes a USB port, a mobile presenter may wish to consider making the step up. Being able to use a USB stick rather than a laptop is an easy way to eliminate five pounds or more from your baggage.


Conclusion
The Casio XJ-A130 is exceptionally portable--its very slim design makes it more convenient to pack into a briefcase than just about any other portable projector on the market. Its long-life light source, reputed to be up to 20,000 hours, suggests that users will not be needing to spend another $300 every few thousand hours of use for replacement lamps. So for those who anticipate putting a lot of hours on their projector, total cost of ownership looks like it will be a big plus on this model.

Three of the four samples we tested fell far short of lumen specs, and two of those degraded another 25% after 200 hours of operation. So our tests so far indicate that the user should expect more like 1000 to 1200 lumens rather than the 2000 lumens indicated by the spec. Even at this reduced lumen performance, fan noise is high enough that many users will want to opt for one of the Eco modes, thereby cutting light even further.

Color performance is sub-par, and the projector should not be used in applications where color accuracy is at a premium. But with display material like text documents or perhaps PowerPoint slides where color accuracy is not a big issue, the XJ-A130 produces a clear and sharp image that is quite satisfactory. For those who crave the convenience of the slim design, don't need an exceptionally bright image, and look forward to never buying another replacement lamp, the XJ-A130 may be just the right fit.

Sanyo Introduces a New 120 Hz Full HD LCD Front Projector With Topaz Real HD and Color Management System

120 Hz Full HD panel produces artifact-free motion and is 1080p/24 capable
CHATSWORTH, CA.— April 28, 2010 – SANYO North America Corporation (SANYO), a subsidiary of SANYO Electric Co., Ltd., one of the world’s largest manufacturers of LCD and DLP projectors, announces the introduction of the PLV-Z4000, a high-performance 120 Hz Full HD 3 LCD front projector with 1080p24 capability for an exquisite home theater and HD video experience. With SANYO’s exclusive TopazReal HD system, the projector produces superb image quality and has a 3D color management system that enables extraordinary color accuracy. Through dual HDMI 1.3b inputs, it is Deep Color and x.v.Color capable. Rated at 1,200 ANSI lumens, with a 65,000:1 contrast ratio, it produces superb black levels even in ambient light conditions. The addition of installer-friendly mounting and optical features allow it to be used in a wide variety of rooms and environments. Scheduled for release at the end of May 2010, the SANYO PLV-Z4000 will have an MSRP of $2,495.

With its exclusive 3D color management system, SANYO’s TopazReal HD system melds several advanced technologies to create superb optical performance and a sharp and highly accurate image. The system uses 14-bit digital signal processing and a real-focus HD lens system that combines variable iris and lamp reactivity with a newly-developed high efficiency lens. The 3D color management system addresses changes in color phase and color level to produce near-perfect color reproduction, taking full advantage of the Deep Color and x.v.Color capabilities of the projector through its dual HDMI 1.3b inputs. Approximately 216 billion color combinations are possible.

With a 3LCD design that uses inorganic liquid crystal panels, motion blur and artifacts are virtually eliminated by doubling the input frame rate from 60 to 120 frames per second. Special interpolation frame generation technology determines the motion differences between frames, and through interpolation, generates new frames to fill the gaps between the original frames. The result is improved resolution and a smooth presentation, even with fast moving sports action. The projector is also capable of displaying an HD source from film material in its native 24 frame/second rate with full 1080p/24 resolution.

"The high performance achieved by our TopazReal technology makes this projector an extraordinary value in today’s home theater projector market,” says Sam Malik, Vice President and General Manager of the Presentation Technologies Group in the Consumer Solutions Division of SANYO North America Corporation. “The PLV-Z4000’s ability to display very high resolution artifact-free images with superb color accuracy, while being easy to install in any home theater environment, make it a great choice from the standpoint of both consumers and installers.”

Thanks to thoughtful design, the projector offers ultra flexibility to installers when using with a mount. With the industry’s most advanced lens shifting capability, the PLV-Z4000 allows the projector to be placed or installed in a number of settings, as images can be shifted vertically up to three screen sizes, and horizontally up to two screen sizes. Its short throw capability and 2x zoom functions allow a large image in virtually any size room and from most any mounting location. Ideal for small to mid-sized home theater environments, it can project a 100-inch diagonal image from between 10 and 20 feet away.

Unwanted noise produced by the projector is kept to an extraordinarily low 19dB through its use of a large aperture, low noise Sirocco cooling fan, allowing it to be mounted near viewers without special baffling to reduce noise. Its eco-friendly design requires minimal power consumption, drawing just 0.3 watts in eco-standby mode. A three-year parts and labor warranty covers the projector, with 90 day coverage on the original lamp.

PLV-Z4000 SPECIFICATIONS

-Brightness: 1,200 lumens
-Contrast Ratio: 65,000:1
-Input Terminals: HDMI 1.3b (x2), Component RCA (Y-Pb/Cb/Pr/Cr) (x2), D-sub 15 pin (RGB), S-video, Composite RCA
-Control Ports: DIN 8pin (RS232C)
-Dimensions: 15.7 (W) x 5.8 (H) x 13.6 (D) inches
-Weight: 16.5lbs

About SANYO
SANYO Electric Co., Ltd. is a global company providing solutions for environment, energy and lifestyle applications. The Presentation Technologies Group is part of the Consumer Solutions Division of SANYO North America Corporation (SANYO North America is a subsidiary of SANYO Electric Co., Ltd.), and is based in Chatsworth, California. The Consumer Solutions Division is a service and sales division that markets digital projectors, digital still cameras, digital media camcorders, home appliances, security video equipment, audio systems, portable and mobile electronics and HD televisions. For more information on SANYO, please visit http://us.SANYO.com.

BenQ MP 776ST Multimedia Projector
Jeffrey Janas, February 5, 2010
ProjectorCentral.com

Introduction
The BenQ MP77ST is a short throw, XGA resolution projector with high brightness and a full feature set that includes 3D capability. It is one of BenQ's "Professional" projector models. While this projector is intended for use in conference rooms or classrooms, it includes features normally found in home projectors - such as an HDMI input, a 3D Color Management System, and a Cinema mode that is relatively accurate to video standards in out of the box settings. The unique lens assembly gives the MP776ST the ability to produce an image that is 1.67 times wide as the distance of the projector from the screen. This short throw distance makes the projector a great fit for small conference rooms that require a large projected image or for the interactive classroom. The BenQ MP776ST features a maintenance free design, network control capability and additional presentation-specific features that make it a great 'future-proof' fit for the office or classroom that needs a large format, high quality and bright image.


Advantages
Brightness & Picture Quality: The MP776ST measured 2,715 ANSI-lumens in the brightest possible mode - normal lamp, 'Presentation' mode and Brilliant Color on. While not quite meeting the published specification of 3,500 ANSI lumens, the BenQ MP776ST is a very bright projector, capable of filling large screens in environments that include ambient light. Switching to 'economic' lamp mode reduced brightness by only 12% and provides an additional 33% of lamp run time per BenQ's specifications - lamps are rated at 3,000 hours in normal or 4,000 hours in economic mode.

The Brilliant Color feature is described by BenQ as a "color-processing algorithm" that enables a brighter image by selectively increasing brightness in the "mid-tones" of an image. Brilliant Color mode has a large contribution to the MP776ST's high brightness. Using the same max brightness image mode but with Brilliant Color off, the MP776ST drops to a measured brightness of 1,752 ANSI lumens. For presentation-based material, the use of Brilliant Color had no noticeable side effects and would be highly recommended for the increase in brightness.

Another factor that contributes to the MP776ST's ability to produces images of high impact is the respectable 2,400:1 on-off contrast ratio (as specified by BenQ). The combination of this level of on-off contrast and the MP776ST's high brightness help the projector to display clearly delineated text and reproduce static images with a noticeable amount of image "pop".

Video performance of the MP776ST is above average - video settings based on the Cinema image pre-set and using the T3 color temperature show accurate flesh tones and primary colors that are solid, but not garish. The MP776ST also includes the capability to fine tune hue, saturation and gain of each of the 6 primary and secondary colors using the 3D Color Management System - a useful feature if the projector will be calibrated for video playback. The overall image accuracy in the Cinema setting does come at the expense of brightness - the image with the optimal video setting measured 1,066 ANSI-lumens with Brilliant Color on. While this is significantly less than the max brightness in presentation mode, this amount of light is about double that of the typical home theater projector, so it is more than sufficient for normal screen sizes in dark, light controlled environments.

Short Throw: The throw distance of the MP776ST is measured in inches versus the usual projector throw distance that is measured in feet. I was able to display an image 80" wide (or 100" diagonal on a 4/3 aspect screen) with the projector only 47 inches away from the screen. This makes the MP776ST an idea fit for a ceiling mount installation where the screen is used actively, so that the presenter can stand at the screen without blocking the projected image. As with all short throw projectors, care is required in setting up the projector relative to the screen as the lens does not include the any zoom range to alter image size.

Full Featured input panel: The BenQ MP776ST includes an HDMI input, a VGA D-sub monitor input (and VGA monitor pass-through) plus S-video and composite inputs. DVI-A and Component video input is also supported over the VGA connector with proper breakout cables. Audio inputs to the MP776ST include analog RCA and 3.5mm connectors - a 3.5mm audio output is also provided. Audio input is also supported via the HDMI connector and can be enabled or disabled via the projector's menu. The MP776ST also supports remote connection and control of projector functions via a combination of LAN connection and a web browser or the Creston RoomView network service software. The MP776ST can also be controlled remotely via standard RS232 protocol.

Audio Capability: The BenQ MP776ST includes dual 5W speakers. While the audio capability of the MP776ST is not of audiophile grade, the projector is capable of above average levels of volume level and audio quality. While testing the MP776ST using a HDMI connection connected to a Blu-ray player, I was surprised at the volume the projector was able to produce when the film transitioned from a quite passage to an intense action scene. I would not want to watch an entire movie using the onboard speakers as the audio source; but this audio capability is above average for this class of product.

Presentation features: The BenQ MP776ST includes many features that make it a great fit for a presentation or teaching environment. The MP776ST includes an Auto Keystone feature, very useful if the projector is used in a non-fixed installation. It works quickly and does not require any fine-tuning for optimal image orientation. The MP776ST features multiple presets for use when a non-standard projection surface is used (such as a blackboard). The presets balance the projected image color with the display surface color to display the image as it would be if projected on a white screen. Additionally, the remote control contains a laser-pointer and dedicated buttons for a static image capture, a presentation timer and an auto setup feature. The MP776ST also includes hard and soft security features; a Kensington lock input is included on the rear face of the projector and there is also a password protection feature that requires the password to be entered when the projector is started before an image will be displayed.

3D Capability: The MP766ST has 3D capability. A commentary on setting up 3D display on the MP766ST using NVIDIA's 3D Vision system is posted in this separate article.


Limitations
Lens Performance: The BenQ MP776ST displayed a noticeable amount of chromatic aberration. This is most visible in text at the screen edges. Small format text displayed a color shift toward red on the left hand side of the character and a lower degree of color shift to green on the right side of the character. The amount of color shift is increasingly significant as one moves to screen edge and was not nearly as noticeable at screen center. While the color fringing was not noticeable from a normal viewing distance, it does contribute to a perceived lack of sharpness. The MP776ST is not as sharp as expected for a business class DLP projector. The MP776 model is also available in a normal throw distance configuration. We did not test it, but it is probable that the longer throw lens will have less chromatic aberration.

120Hz mode limitations - Inputting a 120Hz signal to the BenQ MP776ST has two unfortunate side effects-a significant reduction of image brightness and the lockout of all image adjustment features such as brightness, contrast, sharpness, etc. The reduction in brightness when switching between a 120Hz signal almost exactly matches the reduction in brightness when Brilliant Color is deactivated. Testing in Presentation mode, the peak image brightness was reduced by 61% when a 120Hz input signal was used versus a 60Hz signal with the same settings - a value that closely matches the 64% reduction seen when switching Brilliant Color on and off.

Additionally, one loses the ability to make any picture control changes when a 120 Hz input signal is used. This results in a very complicated process for adjusting basic image parameters that essentially prevents reaching optimized video settings at a 120 Hz refresh rate. When fed a 120 Hz signal, the MP776ST uses the last image settings used prior to switching to the 120 Hz refresh rate. Basic adjustments to brightness and contrast required switching back and forth between different refresh rates and trying to estimate the changes required in the 120Hz signal mode. By using the complex and time-consuming process of switching refresh rates, I was able to grossly set brightness and contrast, but not reach optimal values.

Lack of user adjustable image settings: The MP776ST does not give the ability to adjust basic picture controls such as brightness and contrast in the four pre-set display modes. However, it provides two user modes that allow custom adjustments. Changes to brightness and contrast will usually be required to optimize the image quality depending on the viewing environment. The two user modes allow one to save settings that are optimized for both 'presentation' and 'video'.


Conclusion
The BenQ MP776ST includes many features that set it apart from most projectors in this class. It includes presentation specific features such as a laser pointer on the remote and a built in presentation count down timer make the MP776ST an ideal fit for classroom or business settings. It also has exceptional brightness, pleasing video performance, and satisfying color quality using normal, out of the box settings. The MP776ST also supports the display of 3D images using active shutter glasses, which will become more useful as the amount of 3D content increases. Overall, this fully featured short throw projector is expected to perform admirably in both classroom and conference room settings.

BenQ MP772ST Short-throw Projector
Allan Abbott, January 20, 2010
ProjectorCentral.com
Has your presentation ever been disturbed by an audience member strolling in front of the projector and blocking the image on the screen? Do you ever use an electronic whiteboard and find your own shadow obscuring the image on the board? If so, there's a modestly priced solution available in the form of BenQ's MP772ST short-throw projector which will put up a 74" image from a mere three feet. This 2,500-lumen projector is aimed at the classroom market, but it suits small- to medium-size business conference rooms, too.


Test Measurements
Brightness: It's nice to see a projector meet its brightness claim, and the 772ST does just that. In Dynamic mode, it delivered 2,735 ANSI lumens which actually exceeds its spec of 2,500 ANSI lumens. Presentation and Cinema modes dropped the light output to 2,325 and 890 ANSI lumens, respectively, but those lower values are appropriate to the content for those modes. Eco mode will reduce the brightness of any operating mode by 22%, but it extends lamp life from 3,000 to 4,000 hours. Eco mode also reduces power consumption and lowers fan noise while image brightness can still be up to 2,130 ANSI lumens.

Uniformity: Brightness uniformity was less than stellar at 60% with a bit more light on the left side of the image. This imbalance is visible with an all-white calibration image, but it isn't particularly noticeable on most media content.


General Impression/Feature Set
The MP772ST will always be placed near the screen and away from the audience, so there's no annoying blast of warm air or high audio volume impact for those that might otherwise be seated near the projector. That means you can ease the strain on your vocal chords when speaking during your presentation.

Focus is excellent across the entire screen. Small text is easy to read in the corners, and spreadsheets were crisp and clear from edge to edge. Even 8-point type, which is hard enough to read on a laptop, was easy to discern on the screen.

While there isn't a lot of 3-D educational material published yet, it's a coming trend and this projector will be ready when it arrives in force. The MP772ST utilizes Texas Instruments' 3-D DLP technology, and although it currently requires the use of special LCD shutter glasses whose cost will probably not fit most classroom budgets, this technology may change over time as 3-D plays an increasing role in classroom education.

Speaking of classroom environments, the MP772ST has the requisite Kensington lock capability, and it's compatible with Crestron's remote control systems via its RS-232 (DB-9) connector. In addition, there's a RJ-45 input which facilitates Internet connectivity. You'll also find the usual complement of RGB, S-video, and component video inputs. It does not have a digital input, but that is of minor consequence for its intended uses.

In the maintenance category, the 210-watt lamp is accessible through the top of the projector so it's easy to replace even in ceiling mount configurations. Another safety feature is the reinforced cage around the lamp should it ever shatter . . . it's rare, but it happens. Lamp replacement cost is relatively low at $219, and lamp life is a healthy 3000/4000 hours in Normal/Eco modes. Finally, BenQ uses a sealed DLP chip so there's no air filter to replace. All in all, maintenance is relatively cheap and easy.

Image quality is good with both PC and video sources although presets in both cases have a slight tint. In PC mode, the Dynamic setting is essentially tint-free while the screen image in Presentation and sRGB settings is slightly red and the Cinema setting has a green tint. Still, in PC mode the overall impact of these color biases is minimal. In video mode, sRGB is tint-free, Dynamic is slightly green, and Presentation and Cinema settings tend toward red. For movie viewing, the best flesh tones, color balance, and screen brightness are achieved in User mode with the Dynamic setting, Eco mode on, and color temperature at the T4. It may not be the equivalent of a home theater experience, but on balance, it's a good result from an inexpensive projector.

One thing to keep in mind is that with a short-throw lens, the bottom of the image won't be much above the level of the lens. To get the image high enough for all to see, you'll either have to place the projector on a stand or AV cart that's chest high, or you'll have to angle the projector upward by adjusting its front foot. If that's necessary, the keystone adjustment can take care of image distortions, but you might also consider angling the screen to reduce the keystone effect. Of course, this isn't possible with a wall-mounted screen or a whiteboard, but if you get the chance, angle the screen (top out or bottom in) and you'll reduce any keystone correction needed.


Advantages
Whiteboard Applications: This projector is terrific for whiteboard applications especially if it can be ceiling mounted. Even when placed at tabletop height, it throws a big image from a short distance, and that is a must for easy viewing from the back row. Because it's placed so close to the screen, there is no chance that you or a wandering member of your audience will inadvertently block the light from the projector and disrupt your presentation.

Speakers: Beefy dual 5-watt speakers make external audio amplification unnecessary in small- to moderate-size rooms. While external amplifiers can be accommodated via the stereo mini-jack output connector, there's plenty of internal capability to handle most situations. There's a bit of audible speaker vibration at the highest volume setting, but for most listening environments, the internal speakers suffice nicely.

Remote Control: While many remote controls these days are not much bigger than a credit card, BenQ has chosen to supply a full-size remote with many functions available at the touch of a button. With 25 separate buttons, the remote gives you nearly total control of projector functions that other manufacturers confine to on-screen menus. For example, you can call up the contrast and brightness controls, digital zoom, and even the aspect ratio of the image from the remote. As an added benefit, a full-size remote control is unlikely to leave the room in someone's shirt pocket as is the case many times with credit card-size remotes.

Laser Pointer: How many times have you wished you had a laser pointer in hand to call attention to some important point in your presentation? The MP772ST has solved that need by building a laser pointer into the remote. The button to actuate it is large and colorful enough that even in dim light, it's easy to see. This is an unusual feature for a remote, and it is a nice touch by BenQ's design engineers.


Limitations
Fan Noise: Fan noise is a bit noticeable in quiet rooms, but if your audience acts normally (whispering while you speak and throat clearing during your most important point), you'll probably never notice. If it becomes a problem and room ambient light isn't an issue, you can switch to Eco mode which will reduce fan noise at the expense of about 22% of the Normal mode brightness. Most of the fan noise is low frequency, but there's a mid-frequency component that sounds more electronic than mechanical. Room furnishings (drapes, carpets, etc.) may absorb some of this higher-frequency noise, but the projector's placement near the screen is what minimizes the noise impact.

No Zoom Lens: Perhaps this shouldn't be listed as a limitation because no short-throw projector we've seen offers a zoom lens. Nevertheless, its absence does make projector set-up a bit less flexible. If you need to make the projected image just a little larger or a bit smaller to fit the screen, then you'll have to move the projector or the screen to do it.

Image Offset: One of the limitations of short-throw lens design is the difficulty of getting the bottom of the projected image much higher than the lens itself. In the MP722ST's case, with the projector 28" from the screen, the bottom of the image is only 3.5" above the lens. So unless the projector is above tabletop height, you might have to extend the front foot of the projector to angle the projected image upward so it can be easily seen at the rear of the room. As mentioned earlier, built-in keystone correction and an angled screen can reduce the impact of angling the projector upward, and unlike some projectors, the BenQ keystone correction has little impact on the readability of small text. Even 8-point type in a dense spreadsheet was legible at maximum keystone correction.

Preset Modes: BenQ has included several preset modes, PC as well as video, for adjusting the screen image to suit movies and computer data. There are also controls to compensate for wall color if a white screen isn't being used. These preset modes are convenient for those who don't wish to tweak the projector's image when changing presentation sources, but if image adjustments are called for it's not as convenient on the MP772ST as some other projectors we've seen. No video adjustments can be made in any of the projector's preset modes. All preset modes are just that . . . preset.

The factory presets are pretty much on the mark, but personal taste or room requirements may make you want to change a setting or two. If you don't like what you see, you can go into the on-screen menu and choose a User mode that allows you to vary all the usual video settings (e.g., brightness, contrast, saturation, etc.). There are two independent User modes that can be customized, for example, for playing DVD videos and showing computer data. Once set up, these two User mode settings can be saved until modified.


Conclusion
At $899 list and $749 for education, the BenQ MP772ST packs a pretty good punch. It's bright, versatile, and especially effective when you want to have your projector close to the screen. Its audio output is robust, and its on-screen menus and remote are intuitive and easy to navigate. It lacks a zoom capability that may make image set-up a bit less flexible, but once in play, it's a worthy contender for both education and small venue business presentations.

Sanyo PLC-XW300
Conference & Classroom Projector
Allan Abbott , March 15, 2010
ProjectorCentral.com
Sanyo's new PLC-XW300 combines high brightness, portability, and networking capability for a low street price of just $845. At 5.5 pounds, the PLC-XW300 is truly portable, and its low profile helps keep it from interfering with the audience's view of the projected image. This XGA resolution projector is rated at 3000 ANSI lumens. The PLC-XW300 is one of a unique class of projectors that gives you brightness and portability at a low price.


Overview
Brightness and Uniformity: An unusual feature of the PLC-XW300 is your choice of three lamp intensities: Bright, Normal, and Eco. For our high brightness measurement, we chose Dynamic mode with the Bright lamp setting. The PLC-XW300 put out 2,420 ANSI lumens in this configuration, and the Standard and Real modes checked in at 2,155 and 1,830 lumens, respectively. With a video image, brightness registered 1,915 lumens in Dynamic mode, 1,705 lumens in Standard mode, and 1,450 lumens in Cinema mode. Normal and Eco lamp modes dropped brightness by 10% and 36 % from the Bright setting, respectively. Uniformity was at 90% . . . one of the best we've seen. Note that the Bright lamp setting may not be your first choice for smaller rooms where its higher fan noise may be distracting.

Image Size and Position: The PLC-XW300 can focus as close as 3.6' and as far as 34.4' from the screen. Image diagonals from those distances are 40" and 300", respectively. The projected image can be raised +10° by locking the extendable front foot, but no horizontal leveling is provided as neither rear foot can be adjusted.

Lens and Throw Angle: Concentric manual focus and zoom rings make it easy to set up the image size you need, and the 1.2:1 zoom ratio gives you some flexibility in projector placement. Image offset is -18% of image height, so a 72" diagonal image has its lower edge about 8" below the centerline of the lens. This suggests that the projector be placed above tabletop level in order to get the image sufficiently high without excessive projector tilting and keystone correction.

Preset modes: Sanyo uses different names for its preset modes depending on whether it's referring to data or video images. In data mode, you can choose from Dynamic, Standard, and Real, and in video mode from Dynamic, Standard, and Cinema. Dynamic has a slight greenish hue while Cinema tends toward red and Standard toward blue. For both data and video, reducing saturation and increasing contrast and brightness makes for a more pleasing image. On the Image Adjust menu, you can choose from three color temperature settings (Low, Mid, and High).

Lamp Life: The projector's 220-watt lamp is dealer priced at about $180. Access is through the top cover, so even ceiling mounts present no significant problem when it's time for lamp replacement. With lamp brightness set at Normal, lamp life is rated at 3,000 hours, and Eco mode lengthens that to 4,000 hours with a 29% brightness reduction from Normal.

Maintenance: Like many LCD projectors, the PLC-XW300 has an air filter that needs vacuuming or rinsing occasionally. It pulls out from the front of the projector, so it's not difficult to remove even if the projector is ceiling-mounted.

Warranty: Sanyo offers a 3-year parts and labor warranty for the projector and warrants the lamp for 90 days.


Advantages
Data Image Quality: As noted, the preset settings for data images aren't quite on the mark, but a little tweaking produces a well-saturated and balanced PC image. The 90% brightness uniformity means no hot spots, and graphics and text have excellent detail. A spreadsheet with 8 pt. type is very legible even with keystone correction maxed out at ±30°, and edge-to-edge sharpness is excellent. As an added benefit, the PLC-XW300 allows individual adjustment of red, green, and blue levels for PC images.

Network Connections & Management: The PLC-XW300 has a D-sub 9 connector for remote sensing and control, and it also provides an RJ-45 network connection. Sanyo supports a remote monitoring application called PJ Network Manager which uses a Simple Network Management Protocol (SNMP) to communicate with up to 200 devices including computers and projectors. It can remotely monitor projector status such as lamp condition and internal temperature and alert maintenance personnel to possible problems.

Stored Settings: Unlike many projectors in its class, the PLC-XW300 lets you store up to four custom settings for each input mode. So, if in data mode you use a Mac and a Dell and your colleague uses an Acer and an HP, you won't have to fiddle with the projector settings each time the projector changes hands. Simply store each computer's unique settings in the Image 1 through Image 4 section of the Image Select menu, and select your computer's unique stored values when you hook it up. The same capability is also available for video mode.

Auto Source Selection: The PLC-XW300 has an auto sense capability that makes life easy for infrequent users. With the touch of a button, the projector looks for the next source that's connected, automatically sets any clock and/or phase adjustments for computers, and makes any keystone corrections needed.

Menus and Remote: Modern projectors are offering so many control functions that on-screen menus often challenge you to remember where to find a favorite selection. To its credit, the PLC-XW300 has on-screen menus that are easy to navigate and clearly show their contents without the multi-level complexity of competitive projector menus. For example, there are nine menus and eight of them display their contents without scrolling. The on-screen menu covers about 40% of the screen image, but it can be positioned in any of the four corners or the center of the image. Also, when making image adjustments such as brightness and contrast, the menu collapses to a single narrow bar at the bottom of the screen so you can see almost the entire image while making changes.

The remote control is simplicity itself with each button function clearly identified by name. A backlight would be a nice improvement, but it doesn't take long to get to know where functions are just by feel. Many set-up functions are available at the touch of a button including screen aspect ratio, keystone compensation, lamp intensity, and image presets. Presenters will appreciate the available on-screen timer and the screen blanking functions.


Limitations
Connectivity: There are only two D-sub 15 pin VGA connectors on the back panel, and one of them (Computer 2) is dedicated to either functioning as an RGB input or a monitor loop through output. That leaves just one connector (Computer 1) to handle a second RGB input or to connect to adapters for s-video or component video inputs. There is a separate composite video RCA input, but the net is that you're limited to two inputs (composite video and one other) if you need a monitor loop through. Also, there's no HDMI or DVI connector, so you cannot connect any digital signals.

Video Image Quality: In high ambient light conditions, the PLC-XW300's brightness may make up for its relatively low 500:1 contrast ratio, but if you want to watch movies in darkened rooms, you may be disappointed with the lack of dynamic range. Trying to get blacks to look black crushes any shadows, and highlights are quickly swallowed up as the brightness control is raised.

Fan Noise: With the lamp at its Bright setting in a small case, the PLC-XW300 must run its fan at a healthy clip, and the resulting noise is noticeable up close. Lowering the lamp setting to Normal or Eco will reduce the noise to a tolerable level although it still competes with the relatively low audio output of the projector.

Speaker: The single one-watt speaker may be enough for a small audience, but the projector's brightness is well suited to moderate size rooms where external audio amplification will almost certainly be needed.

Light Leakage:For those sitting behind the projector, there's a bit of light leakage through the grill at the left rear that may be distracting during low ambient light conditions.


Conclusion
Sanyo's PLC-XW300 is small, light, and bright enough for many classrooms and conference rooms. It has a limited number of input connections, but it compensates with a unique four-level image setup storage system. User operation is easy with an excellent on-screen menu system and auto sensing for PC and video sources. While its video performance may leave a little to be desired, it's a consummate data projector at a very reasonable price. Very few models currently on the market offer a bright XGA picture in a portable package, with networking capability and a three-year warranty, for $845.

Mitsubishi WD620U
1280x800 Widescreen Projector
Jeffrey Janas, March 25, 2010
ProjectorCentral.com
The Mitsubishi WD620U is an extremely bright projector that is ideally suited to the conference room or classroom that needs a high impact image on a large format screen. The WD620U's WXGA 1280x800 native resolution, driven by a .65" single DLP chip, is combined with a high quality lens and results in a very sharp and vivid projected image. The Mitsubishi WD620U also provides a lot of value for the dollar thanks to a 5,000-hour lamp life, a filter free design, and an exceptional 3-year warranty with prompt replacement assistance.


Advantages
Brightness: The Mitsubishi WD620U is specified at a peak brightness value of 4,000 ANSI-lumens. The review sample performed very close to this specification, measuring 3,743 ANSI-lumens or 93% of the published specification. The WD620Us brightest output was found with BrilliantColor at the highest setting, standard lamp mode and the Presentation image preset. Switching the lamp mode to low reduced the light output by 19% resulting in 3,019 ANSI-Lumens (Presentation preset with BrilliantColor at maximum).

This amount of light-horsepower gives the Mitsubishi WD620U flexibility in supporting many different viewing environments and screen sizes. On a screen size of 10 feet wide (138 inches in diagonal at a 1.78 aspect ratio) with a gain of one, the WD620U will produce screen brightness of 59.9 ft-lamberts. This degree of brightness was more that sufficient to overcome ambient light when the WD620U was tested in a 'worst case' conference room scenario that consisted of testing mid-day in a corner room with windows on two sides.

Lens Quality and Sharpness: The Mitsubishi WD620U produces a very sharp and clearly defined image across the entire screen width. No noticeable chromatic aberration was identified throughout the zoom range. The WD620U contains a zoom lens with a 1.5 zoom ratio that allows for flexibility in mounting position. For example, the WD620U can throw a 100" diagonal image anywhere between 10.4 to 15.6 feet of throw distance, making this projector suitable for tabletop, mobile classroom cart use or ceiling mounting. The zoom lens at the extremes did not have a significant impact on image brightness. The max brightness value of 3,743 ANSI-lumens was measured with the zoom lens at maximum position (i.e., the largest image possible). Reducing the zoom to the low end reduced max brightness to 3,417 ANSI-lumens or about 90% of brightness at max zoom. The WD620U's image offset is 29% to 32% of the image height depending on the zoom setting. This translates to the projected image starting 16.8 inches from the projector's lens center for a 100" image at the projector's native aspect ratio.

Internal Audio Capability: The Mitsubishi WD620U contains a single 10W speaker that will reproduce sound input over the analog or digital audio inputs. The sound quality of the single speaker is clear, but has a tinny and slightly hollow sound at volume levels near the upper limit. Sound quality at mid volume level should be sufficient for smaller conference rooms or standard classrooms. The Mitsubishi WD620U contains a unique feature that allows a wireless microphone to be connected directly to the projector and audio output via the projector's internal speaker.

Setup Flexibility: The WD620U contains multiple features that allow the image to be optimized for a variety of different viewing situations. In addition to the standard image modes such as presentation and video, the WD620U contains multiple color presets for use when projecting on a non-standard screen surface. Six different presets are included and feature white and black board presets along with four different wall colors. The Mitsubishi WD620U contains a keystone function that can be adjusted manually or automatically when the projector is powered up. The keystone function works well through the majority of the range, although some noticeable (but not overly distracting) distortion on small font text was noticed at extreme settings. The WD620U features both soft and hard security options: a password lockout function that prevents any image to be displayed before the projector's password is entered and a Kensington lock input for physically securing the projector. The WD620U also comes with a high quality nylon carrying case that will be appreciated if this projector is used in a mobile environment.

Low Operating Cost: The Mitsubishi WD620U is specified to a 5,000-hour lamp life in low and 3,000 hours in normal. Mitsubishi rates lamp hours in terms of time to half brightness; with the plus 3,700 ANSI-lumens starting brightness level, users can expect to have a very bright image even after thousands of hours of bulb run time. The top loading lamp design allows lamp replacements to be completed without having to remove the projector from a ceiling mount. Additionally, the Mitsubishi WD620U has a filter free design that eliminates the need for filter maintenance further reducing maintenance costs.

Input panel: The WD620U's input panel includes three D-Sub VGA connectors - two function as inputs with the third functioning as a dedicated monitor output. The WD620U has a digital HDMI input that is HDCP enabled. Video inputs include composite, s-video and component video over the D-sub connector. The WD620U provides dual 3.5mm audio input jacks, a 3.5mm audio output jack and a set of stereo RCA input jacks. The WD620U can also be controlled externally using the RS-232 or LAN connector using either the standard PJ-Link protocol and third party software or the included Mitsubishi 'ProjectorView Global+' software.

3-Year Warranty with Rapid Replacement: Mitsubishi offers a unique 3-year warranty program that includes Express Replacement Assistance, which means you'll have a replacement unit very quickly in the event your unit fails. The warranty also covers the lamp for 1 year or 500 hours, whichever comes first.


Limitations
Menu structure: I found the menu structure of the WD620U to be cumbersome. The WD620U defaults to a 'simple' menu that contains commonly adjusted functions such as picture mode, brightness, contrast, etc. Unfortunately, users need to navigate through all simple menu options to get to the advanced menu. Additionally, the advanced menu requires a 'down' click or press of the center button on the remote to view the different sub-category options. A corresponding 'up click' is required to get back to the menu category selector. I frequently would inadvertently modify a menu setting with a right click that was intended to select the next advanced menu category. Many menu options are up to five levels deep in the menu structure, requiring a substantial amount of navigation between different menu screens. While the menu structure is not the most user-friendly design, this should not present a significant issue for normal conference or classroom use once the initial setup and installation of the projector is complete.

Video performance: The video performance of the WD620U is adequate for use in the conference or classroom, but it is not made for serious theater viewing. The strengths of this projector are slanted to projection material in ambient light, not video display in a dark room. While I did not take specific measurements, it appears that Mitsubishi uses a modified or non-standard gamma curve that made it difficult to obtain a good image balance at the high IRE levels. I had to choose between muddy mid-level detail or blown out details at the top end. The best video performance was found with setting the WD620U to theater mode, reducing the Brilliant Color setting to a low value and selecting the natural gamma mode. This setting produced 972 ANSI lumens, which is more than enough brightness for a light controlled environment.

Brightness Uniformity: The Mitsubishi WD620U's measured brightness uniformity was 67%. The variation across the screen was consistent across the different lamp modes or image presets. In a tabletop setting, the upper right hand corner was the least bright and the lower left hand corner was the brightest. Viewing on a unity gain screen, this level of variation was not noticeable to the eye.

Rainbow Effect: I noticed an above average amount of the rainbow effect on the Mitsubishi WD620U when the projector was set to maximum brightness and tested using PowerPoint presentation material with a significant amount of slide transition effects. Rainbows were also noticed during viewing of video-based material, but to a lower degree and they were not overly distracting. While color wheel speed is a major factor in rainbow artifacts, the high brightness and rapid motion of the slide transitions were also significant factors.


Conclusion
The Mitsubishi WD620U is a very bright widescreen projector that targets the classroom or business presentation environments. It excels at producing a high impact, large format image due to the 3,743 ANSI-lumen output. Additionally, the rather long zoom range, 10-watt onboard audio, a variety of image pre-sets and configuration features give you the ability to adapt it to many different use environments. The exceptional warranty adds even more value. The Mitsubishi WD620U would be an ideal fit for a semi-mobile or fixed installation in which you want to light up a very large screen with a bright, high impact image.

Sanyo PDG-DSU30
SVGA Budget Classroom Projector
Marc Davidson, April 12, 2010
ProjectorCentral.com
Built around a DLP-based SVGA (800x600) engine, the Sanyo DG-DSU30 is slightly brighter than its claimed 2500 lumens. It is reasonably portable, at 5.1 pounds, with the portability enhanced by a combination of features, including horizontal and vertical image shift, that help make setup easy. At $695 list and $549 on the street, it's an attractive SVGA budget choice for classrooms and business use.


Advantages
Easy connection setup. The PDG-DSU30 makes setting up a connection as simple as plugging in a cable and turning on the video source. The auto input search feature quickly found incoming signals whenever we changed the image source in our tests, and the auto sync feature synchronized to the signal without even waiting for a command to sync. Even better, the auto-sync worked so well that images designed to bring out pixel jitter in analog connections looked as rock solid as with a digital connection.

Easy to set up image size and position. Setting image size and position is much easier than with most projectors, thanks to a number of small conveniences. For basic control of image height, front and back leg adjustments let you point the projector up or down. You can then adjust the image position for both height and horizontal position with the vertical and horizontal image shift settings.

The 1.1x zoom feature doesn't let you change the image size by much, but it's enough to let you put the projector at approximately the right distance from the screen and then make fine adjustments with the zoom ring rather than having to move the projector.

Brightness. Unlike most projectors, the PDG-DSU30 lives up to its claimed brightness rating. We measured its Bright mode at 2562 lumens, about 2% higher than its 2500 lumen rating. That's more than enough to throw a large image that can stand up to any likely lighting in a classroom or office.

Wide brightness range. The projector also offers several modes suitable for lower levels of ambient light for any given size image. (The rated screen size ranges from 27.5-inches at 3.9 feet to 302.8 inches at 39.4 feet. We ran most of our tests using a roughly 100-inch diagonal image from about 13 feet.)

Most of the other preset modes -- Presentation, sRGB, Classroom, and Blackboard (which is meant for green blackboards) -- dropped the measured brightness to between 1915 and 1971 lumens. For even lower light levels, the Movie mode dropped the brightness to a measured 1204 lumens. In Eco-mode, brightness in all operating modes drops by about 14%.

Good basic connectivity: The PDG-DSU30 offers what you might think of as a basic set of connectors for a portable projector: a VGA port for a computer or component video, a pass-through monitor VGA port, S-Video and composite video ports, and a mini-plug mono audio input.

Reasonably high quality image with good brightness uniformity. For data images, the PDG-DSU30 generally scored well for quality, with only a few minor issues. In particular, yellows were a slightly mustard color, although much less so than with early generation DLP projectors.

For video images, the colors were a little harsh and skin tones in some scenes were a little posterized. The quality is well short of what you'd want for a home theater projector, but it's good enough to offer usable video for a classroom or conference room.

We measured brightness uniformity at 72%, which is good but not great. It's enough of a difference for a solid white screen to be noticeably brighter at the bottom than the top. However, the difference is impossible to see with a typical Windows screen, with the white background broken up by text and graphics. There's certainly no hint of the difference with a video image.

Power saving features. Sanyo rates the PDG-DSU30's power consumption in standby mode as less than 1 watt, an eco-friendly number confirmed by a Kill-a-Watt meter, which can't measure fractions of a watt, and gave a reading of 0.

The projector also offers two timers to automatically switch to standby mode. One, which you can set at up to 180 minutes, starts counting down when the projector loses an incoming signal. The other, which you can set separately to as much as 995 minutes, counts down whether there's a signal or not. You can use either or both timers to ensure that the projector switches to standby mode even if you forget to give the power off command.

Excellent warranty: The three year warranty for the PDG-DSU30 is longer than most projector warranties, which says a lot about how confident Sanyo is that the projector will last. The lamp is limited to a more typical 90 days or 500 hours, whichever comes first.


Limitations
May need cables and a cover. The only cables the PDG-DSU30 comes with are a power cord and VGA cable. If you want to take advantage of the video or audio ports, you'll have to buy cables separately. Similarly, it doesn't include a case or protective cover. If you want carry it with you or store it with some minimal protection, you'll have to buy a case or cover as well.

No built-in control panel. Aside from a power button, there are no controls on the projector, which means there's no way to adjust settings if you lose the remote. Sanyo says that if you place an order before noon Pacific Time, it will normally ship a $35 replacement remote the same day.
Low volume. The 2-watt mono speaker in the PDG-DSU30 is loud enough for a small conference room, but isn't even close to being loud enough for a medium or large classroom. If you need audio, you'll need a separate sound system.

No remote mouse control. One potential issue is the lack of any way to control a PC's mouse through the projector's remote. If you need to page through a presentation or use the mouse cursor as a pointer, you'll have to stay close to your computer to use your computer's keyboard and mouse.

Rainbow artifacts. Because of the way single-chip DLP projectors create colors -- showing each primary color in sequence, and leaving it to the human visual system to integrate the colors over time - sequential color breakup is a potential issue for any DLP projector. When you move your eye or an object moves on screen, light areas surrounded by dark colors can break up into little rainbows, because each color falls on a different part of your retina.

Some people see this rainbow effect easily and others never see it. It's obvious enough with the PDG-DSU30 that anyone who is at all sensitive to the effect will certainly see it. Those people may find the projector annoying to watch for long sessions -- as with a full length movie, for example. However, it shouldn't be an issue for shorter sessions.

Long turn off time: One strike against the projector's portability is its turn off time. The projector needs about 120 seconds after you turn it off to cool down enough to go to standby mode, so you can unplug it and move it safely. Two minutes can seem like a long time if you're in a rush to get somewhere or someone else is waiting to use the room you're in.


Conclusion
Despite a few shortcomings -- notably the long turn off time and the possibility of having to do without the projector if you lose the remote -- the PDG-DSU30's strong points easily trump the potential issues. The easy setup, combined with a reasonably high quality image that is bright enough to stand up to typical classroom or office lighting, is enough to earn it a recommendation. The 3-year warranty helps make it a better value. Finally, the power saving features should be particularly welcome in a classroom situation, where it's far too easy to leave the projector running when you leave a room.

3M MPro150
Pocket Presentation Projector Review
Bill Livolsi, March 17, 2010
ProjectorCentral.com

While early pico projectors were very rudimentary, some of the latest products like the 3M MPro150 are changing people's expectations of what a pocket-sized projector can do. The MPro150 is truly pocket-sized, but produces a 15-lumen picture with good color saturation and contrast that's perfect for a mobile presenter who wants to travel light. A gigabyte of internal storage and a MicroSD card slot make it easy to present without wires. But the MPro150 can show more than just pictures - it features support for Microsoft Office documents as well as Adobe PDFs and several common video formats. With a street price around $380, the MPro150 is a presenter's perfect pocket-sized pal.

Advantages
Image quality. The MPro150 is rated at 15 lumens, and our test sample measured 14. The image is clear and bright in a dark room up to about 40" diagonal, where it begins to dim rapidly. In a brighter environment, the "sweet spot" for projection seems to be about 15" to 20" diagonal.

In terms of actual image quality, the MPro150 is bright enough to hold its own in a well-lit room, provided you keep the image size reasonable. Contrast is sufficient for Word or Powerpoint documents, while images and video will benefit from more restricted lighting conditions. There is some vignetting in the corners, which can get annoying when displaying text documents, since important information can run from edge to edge. For Powerpoint or photography, though, it should not cause too much of a negative impact on your presentation.



Wireless presentation. The MPro150 is more than just a projector. Traditionally, projectors are more like computer monitors than televisions, in that they need an external source to handle the decoding and playback of content. This can be anything from a DVD or Blu-ray player to an iPod or laptop. The MPro150 is different, because it does not require an external source for several common document types. Since many, many presenters use Microsoft's PowerPoint software for their presentations, the MPro150's Office support will allow them to run their presentations directly off the projector without having to run a single wire.

The MPro150 can also handle Adobe PDF documents, image files, MP3 music files, and several common digital video formats, including MPEG-2 and various MPEG-4 implementations. No matter what we threw at the MPro150, it displayed it like a champ. Navigation is not as fast as it would be on a laptop or netbook, but if all you need to do is display a file, the MPro150 is more than capable.

Storage. Of course, the ability to display all of this data is useless without some place to put it. The MPro150 has a generous 1GB internal storage area, accessible via USB. Simply connect the projector to your computer and it will show up as USB storage, similar to how you use your digital camera or USB thumb drive. Note that the projector must be turned on in order to access its storage space.

Now, if you are going on an extended trip, it is possible that 1GB is not enough space for what you want to display - especially if you're using a lot of video or photographic content. The MPro150 has a slot for MicroSD cards, and includes a 2GB card in the box. These 2GB cards can be purchased for less than $10 each and are smaller than a dime, allowing you to carry effectively limitless storage that is easily swapped in and out of the projector. This would allow you to keep a card for your business information and then another for movies to watch during your flight, for example.





Connectivity. While its onboard capabilities are impressive, it is possible that you will need to present something that the MPro150 cannot display on its own. For these circumstances, the MPro150 includes both composite A/V and VGA breakout cables which connect to the projector's "VGA-A/V" port on the rear of the projector. For ease of use, the VGA cable also has a 1/8" audio connection, so you can send your computer's audio and video using one connection (of course, chances are pretty good that your laptop has louder and better-sounding speakers than does the MPro150, but that is beside the point). Additional cables are available for use with component video connections or Apple products like the iPod, iPhone, and iPod Touch. There's also a 1/8" headphone jack for those times you just want to watch a movie or listen to some MP3s.

Portability. The MPro150 is built for portability. Obviously, things like small size, on-board storage, and format support go a long way towards making the MPro150 presentation-friendly, but there is more to consider. The projector weighs less than six ounces, making it trivial to carry in a pocket. Its internal battery lasts for two hours. We tested and confirmed this capacity by running a video clip with the volume up, which is about the most demanding application we could think of as far as power consumption is concerned. The MPro150 ran for a full two hours before shutting itself down.

The projector has a small "kickstand" on the bottom, allowing it to be tilted upwards far enough to clear a conference room table even without the use of a tripod. Still, it has a tripod mount as well, and the package contains a small portable tripod in case you would prefer to use one.

The A/C adapter is international and can accept a wide variety of power configurations, and the tines are interchangeable between US, UK, European, and Australian standards. All told, the MPro150 can be recharged and used in almost any country where there is reliable electricity to be had.

This is true portability; it extends beyond size and weight and shows the degree of forethought put into the product. The MPro150 is designed for mobile presentation, from top to bottom. For the jet-setting professional on the go, there is little more one could ask for. The one notable accessory that is not included is the 3M Mobile Presentation Binder. This is a simple leather binder with pouches for your projector and its cables and a rigid white screen surface on the opposite side. This simple accessory ensures that you will always have a suitable projection surface, no matter where you are. It can be found for about $40 at several office supply retailers.

Stereo speakers. The MPro150 has two half-watt speakers, and they are capable of decent volume. For a small audience of one to five people (with five being the absolute maximum), everyone should be able to hear the presentation. Still, the speakers are best used in a very quiet room. Then again, with a pocket projector like the MPro150, it is unlikely that you will ever want to show your presentation to more than five people at a time. In essence, the sound matches the picture in that it is ideal for a small audience.


Limitations
Ergonomics. The MPro150 is a slim, handheld package that's small and light enough to carry everywhere, but it does have some minor flaws that decrease usability. For starters, the focus adjustment wheel is on the front of the projector, meaning you have to reach around with one finger to adjust it. It can be difficult to do this while holding the projector steady and not block the image, while a side-focus wheel might be easier to operate.

Navigation of documents and menus is performed with the top-mounted directional panel. However, at least at first, this directional pad can be sticky. For example, when watching video files, up and down control volume while left and right change files. While trying to adjust the volume, it is easy to slip and accidentally skip to the next file. Since it is difficult to return to the place where you left off, this can be a hassle - especially if you are watching a longer clip.

Occasionally sluggish menu. A few times, the MPro150 would get "hung up" on something, and refuse to accept our input until it worked things out. Then, all of our clicks would go through at the same time, leading to some interesting behavior. This is a relatively minor issue, and could always be fixed with a quick restart, but it's still something to be aware of.


Conclusion
The 3M MPro150 is a presenter's pocket projector, no question. Its onboard storage and document support make it a great choice for wireless projection, allowing you to travel light. In these days of airlines charging for checked baggage, this can be a great benefit.

The MPro150 is a total package, not just a projector. With stereo speakers and great connectivity, the MPro150 can project any material, from any source, at any time. If you need a pocket projector for serious business use, this one comes highly recommended.

Optoma HD66
720p DLP Home Theater Projector Review
Bill Livolsi, February 3, 2010
ProjectorCentral.com

The latest projector from Optoma, the HD66, is a compact, inexpensive 720p DLP home theater projector. Its 2500 lumens of brightness are perfect for games or sports, and its 4000:1 contrast ratio gives high-contrast images plenty of pop. Moreover, it is 3D Ready, which provides you with some insurance against the gathering storm of 3D that's just over the horizon. If you are not into 3D, don't worry--the HD66 is a great 2D home theater projector as well. The best part? This little powerhouse costs only $699, making it affordable to just about everyone.

Editor's Note: The throw distance data listed in the HD66 user manual is incorrect, as is the data on Optoma's website. ProjectorCentral's online Calculator is reporting accurate throw distance data. EP 2/10/10


Advantages
Resolution. The HD66 is a bright little package, rated at 2500 lumens maximum. Now, the HD66 is marketed as a 720p projector, since that is the maximum resolution at which it can display 3D content. However, it has a 1280x800 DLP chip, so not only can it display native HD 720p, but it can also display computer signals in 1024x768 and 1280x800 without compression as well. It will display HD 1920x1080p/60 in compressed form. It cannot display 24p natively, but it is sometimes difficult to tell the difference between 60p and 24p even on native 1080p projectors.

Lumen output. Bright mode is the projector's brightest setting, as the name implies. As is typical of high lumen output modes, it is biased towards green, and color accuracy is not as good as in other modes. It is suitable for HD sports and video gaming in a room where you'd like to keep the lighting turned up. Using 720p content, the projector measured 1979 lumens. When using a 1280x800 signal from a laptop or other 16:10 source, it measured 2199 lumens, due to the use of the entire DLP chip.

If you want to watch film or video content in a light-controlled environment, you can use one of the HD66's other image modes. These modes can improve color fidelity and contrast while cutting lumen output, which will help to reduce the incidence of headaches in your audience due to a too-bright picture. Movie mode measured 1410 lumens with the lamp on high, which is still awfully bright for movies in a dark room. Low lamp mode reduces this and all other image modes by 13%, which brings Movie mode to 1227 lumens.



For best results, though, you will want to change the default settings of the HD66 rather significantly. On our test unit, we lowered brightness from the default of 50 to 33, raised contrast from 50 to 67, increased color saturation to 68 and fine-tuned the color temperature settings. We also disabled BrilliantColor completely. The result is a higher-contrast picture with deeper color saturation that looks better than any of the factory default modes. With these adjustments, the HD66 delivered around 670 lumens of brightness, which is still brighter than the average video-optimized home theater projector. Low lamp drops this operating mode to 582 lumens.

Contrast. The HD66's 4000:1 contrast ratio doesn't sound like much. When we first began watching a movie in its factory preset modes, it was still disappointing. Blacks were not deep enough, appearing more gray than black, though shadow detail was good. But after calibration, the picture improved by leaps and bounds. You can lower brightness on the HD66 significantly from factory presets without losing shadow detail, and the result is a deeper black level, well-defined shadow detail, and a more three-dimensional image.

Color. In its preset calibrations, color on the HD66 is only fair. In the brighter modes, such as Presentation and Bright, colors lack proper saturation and accuracy is as normal for these modes. Movie mode is better, since the greenish bias is not present, but saturation still needs a boost. However, after some adjustments by the user, the HD66 has bright, vibrant, well-balanced color that is perfectly suitable for home theater use.



3D. The big story about the HD66 is not that it is another inexpensive 720p projector, but that it is a 720p 3D projector. The HD66 is capable of displaying 1280x720 content at 120 frames per second, which equates to 60 frames per second per eye. You will need a 3D signal source, such as a computer with a powerful graphics card, and one pair of active shutter glasses compatible with DLP Link for each viewer. Keep in mind that the fact that a projector is capable of showing 3D does not mean that it will be compatible with all 3D signal sources in the future. But if you are in the market for an inexpensive home theater projector and want to have the 3D experience, the HD66 will give you just that.


Disadvantages
3D Brightness. No matter what projector you use, there is always a dramatic drop in lumen output when using 3D content. For example, the HD66 produces 1979 lumens in Bright mode. Once you turn on 3D mode, lumen output drops to 660. This is the maximum lumen output possible in 3D mode, since no matter what mode you are using, the HD66 ignores your settings after making the switch.

Then, one must factor in the glasses, which can reduce perceived brightness by 60% or more. That makes for a perceived brightness of well under 300 lumens. Things are not as grim as they sound, however, due to the way the glasses operate. Yes, the glasses do cut perceived light output significantly, but they don't solely affect the projected image. The combination of 3D mode and shutter glasses reduces black levels more so than than highlights, making for a higher-contrast picture. It also means that ambient light is reduced by 60%. So, while the picture does appear dimmer, it maintains the same relative brightness when compared to the room environment.

Pre-calibrated modes. The HD66 is a great home theater projector once it has been tuned up, but the picture controls absolutely need to be tweaked to get the best video image out of it. Since the projector is only $699, it won't make sense for most users to lay out an additional $300 for a professional calibration. But the simple adjustments noted previously will produce a dramatically better image than you get from the preset modes, which are optimized for brightness. That is fine for lights-on living room viewing, but not so much for ideal home theater.

Also note that in Movie mode, BrilliantColor defaults to full blast. BrilliantColor on this projector boosts highlights without affecting the rest of the image, which is a great feature for presentations and data display but less than ideal for home cinema. BrilliantColor should be turned off when trying to achieve the best video image for dark room viewing.

Image noise. The HD66 shows a level of image noise comparable to that of other low-cost home theater projectors such as the Optoma HD20 and Vivitek H1080FD. Noise is most visible in solid-colored areas of medium saturation, such as a cloudy sky. It shows up primarily in video or film content, while data images appear more stable.




Placement flexibility. The HD66 has a 1.1x manual zoom lens and no lens shift, which is typical of inexpensive DLP home theater projectors. For example, you can fill a 120" screen with a 16:9 image from 13' 6" to 14' 10", depending on the position of the zoom lens. The fixed throw angle means that the bottom edge of this same image will appear almost 11" above the lens' centerline, which is an offset of about 22%. As a result, the HD66 needs to be positioned carefully to fill a given screen size, either on a low table or using a ceiling mount. Placing it on a low table is less labor-intensive and less costly since you don't incur the cost of a ceiling mount and longer run cables.

Signal loss with long cables. We have a set of long HDMI cables which we use to test signal transmission and reception. When using a 50' long cable, the HD66 occasionally "sputtered" as it lost and reacquired the video signal. This happened very quickly, so it appeared to be nothing more than a flash of static, but it was distracting and completely unpredictable. With 25' cables we had no problem. So if you plan on installing the HD66 using a very long run of cable, test it first before running that long cable through walls and ceiling. You may want to use two shorter cables with a signal repeater between the two. This will mitigate signal loss over distance and ensure that the image does not drop out.

Remote. The HD66's remote seems like it came straight from a business projector. It is small and crowded, with most of the clutter coming from the two directional pads. One of these pads is for mouse control, which most home theater users will find useless. The second directional pad is for menu navigation, and it is not immediately obvious which one is which. Below that are buttons for keystone correction, volume control of the onboard two-watt speaker, and then a whole mess of buttons in no particular order, numbered one through nine. These buttons control Brightness (though there is no corresponding button for Contrast), bring up the Menu, control the digital zoom, select HDMI as a source, freeze the image on screen, enable A/V mute, select S-Video, VGA, or composite. As you can probably tell, the layout of the remote is a little confusing. A number of times, we found ourselves accidentally switching sources or muting the picture when we meant to bring up the menu. While the HD66 is an inexpensive projector, the remote was still a disappointment.


Conclusion
The Optoma HD66 is a small, powerful, versatile home theater projector that's great for movies, video games, or HD sports. Its pre-calibrated picture modes optimize brightness, which is great for use in high ambient light but not ideal for cinema. A little fine-tuning of the picture controls gets you a dynamic, vibrant picture that's perfect for movies. 720p 3D support adds a bit of future-proofing and allows for the use of 3D PC games, if you have a computer powerful enough to handle them. All in all, the HD66 offers an outstanding value for those on a budget who want a bright home theater projector that is great for movies, video games, and for additional types of computer-based projection as well.

BenQ W1000
1080p DLP Home Theater Projector Review
Bill Livolsi, March 3, 2010
ProjectorCentral.com

The W1000 is BenQ's entry level 1080p home theater offering: a 1080p DLP projector that costs less than $1000 at retail. It has precalibrated modes suitable for a wide variety of uses, from HD sports in a well-lit living room to home cinema in a darkened theater. While the user interface is sometimes hard to work with, and the cinema modes require some fine-tuning to look their best, the W1000 is a strong performer and a great choice for a first projector.


Advantages
Light output. The W1000's light output can be changed drastically depending on the room environment and intended use. In its brightest modes, it is good for HD sports or some video games, while its more balanced modes are great for film.

The W1000 is rated at 2,000 lumens, and our test sample measured a very bright 1917 lumens in Dynamic mode. Dynamic mode has a strong green bias, which may or may not be suitable depending on the type of material you are viewing. If you want a bright picture without quite as much of a green tint, you can use Standard mode, which measured 1373 lumens. This mode also has better contrast than does Dynamic mode, making images and film appear more vivid and three-dimensional.



The third preset option, Cinema mode, measured 1211 lumens. Cinema mode was, despite the name, not particularly well suited for cinema use, due to the fact that BrilliantColor is enabled by default. Our preferred calibration, which used Cinema as a baseline, measured out to 525 lumens in high lamp mode. This does not sound like a lot, especially compared to the screaming 2000 lumens of Dynamic, but the image is much better balanced, with good contrast and accurate color. It is not unusual for home theater projectors to put out around 500 lumens in video optimized mode. Our settings for this mode are provided below.


Mode: User 1
Reference: Cinema
Brightness: 51
Contrast: -12
Color: -3
Tint: 5
Gamma: 2.2
BrilliantColor: Off

BrilliantColor has its advantages in some situations. Enabling BrilliantColor will give you more than double the lumens to play with, allowing the use of larger screens or an increase in ambient room lighting. On the other hand, the picture looks more natural and balanced with BrilliantColor disabled, but it cuts lumen output drastically. Which setting you prefer is a matter of application. If you're watching sports in a well-lit room, use BrilliantColor. If you're watching movies in the dark, turn it off.

Contrast. The W1000 is rated at 4000:1 on/off contrast, which at the moment is typical for a sub-$1000 1080p projector. However, calibration is very important in helping the W1000 to realize its full potential, and at its defaults it does not look nearly as dynamic as some of its competition. With a little fine-tuning, such as the settings suggested above, it can easily hold its own against the competition.



Color. At its defaults, the W1000 is far too green and color is over-saturated by a fair amount. Due to the options available, one must move the tint control towards magenta (on this projector, that's above zero) in order to compensate for the green bias. Lowering saturation is even simpler. After these adjustments are made, color on the W1000 is vibrant and closer to accurate.

Picture Quality. None of the above comments reveal what is so exciting about the W1000. The W1000 has a very attractive, film-like picture that looks more expensive than it is. While it doesn't have a lot of bells and whistles, and is definitely an entry-level, no-frills product, it has an image that doesn't compromise. And when you're dealing with high definition film, image quality is ultimately the most important factor.

Low Maintenance. The W1000 has a 3,000 hour lamp, but life is extended to 4,000 hours in eco-mode. Replacements cost only $249 direct from BenQ. This gives the W1000 a cost per hour of operation somewhere between six and eight cents. And since the W1000 uses DLP's filter-free projector design, lamps are the only part that will need to be regularly replaced.

On-board speaker. Rarely do we find a home theater projector with audio onboard. In a permanent viewing room, you'll want a more robust surround sound system. But an onboard speaker is handy for portable use. It lets you play a movie in a temporary location that may not have an audio system available. However, let's keep it in perspective. The W1000 has a small 3W mono speaker, which is adequate only for very small audiences in very quiet rooms. The sound quality is actually quite good, but it lacks a volume control. For anything more than three people, the volume is simply not adequate to provide a satisfying experience. If you are running an air conditioner or even a particularly loud fan, the sound can be completely overwhelmed.


Limitations



Menu system. Most of our frustrations with the W1000 stemmed from the user interface. The menu system seems logical, with several tabs arranged along the top and options displayed underneath. However, we ran into a few oddities. The three preset modes (Dynamic, Standard, and Cinema) cannot be changed in any way; all of the adjustments in these modes are deactivated or "grayed out." To make any picture control adjustments, you must select one of three User modes, which then allow you to set one of the three presets as a baseline and make changes. However, one wonders why BenQ did not just allow the user to change the basic presets to begin with.

In addition, BrilliantColor is enabled by default on all image modes. BrilliantColor boosts highlights, giving the impression of very bright whites, without affecting the rest of the image. While this is a great feature for presentation, it is not desirable for movie viewing in a dark room as it produces an unbalanced image.

Finally, there's the color adjustment system. There are three preset color temperatures, Warm, Normal, and Cool. If none of these are to your liking, you can pick the User setting, which then allows access to a sub-menu for further adjustment. So far, this is all fairly standard. But the sub-menu does not actually have adjustment controls in it. Instead, it just allows you to pick from a slightly larger range of presets, labeled Warmer, Warm, Normal, Cool, and Cooler. We hooked the W1000 up to our CalMan calibration system to measure the actual temperature of the presets, and here's what we came up with:


Warmer 5122
Warm 6619
Normal 7815
Cool 9071
Cooler 10041






"Warmer" could be useful for viewing black-and-white films, though the ideal temperature for that would be closer to 5400K than 5000K. "Warm" is closest to the ideal 6500K standard used for color film, though the Warm setting includes too much green. "Normal," "Cool," and "Cooler" are biased towards blue, and their usefulness for home theater video is limited. Since other projectors in this price range include RGB Gain/Bias color adjustments, it is unfortunate that the W1000 lacks these controls.

Color Wheel. The W1000 has a six-segment color wheel with Red, Green, Blue, Cyan, Yellow, and White segments. It spins at 7200 RPM. Technically speaking, this is a 2X-speed wheel--the RGB channels are refreshed twice per frame of a 60Hz signal. We did not see any rainbow artifacts during well-lit scenes, or even most scenes with average brightness. Rainbows manifest in dark scenes with small areas of bright light, such as streetlights or shiny objects. This is especially true when there is also rapid motion involved, like an action sequence or even a camera pan. The end result is that you may go an entire movie without seeing rainbows, even if you are susceptible to them; we watched the excellent Patton on Blu-ray without a hitch. When I watched Heat, though, I had to stop several times to allow my eyes to rest. If you are sensitive to DLP rainbow artifacts, this may not be the model for you.


Shootout: BenQ W1000 versus Optoma HD20
One of the W1000's chief competitors in this price range is the Optoma HD20, another inexpensive 1080p DLP projector. While they have some basics in common, they are very different machines. The HD20 is clearly built with home theater in mind, while the W1000 is a more flexible projector that is better suited to multi-purpose use.

Light output. The W1000 is rated at 2,000 lumens; the HD20 is rated at 1,700. The difference in measured lumens is even more drastic: the W1000's Dynamic mode reached 1917 lumens, while the HD20's Bright mode only hit 973. In high ambient light situations, the W1000 is the clear winner since its additional brightness can better compensate for room lighting. In home theater situations, where brightness is not as important, the two projectors are more evenly matched. In their calibrated modes, the W1000 and HD20 measure 525 and 633 lumens, respectively.

Color. Neither the W1000 nor the HD20 is calibrated to perfect 6500K straight out of the box, though the HD20 is closer to the standard. More importantly, the HD20 has standard RGB Gain/Bias controls, while the W1000 does not. When trying to fine-tune color to its ideal settings, this makes all the difference in the world. If you plan on adjusting your projector's color settings or having the projector calibrated professionally, the HD20 is easier to use.

User Interface. The W1000's menu system is sometimes difficult to navigate, with some common options missing altogether. Color is difficult to adjust and BrilliantColor cannot be disabled without losing the ability to change color temperature. The HD20 has a far more conventional menu system, with RGB Gain/Bias color controls that make it much easier to adjust the projector to the 6500K standard.

Placement Flexibility. Both the W1000 and the HD20 have manual 1.2:1 zoom lenses and fixed throw angles. The W1000's 13% throw offset and the HD20's 15% throw offset are very similar; using a 100" diagonal image, the HD20's picture would appear about an inch higher than that of the W1000. Both are ideally placed on low coffee tables or in ceiling mounts. There are some differences in throw distance, as the HD20 throws slightly longer, but the two projectors are functionally almost identical in this category.

Color Wheel. The W1000 has a 2X-speed color wheel with six segments. If you or your family members see rainbow artifacts on 2X-speed DLP projectors, the W1000 will very likely manifest these same artifacts. However, the HD20 has a six-segment (RGBRGB) 4X-speed wheel, making it much less likely to induce rainbows.

Picture Quality. Overall, we enjoy the HD20's picture more, as it seems better integrated, smoother, and more film-like. For home theater applications, its color settings are easier to manipulate, allowing you to calibrate it to perfect 6500K with less fuss. The W1000 is certainly brighter, and is a better fit for sports and video game applications. But when it comes to home theater, the HD20 gets our vote.


Conclusion
The BenQ W1000 is a value-priced product that delivers a great picture. It is bright enough to be used in the living room, high enough in contrast to be used in the theater, and vibrant enough in color to display anything you desire. The user interface is not what it could be, with several confusing options and defaults that don't fit the intended application. But if what you want is a bright picture at a bargain price, the W1000 is a great place to start.

BenQ W600
720p 3D DLP Home Theater Projector Review
Bill Livolsi, March 10, 2010
ProjectorCentral.com

The BenQ W600 is a DLP 720p home entertainment projector with 3D capability. With 2600 lumens of brightness, it has the power to be used in almost any projection environment. Its 3000:1 contrast is great for home entertainment such as video games and television. Its user interface is sometimes difficult to manage, and its limited adjustability will not appeal to those who like to fine-tune their equipment. But with a price of $799 at most retailers, it is a solid value.




Advantages
Light output. The W600 has a highly variable light output that makes it easy to use in almost any projection environment. Dynamic mode, the brightest available, measured 2494 lumens on our test unit, very nearly reaching the projector's specified maximum of 2600 lumens. This mode has a strong green push, but would be appropriate for high-brightness applications such as HD sports in a living room or even "party" video games meant to be played by a large group in a moderately-lit room.

Standard mode, the next brightest, has less of a green push than Dynamic along with better color saturation and contrast. Our test sample read 1748 lumens in this mode. If you do not need the extreme brightness of Dynamic mode, Standard mode results in a generally more accurate, better saturated image with better shadow detail.

If color accuracy and contrast are your primary concerns, Cinema mode is better still, though lumen output drops to 1320. Using low lamp mode extends lamp life from 2500 hours to 4000 hours, but also decreases brightness by 20%.

For the best possible performance with film or video, you will want to disable BrilliantColor, which is enabled by default. BrilliantColor boosts highlights without affecting the rest of the image, leading to a brighter picture with much higher dynamic range. While this sounds like a good thing, it also destroys the sense of balance that you get from a good home theater projector, where the picture feels like an integrated whole. This quality, sometimes difficult to describe but always important, is improved greatly by disabling BrilliantColor. This brings lumen output down to 795 in Cinema mode using high lamp and 636 in Cinema mode using low lamp.



Contrast. When using the brighter image modes, the W600 has a very dynamic picture, with brilliant whites and deep blacks - or, at least, it seems that way. In image modes like Cinema, especially with BrilliantColor disabled, dynamic range is reduced but the picture as a whole looks more natural and well-balanced. The actual measured black level does not change; it merely looks less deep in comparison to the less brilliant highlights. Shadow detail is very good - in fact it is better in Cinema than in Dynamic - so you are not losing any information in the projected image itself. The W600's competitors do not fare well with regards to black level either, so in comparison it has a slight edge.

Inexpensive Maintenance. The W600 is not just inexpensive at purchase; it is also inexpensive to maintain over time. Lamps last 2,500 hours in High lamp mode or 4,000 hours in Eco mode. Replacement lamps cost only $199 each directly from BenQ. Assume for a moment that the lamp runs for a full 4,000 hours, and the cost per hour is a mere nickel. At 2,500 hours of runtime, it is still only eight cents per hour. And, since there are no filters to replace, lamp changes are the only required maintenance you will ever have to perform.

Placement. The W600 has a fixed throw offset of 18%, meaning the bottom edge of the projected image will appear 18% of the image height above the centerline of the lens. In practical terms, a 100" diagonal image would have an offset of just under 9". While this is ideal for a coffee table placement, a ceiling mount might require a drop tube if you have a ceiling fan or other obstruction.



The projector has a manual 1.2:1 zoom lens, allowing it to throw a 100" diagonal 16:9 image from 11' to 12' 8". This leeway should allow you some flexibility when mounting the projector, though care must still be taken to plan at least the basics of your installation before purchase.

Speaker. The W600 has a 2W mono speaker. This doesn't sound like much (pun fully and completely intended), and indeed volume is rather low. The sound never gets loud enough to cause distortion, which is good, but it also never gets loud enough to be audible to more than about three people, which is not so good. Unless you are sitting very close to the projector in a quiet room, you will need an outboard sound system of some kind.


Limitations



2x speed color wheel. The W600 has a 2X-speed, 6-segment color wheel, with Red, Green, Blue, Cyan, Yellow, and White segments. This configuration is standard in this class of projector, and the W600's main competitors share this same color wheel layout. However, people who are susceptible to seeing rainbows will very likely see them on the W600.

User interface. The menu system is the same as that on the W1000, but there have been a few modifications. Where the W1000 had named color temperature presets, the W600 has presets named T1 through T4, with no indication what they represent. The T1 preset seemed to be the warmest of the bunch, though it still had a noticeable green bias. Like the W1000, there is no system for the fine-tuning of RGB gain and bias. The projector does have a control to adjust the overall gamut, which is useful in some circumstances, but not nearly as effective or important as simple gain/bias adjustments.

Color saturation and Tint controls are grayed out in many instances, including when using 1080p/24 over HDMI. The projector supposedly has 3D capability, though we encountered difficulty getting it to function correctly (more on that shortly). In short, the W600's interface made normally easy tasks more difficult, and normally difficult tasks impossible.

The remote control is actually quite well-designed, but its range was so short that we ended up using the hardwired control panel more often than not. Even at a relatively short distance from the screen (about six feet), we were not able to bounce the signal back to the projector and were instead forced to turn around and aim directly at the sensor.

3D Capability. The W600 is billed as a 3D Ready projector, meaning it can handle a 120Hz refresh rate and incorporates DLP Link technology. However, we ran into the digital equivalent of a Mexican Standoff when we tried to use it. Sound confusing? Well, that's because it is.

The W600's "3D Mode" option is grayed out in the menu, and will only become available if the projector detects a 120Hz signal being sent to it. However, many devices, including both 3D-capable computers we have in our lab, will only send a 120Hz signal if the display is capable of displaying it. And the W600 does not report that it is capable of displaying such a signal until you turn on 3D Mode. But you cannot turn on 3D Mode until you send a 120Hz signal, so you loop back to step one.

If you can force your 3D source to output 120Hz, or somehow trick the W600 into enabling 3D mode, you can use 3D mode as intended. However, many people will find this system frustrating and difficult to use.


Shootout:
BenQ W600 versus Optoma HD66
The Optoma HD66 is another 3D Ready 720p DLP projector for home theater. Our review of this projector was posted in early February, but we happened to still have the projector in our lab when the W600 showed up. The two projectors are remarkably similar, at least when it comes to specifications - both are over 2,500 lumens, both have relatively low contrast, and both are 3D Ready. However, side-by-side testing reveals just how different these two machines actually are.

Light output. The W600's 2494 lumen Dynamic mode is much brighter than the HD66's 1979 lumen Bright mode. For rooms with a lot of ambient light, the W600 is the clear choice. However, when it comes to home theater, things are not so clear-cut. The HD66's Movie mode, after proper calibration, measures 670 lumens in high lamp mode and 582 lumens in low lamp mode. After some basic calibration, the W600 measures 795 lumens in high lamp mode and 636 lumens in low lamp mode. This is a much smaller divide - only 125 lumens - and might not be visible to your naked eye. Therefore, there is no decisive winner in the lumens category, at least when it comes to home theater.

Contrast. The HD20's black level is good, but not excellent. In comparison, the W600 has deeper blacks, though the two projectors perform equally in terms of shadow detail. During use, the HD66's higher black level did not put it at a visible disadvantage in most scenes, but night skies and star fields will suffer in comparison.

Another point that some folks might not consider is black bars. Since the HD66 can also natively display 1280x800 content, all 1280x720 content will have small black bars on the top and bottom of the image. These bars are not very bright or distracting, but the W600 has none at all, which is an advantage in a very dark theater setting.

Color. The W600 has four color temperature presets and no easy method of adjustment. The HD66 has three presets, but more importantly it has extensive color adjustment options. Since neither projector starts out at perfect 6500K, the ability to adjust color balance and saturation is critical if you want to get the most bang for your buck. Since it is difficult (if not impossible) to adjust color on the W600 but fairly trivial to do so on the HD66, the latter will be the projector of choice for those who demand accurate color.

3D. Using the same settings, we attempted to use both the W600 and the HD66 with our nVidia 3D gaming system. Neither projector is nVidia certified, meaning setup is more complicated and tricky than simply "plug and play." However, there were differences here, as well. The HD66 automatically told the computer that it was 3D capable, then detected the 120Hz signal without issue and activated 3D mode. Total setup time was about five minutes. Meanwhile, after two hours of tweaking, troubleshooting, and trying different options, the W600 still would not accept a 720p 3D signal from our computer system.

Overall Image Quality. Thanks in part to its easy-to-adjust color and well-balanced picture, the HD66 looked better integrated, more film-like, and more natural than the W600 while watching a Blu-ray movie. The two projectors are equal in terms of digital noise and sharpness, but the accurate color and shadow detail of the HD66 made it our favorite in this setting. While it cannot hold a candle to the W600 where sheer brightness is concerned, the HD66's cinema performance went unmatched.


Conclusion
The BenQ W600 is not a bad projector--far from it. It is exceptionally bright, and its brilliant, high-contrast image is a great fit for projection in ambient light. However, when it comes to viewing high-definition movies in a darkened room, it cannot match the performance of its nearest competitor. Its user interface is frustrating at times, and fine-tuners will not enjoy the difficulty of adjusting color balance. But for those who just want to put a bright, high-contrast, high-definition picture on the screen, the W600 is another solid option.

Optoma EH1020
1080p DLP Multimedia Projector Review
Bill Livolsi, May 13, 2010
ProjectorCentral.com

When it comes to the display of photography, there are certain undeniable truths. Higher resolution is preferable to lower resolution. Higher contrast is preferable to lower contrast. More accurate color is preferable to less accurate color. And most serious photographers take photos that are in the 1.5:1 aspect ratio common to digital SLR cameras, so a slight widescreen aspect ratio is desirable.

For years, the common answer to the photography question was to recommend a high-resolution 4:3 projector, such as an SXGA+ model. These were typically expensive, heavy, had lousy contrast, and were tailored for business display (meaning they had lousy color). The 1.33:1 aspect ratio of SXGA+ meant you'd lose resolution on the top and bottom due to black bars. All in all, they were not fantastic choices for photo display.

Later, as prices came down, the recommendation was shifted to 1080p home theater projectors, which possess the first three qualities in spades. Their 16:9 aspect ratio is wider than a photograph's 1.5:1, allowing photos to be displayed using the projector's full vertical resolution. The problem with 1080p projectors is that they were often very expensive and lacked the brightness of the SXGA+ models, limiting display to smaller screens.

Now, enter the Optoma EH1020. It is a 1080p projector with a theoretical 3,000 lumen maximum brightness. It has great dynamic range, ensuring your high-contrast photos have plenty of pop. It has excellent color out of the box, and plenty of adjustments if you are only happy with perfection. Perhaps best of all, it only costs $1,499 at retail. For high-resolution data display, such as engineering documents or photography, the EH1020 is an excellent choice.


Advantages
Lumen output. The EH1020 is rated at 3,000 lumens maximum. On our test unit, Bright mode measured nearly 2198 lumens, which proved to be the highest output we measured from this particular projector. Of course, this is optimized for data display, so highlights are emphasized while colors can seem muted and undersaturated. Presentation mode takes some emphasis out of highlights while still keeping the image quite bright; our projector measured 1884 lumens in this mode.

For photography, though, you want the best possible color, which is found in sRGB mode. Highlights are toned down quite a bit, but color saturation is much better and contrast gets a boost. On our test unit, sRGB mode measured 1271 lumens in high lamp mode, which is still more than enough for a very large 150" diagonal screen in a darkened presentation environment.

On the EH1020, high lamp mode is called "Bright" while low lamp mode is Standard, or "STD." This can lead to some confusion, since there is also an image mode called "Bright," so trying to describe settings verbally could lead to confusion. As far as lamp modes are concerned, though, STD mode causes a 19% drop in light output in all modes, bringing Presentation mode from 1884 to 1525 lumens and sRGB mode from 1271 to 1030 lumens. This is still plenty of light, and many users will prefer the extra thousand hours of lamp life over the increased brightness.

Contrast. The EH1020, with its DLP light engine, delivers impressive contrast. Video and photographs with high dynamic range are shown in all of their expected glory, and the integrity of shadow detail is preserved. While black level is not on a level with 1080p home theater products, it was also never designed to be. The EH1020 emphasizes light output rather than deep black performance, making it an ideal choice for brighter viewing environments such as conference rooms, classrooms, and photography club meetings. And while black is not comparable to the inky depths present on HT machines, the impression of snap and overall solid dynamic range is not negatively affected.

Color. When displaying photography, color accuracy is of paramount importance, even when displaying black and white images. The EH1020 has very good color in its sRGB mode, with rich saturation and accurate balance. With color images, this has the effect of making your pictures look their most vibrant and powerful. With black and white images, an accurate color balance ensures that your pictures look the way you intended, with neutral grays and no hint of blue, green, or yellow bias. Nothing ruins the effect of a strong black and white image quite as quickly as a strong green bias in the projector. Should you wish to display black and white photography with a warmer tone, the projector can be separately calibrated to do that.

User interface. Sometimes, the little things can make or break a projector. The EH1020 has a great image, but it also has a very easy to use menu system and remote control, so using the projector is straightforward and hassle-free. The menu system is organized into four tabs, called "Image," "Display," "Setup," and "Options." Each tab has several options available, and there are a few sub-categories as well. This is necessary to contain all of the options available on the EH1020, but the menu layout does a good job of placing everything logically.

The EH1020 has full RGB gain/bias color controls, allowing for a high degree of customization if you are not satisfied with the performance of sRGB mode. The one thing it lacks is full gamma customization options, instead allowing a selection from among four presets: "Film," "Video," "Graphics," and "Standard."

One nice perk is that the EH1020 includes two user calibration modes, allowing you to create two separate calibrations (say, for color and black-and-white film or photography) and save them both. This does not sound like a big advantage--until you get the projector home and realize you really do need it, at which point it's invaluable.

The remote control is compact and efficient, with a built-in laser pointer for added convenience. Presenting any sort of complex material is much easier when using a laser pointer, as it allows you to pick out areas of interest without actually walking up and blocking part of the picture.

Wireless capability. The EH1020 has the ability to accept a wireless adapter which allows you to display material over VGA without connecting any cables. This could be useful in a number of situations. If you want to ceiling mount a projector but cannot afford the time or expense of having cables run, this could be an option. If you are a traveling presenter and want to keep things simple and clutter-free, this is a great way to accomplish that. The adapter retails for $149 from Optoma.

8W Speaker. Onboard projector speakers are usually small, tinny, and next to worthless. The EH1020 has an 8-watt monaural speaker, which is significantly better than the average. It can crank out enough volume to be sufficient for a medium-sized conference room with an audience of perhaps twenty people. Beyond that, you will want to use an external sound system for reasons of volume, but an external sound system is never a bad idea - they tend to have much better handling of bass, they are almost always stereo, and the larger speakers produce less distortion at higher volumes.

Low maintenance. The EH1020 is a filter-free projector, as are almost all single-chip DLP projectors these days. What this means for you is that you'll never have to change an air filter or wonder if it's time for periodic maintenance. The only thing you'll have to do is occasionally change the lamp, which is rated to run between 3,000 and 4,000 hours in low lamp mode. Lamp replacements are inexpensive, relatively speaking: a new lamp costs about $250. This ensures that, should your lamp blow out unexpectedly, you won't feel too much of a bite to the wallet--at least, not compared to projectors with $399 replacement lamps.

Quiet operation. Even with its high brightness, the EH1020 is very quiet during use. The exhaust fan noise is low in pitch and volume both, making it easy to ignore. This is a benefit in all situations: during movies, you won't need to turn your speakers up quite as loud; during presentations or slideshows, you won't need to speak as loudly or shout to be heard over the projector. In either case, you'll hear what you want to hear, rather than the projector's operating noise.


Limitations
Networking. Business and Classroom buyers may be discouraged to learn that the EH1020 has no networking capability. Networking has several benefits, not the least of which is the ability to monitor all of an institution's projectors from a central location (generally the IT department). This allows the people in charge of maintenance to keep tabs on their equipment, responding more quickly if something breaks and even making plans for maintenance when they see lamp hours edging towards the maximum. The EH1020 can take an optional wireless adapter, but it is not a true network.

USB mouse control. The EH1020 does not have a USB port, so users without the wireless attachment will not be able to use the page up/page down functions on the remote control. This sort of control is sometimes undervalued; it can be very helpful in slideshows, allowing the presenter to wander rather than glue himself to his laptop. The remote control has the buttons necessary for this function, since it's a common model used on many projectors, but the projector lacks the necessary USB port.

Warranty. With a single year of warranty coverage, the EH1020 does not come with much of a safety net. It certainly does give you some protection against getting stuck with a lemon. But competing models can include two or three year warranties with the purchase price.

Placement flexibility. As a business projector, the EH1020 has only rudimentary positioning controls - a 1.2:1 zoom and no lens shift. This is fine if you want to place the EH1020 on a conference room table or in a ceiling mount - the projector's upward throw offset of 15% is a good fit for those applications. However, there are comparatively-priced 1080p projectors that have both longer zoom lenses and H/V lens shift. They do not possess the sheer brightness of the EH1020, but if you are concerned about placement problems, some of them still output up to 1,500 lumens. For light-controlled rooms, they can be a viable option.


Conclusion
The Optoma EH1020 is a multi-purpose projector that's great for any type of presentation task. Its native resolution of 1920x1080 is great for any type of complex images or graphics, including engineering diagrams, photographs, and even some light video use. While it is not built to act as or replace a home theater projector, its 1080p resolution will invariably draw comparisons. So, let's spell everything out right now.

The EH1020 has higher brightness than home theater projectors, making it great for large screens and bright rooms. It has lower on/off contrast, but in-scene dynamic range is still high, so it performs well with dynamic material like photographs. Its high resolution means it is probably "too much" projector for Powerpoint presentations and other documents that already perform well on lower-resolution projectors. It has a 2x-speed color wheel, so motion video will induce rainbow effects in those sensitive to them. It lacks the bells and whistles of home theater projectors, such as lens shift and long zoom lenses.

If you need a high-resolution business projector, the EH1020 is a great option. For what it is, it works extremely well. It could function as a bright home theater projector if the 2x wheel and less than super deep blacks are not a concern, but it was not designed for that purpose. Judging the projector within the context of its intended use, it is an excellent product, and we highly recommend it.

Optoma PK201 Pico Projector Review
Jeff Janas, May 18, 2010
ProjectorCentral.com

Introduction
The Optoma PK201 pico projector solves a problem common to all portable media players, which is the tiny screen size limited to the physical dimensions of the device. Able to comfortably fit in a pocket, the PK201 has the ability to produce an image that is viewable in normal lighting at a size up to twenty times greater than an iPhone screen. A full feature set combined with a crisp and saturated image make the PK201 a great standalone alternative to small screen portable media devices.

The PK201 can be used with any video source - portable media players, phones, computers, etc. The LED driven light engine allows the PK201 to be used like a normal monitor or flat panel without lamp hour considerations like most projectors. It provides a quality image and is ideal for one who views media on the go or one who requires a mobile display around the home or office.


Advantages
Feature Improvements: I reviewed the earlier version of this projector, the PK102, in December of 2009. The PK201 addresses most of the limitations I identified in prior version and adds a few other important features. The PK201 includes a Contrast control that allows for maximum image brightness while maintaining image detail at high picture levels.

The PK201 adds a micro SD card slot that supports cards up to 16 GB in size, giving the ability to directly display picture and video on the PK201 from a camera or other source devices by simply transferring a memory card. Resolution is also increased, from the native 640x480 resolution of the PK102 to 854x480 of the PK201.

The native resolution is increased by a respectable 33%, but the real advantage of the PK201 is with wide screen material. The PK201's resolution is 52% greater than the 4:3 aspect ratio PK102.

Audio capability is also improved in the PK201 with the addition of a 3.5mm headphone jack.

Picture Quality/Brightness: The Optoma PK201 is a DLP projector driven by a LED light engine specified at 20 ANSI lumens. It measured very close to the lumen spec at 18.6 ANSI-lumens or 93.2% of the specification. While a 18 ANSI-lumen output might seem insignificant in the era of 1,000 lumen home theater projectors, this level of brightness in sufficient to create a reasonable sized image that can be appreciated in normal room lighting. Using the PK201, one can reach a screen size of 14 inches wide (16 inches in diagonal) and still exceed 25 foot-lamberts on a unity gain surface.

The picture displayed by the PK201 at this screen size is dynamic with a nice degree of image punch. The PK201 can also support screen sizes significantly larger and still produce a satisfying image. I was able to throw an image size of about 40 inches in diagonal (to simulate a common flat panel size) and found the image viewable with a lamp on in the room, but much improved when all lighting was turned off.

While the PK201 will not replace a flat panel for daytime viewing, it could be an ultra-portable alternative to a flat panel when used in areas with minimal lighting. In my theater room, using a Da-Lite High Power with the PK201 positioned for optimal screen gain, I felt the maximum image size of the PK201 at about 60 inches of diagonal was watchable in the total dark from a brightness perspective, but felt that a 40-inch diagonal was a better balance between image impact, brightness and clarity.

Sound: While the earlier PK102 has a built-in media player, the audio reproduction was limited to using the projector's internal 0.5-watt speaker. The PK201 adds a 3.5-inch headphone jack for use with headphones. The sound quality of the headphone output using the built-in media player is decent, but has a noticeable noise floor most evident in quite passages at near peak volume levels.

When using an Apple iPhone as the video source, I was able to either listen to the audio using a headphone connection on the phone or from the PK201's audio out. Overall, I preferred the sound quality using the direct iPhone audio output, but the sound quality of the PK201 is more than sufficient to be used as a standalone device. The PK201's internal speaker is functional, but quiet. The maximum audio output from the speaker was not sufficient to overcome even a modest amount of ambient noise.

Cost of Ownership: The PK201 can be found for under $300 on-line. Optoma rates the light engine of the PK201 for 20,000 hours of run time. Over the course of 20,000 hours, a standard projector would need quite a few bulb replacements at many times the PK201's total cost. For a fraction of the total ownership cost of a standard projector, one can use the PK201 for a nearly unlimited time.


Limitations
Battery: Optoma specifies battery life of the 3.7V li-ion rechargeable battery as 'up to one hour'. In normal performance using an external source, I found this to be accurate using the normal brightness mode. Using the low lamp mode, I was able to get an additional 10 to 15 minutes of run time.

The PK201 will charge when powered off and plugged into a computer using a micro USB cable. However, if the projector is powered on when connected to a PC over USB, the projector's display shuts off. Optoma provides an optional cable for connecting the DC power in on the USB port. Using this connection, it should be possible to power the PK201 as long as the USB source device is active.

Throw distance and lens performance: The PK201 has a fixed throw ratio of 2.20:1. When using the PK201 as a secondary computer monitor, I was limited to a 10-inch wide screen size by the 22.5 inch width of my desk. Image sizes up of to fifty percent greater are viewable in normal, non-direct room lighting. So a zoom lens allowing a wider projection angle would be a nice additional feature. However, it would probably add complexity and cost to the design.

Another limitation of the lens is a significant amount of light spill around the edges of the projected image. The area of light spill was relatively large - it reached approximately 50% beyond the width of the image. Although the focus mechanism is improved over the PK102, I still had difficulty in dialing in an acceptable focus once image sizes reached larger than the 40-inch diagonal range. Consistency in focus across the screen was difficult to maintain at image sizes near the maximum.

Resolution: The PK201 has a 480-line vertical resolution equal to that of DVD and other NTSC sources. This helps it perform well with video material. However, the 854x480 native resolution can be a limiting factor when it comes to using it as a computer display. The PK201 supports multiple computer resolutions (up to 1280x800). Its native 854x480 format will map standard VGA (640x480) without scaling, but SVGA (800x600) and higher resolutions will require compression and the associated artifacts that come with it.

When using the PK201 as a computer monitor, you need to choose between the degree of scaling artifacts you have, and how much scrolling around the image you want to put up with. Using higher resolution signals will reduce the need to scroll around, but artifacts get exaggerated and the picture is not as sharp. I preferred using an 800x600 resolution for general office type work, as this was a good balance between scaling artifacts and the amount of scrolling that was required.


Conclusion
A common question arises when pico projectors are discussed: "Wow, that is cool, but what do you use it for?" There is not a short answer to this with the Optoma PK201. During my testing I used it as an external iPhone display. I also used it with a Motorola Droid to display pictures and video podcasts by plugging the Droid's micro SD card into it. The PK201 was also useful for watching movies and displaying photos using the internal media player. I also used the PK201 around the office as a secondary computer monitor and as the ultimate on-the-spot presentation device with Microsoft PowerPoint files converted with the included ArcSoft software.

With 18 ANSI lumens of light output, there is sufficient image brightness for a variety of uses. With major improvements over the prior model, the PK201 is a fully featured projector that you can carry around in a pocket and forget it is there. Portable media is becoming ubiquitous; if you have ever wished you could fit a 14" (or larger) display in your pocket, I would highly recommend the Optoma PK201.

Casio Hybrid LED/Laser Green Slim Power Point

Key Selling Points

Environmental
No mercury lamps - No disposal of mercury lamps

Economic
20,000 hour light source (saves the cost of 10 lamps over the life of the projector)
Normal mercury lamps lose half their brightness at the 750hr - 1000hr. The new Casio Green Slim only loses 15% at 20,000 hrs.

Performance
Wider Colour gamut - better colours

Ease of Use
Instant off and instant on (8 seconds to turn back on) with no effect to light source.

As mentioned the XJ-A130 are in stock and shipping now. Everything else will be shipping mid to end of April. If you have any questions please do not hesitate to contact us.

New Casio XJ-A130 LED/Laser Hybrid Projectors - In Stock Now

Complete IT has them in Stock

Buy It Here Casio XJ-A130


Casio is pleased to announce that they have started shipping the world’s first 2000 lumen solid state projector – the Green Slim XJ-A130.

With its patented LED/Laser/Phosphor hybrid light engine and 20,000 hour operating life, the new Green Slim projector has the lowest TCO* of any projector in its class.

The XJ-A130 is now in-stock and available for immediate shipment.

*Total Cost of Operation

CASIO RELEASES WORLD’S FIRST* MERCURY-FREE HIGH-BRIGHTNESS PROJECTORS
New SuperSlim Projectors Feature Newly Developed Laser & LED Hybrid Light Source
LAS VEGAS, NV, January 6, 2010 — Casio America, Inc., and its parent company, Casio Computer Co., Ltd., today announced that it has created a mercury-free laser & LED hybrid light source, capable of high-brightness projection for use in the next-generation projectors the company has developed under its “clean & green” concept. Casio is releasing a line of GREEN SLIM projectors with the new light source, introducing the world’s first* mercury-free high-brightness data projectors.
Currently, high-pressure mercury lamps are used as the light source for data projectors capable of producing 2,000 or more lumens. Semiconductor light sources that do not contain environmentally harmful mercury such as Laser and LED offer promising light sources for next-generation DLP® projectors. Until now, however, they were only usable as light sources for small, low-lumen projectors because high-output sources capable of producing green light have not been possible for mass production.
Casio has changed all this by creating an original mercury-free hybrid light source capable of generating high brightness by combining a laser, a fluorescent element and an LED. Casio has achieved high output of green light, which has been considered difficult with conventional semiconductor light sources, by very efficiently converting blue laser light into green light, using the fluorescent element. The high-brightness light of 2,000 or more lumens was then attained by projecting blue laser light, green light converted from blue laser light with the fluorescent element, and light emitted by a red LED through a DLP® chip onto the screen.
Use of the laser & LED hybrid light source makes Casio’s GREEN SLIM projectors the world’s first data projectors bright enough (2,000-3,000 lumens) for projection in a well lit room without using a high-pressure mercury lamp. Usability features have also been greatly improved: the
* As of January 7, 2010, for high-brightness data projectors with at least 2,000 lumens. According to a Casio survey.
body, no bigger than the size of a standard 8 ½ x 11 piece of paper, is slim (1.7 inches) and lightweight (5 lbs). Additional qualities include: the projector produces bright colors through upgraded color purity, the light source has a life of approximately 20,000 hours, projection at maximum brightness is possible in a minimum of eight seconds and no cool down is needed when turning the projectors off.
“Casio is thrilled to introduce this entirely new lineup of eco-friendly Super Slim projectors,” said Toshiharu Okimuro, Chairman of Casio America, Inc. “The advances we have made to provide superior brightness and energy-saving features make it the perfect tool for the road warrior, instructor, gamer and general consumer for home entertainment.”
GREEN SLIM Projectors will be available in a diverse lineup, including a model that can accommodate WXGA Real display at 1280 × 800 dots (16:10) and a model that can project without a PC and can communicate wirelessly with PCs. These projectors will greatly broaden the possibilities for visual communication thanks to Casio’s advanced laser & LED hybrid light source, which will fundamentally change the status quo in projectors and provide enhanced features that make the projectors usable in diverse situations.
■ Laser & LED hybrid light source that enables mercury-free high-brightness projectors with high picture quality, long light source life, and quick powering on and off
■ Slim (1.7 inches) and light (5 lbs) highly portable 8 ½ x 11 inch body
■ Wide-angle 2X optical zoom for use in diverse settings, ranging from small meeting spaces to large conference rooms
■ USB host function for projection without a PC and capability for wireless communication with PCs (XJ-A255/A245/155/145)
Model
Display
resolution
Brightness
USB Host Function
Wireless Communication with PCs
XJ-A255
XJ-A250
3000 ANSI lumens
XJ-A255 only
XJ-A245
XJ-A240
WXGA Real
(1,280×800)
2500 ANSI lumens
XJ-A245 only
XJ-A155
XJ-A150
3000 ANSI lumens
XJ-A155 only
XJ-A145
XJ-A140
2500 ANSI lumens
XJ-A130
XGA Real
(1,024×768)
2000 ANSI lumens
XJ-A145 only
Casio will continue expanding its lineup by aggressively developing more products with the new laser & LED hybrid light source, including smaller projectors for individual use.
Main Features of Casio’s GREEN SLIM Projectors
■ Laser & LED hybrid light source that enables mercury-free, high-brightness projection
High-brightness projection is achieved without using a high-pressure mercury lamp by using blue light emitted by a blue laser, green light converted from blue laser light with a fluorescent element, and light emitted by a high-lumen red LED through a DLP® chip onto the screen.
■ Standard paper-size, high-brightness projectors
High-brightness projection is achieved at a maximum of 3,000 ANSI lumens (XJ-A255/A250/A155/A150) with a laser & LED hybrid light source in a slim (43 mm) and lightweight (2.3 kg) standard paper-size body. These projectors can be carried together with documents without being bulky and can project clear images even in brightly lit rooms.
■ Superior color reproducibility increases presentation impact
The laser & LED hybrid light source greatly improves color purity compared to high-pressure mercury lamps. It enables the production of beautifully vivid colors and projects clear, powerful images with visual effects of high color purity.
■ Longer light source life
Use of the laser & LED hybrid light source increases the light source life to approximately 20,000 hours—nearly 10 times that of Casio’s conventional products (XJ-S58, etc.) with a high-pressure mercury lamp—which means less maintenance and lower operating costs. Moreover, brightness deteriorates more slowly than with mercury lamps, so clear image quality can be maintained for a long time.
■ Quick powering on and off, an advantage for smooth presentations
Projection at maximum brightness is possible in a minimum of eight seconds, and no cool down is needed when turning the projectors off. Thus, limited presentation time can be utilized effectively by enabling a smooth presentation flow from set-up to clean-up.
■ Wide-angle 2X optical zoom gives users freedom of projector setup
These models come with a wide-angle 2X zoom lens (lens with a two times shorter focal distance) that provides the greatest magnification* of any data projector. They are also equipped with a feature that automatically corrects vertical distortion of the display due to projector position, enabling effective use in diverse settings ranging from small meeting spaces to large conference rooms and classrooms.
■ HDMI terminal
These models are equipped with an HDMI terminal that can transmit digital audio/video with only one cable. It enables AV devices and PCs also equipped with an HDMI terminal to be easily connected to the projectors, which can then project the contents with no loss of quality.
■ Wide picture in real display (XJ-A255/250/A245/A240)
Able to accommodate WXGA Real display at 1280 × 800 dots (16:10), these models can display wide presentation materials and images in real size.
■ Wireless communication with PCs (XJ-A255/A245/A155/A145)
These models can communicate wirelessly (IEEE 802.11b/g) with up to four Windows® PCs, enabling meetings in which multiple PCs are brought together and presentations that can be conducted easily and remotely from a location away from the projector.
* As of January 7, 2010. According to a Casio survey.
■ USB 2.0 host function enables presentations without a PC (XJ-A255/A245/A155/A145)
These models can project presentations, spreadsheets, word-processor documents, PDF files and other data* prepared on a PC, still images (JPEG/BMP), and moving images (AVI format: Motion JPEG) all without a PC just by using commercially available USB memory. They can also be connected directly to the Multiprojection Camera YC-430, which can project non-digitized information and even three-dimensional objects onto the screen.
■ The projectors can also be fixed to the ceiling with separately sold metal ceiling-mount fittings.
* Requires conversion with included PC software.


About Casio America, Inc. Casio America, Inc., Dover, N.J., is the U.S. subsidiary of Casio Computer Co., Ltd., Tokyo, Japan, one of the world’s leading manufacturers of consumer electronics and business equipment solutions, established in 1957. Casio America, Inc. markets calculators, keyboards, digital cameras, mobile presentation devices, disc title and label printers, watches, cash registers and other consumer electronic products. Casio has strived to realize its corporate creed of “creativity and contribution” through the introduction of innovative and imaginative products. For more information, visit www.casiousa.com or www.superslimprojector.com

Panasonic PT-AE4000U
1080p Home Theater Projector
Evan Powell, October 8, 2009
ProjectorCentral.com

Today Panasonic has ended months of speculation by formally announcing its plan to bring the PT-AE4000U to the US market. The news that is even more buzz-worthy is that it will be offered at an official street price of just $1,999.

The AE4000 announcement is dramatic. Though its spec sheet does not look revolutionary compared to last year's AE3000, the AE4000 is in fact a superior projector in almost every way. Certainly it surpasses the AE3000 in image quality. And it is even more fully-featured than its predecessor. But what is most stunning is the price. Last October, a mere twelve months ago, the AE3000 was released with street prices close to $3,000. This month the AE4000 comes to market at $1,999. This aggressive move will force other manufacturers competing in the home theater projector market to reassess their pricing levels.




AE4000 vs. AE3000: Differences and Improvements
The AE3000 was already the most fully-featured home theater projector on the market. The AE4000 trumps it in several important ways:

• Red-Rich Lamp. Panasonic has engineered a proprietary new high pressure lamp that puts out 50% more red light than its predecessors. High pressure lamps have always been weak in red spectrum light, and this new lamp design takes a big step toward eliminating that weakness. And the difference is obvious. When putting the AE3000 and AE4000 side by side, red elements in the picture are noticeably brighter. The hue of red is no different, but red subject matter as a component of the whole picture is more vibrant. A red stop sign on the AE3000 looks red, but it is somewhat darker relative to the rest of the image than it is on the AE4000. The increased red content of the lamp also contributes significantly to improved skin tones.

• Improved contrast. The AE3000 was rated at 60,000:1, and the AE4000 is 100,000:1. Can you see the difference, you may wonder? Absolutely. When viewed in a dark room side by side, the AE4000 is obviously higher in contrast and deeper in black level than its predecessor. And with higher contrast comes the other typical benefits driven by contrast -- deeper color saturation, an improved sense of image depth, and the impression of increased image sharpness.

The improvement in contrast was not achieved by reducing the aperture on the auto iris. Rather, Panasonic has redesigned what they call the Pure Contrast Plate, an optical component located right after the LCD panels to improve the contrast level. This component effectively allows the polarization filters to block the light leakage caused from the panels, for deeper blacks.

As with the AE3000, the AE4000 uses inorganic LCD panels which also contribute to the higher contrast in these models. In inorganic panels, the liquid crystals are vertically aligned, making it easier for polarizers to filter out almost all light for deeper blacks.

• Improved Cinema mode brightness. The maximum lumen rating has not changed; both the AE3000 and AE4000 are rated at 1600 lumens. However, the red enhanced lamp contributes to a brighter overall image in Cinema mode. Our AE3000 measured 385 lumens in Cinema 1 mode. The AE4000's Cinema 1 puts out 548 lumens, or 42% boost. The other programmed operating modes are brighter as well, but do not show as dramatic an increase. For example, normal mode measured 792 on the AE3000, and we are seeing 950 lumens on the AE4000 (+20%). On the AE4000, the Color 1 and Color 2 modes are both measuring in the 550 lumen range, compared to about 400 on the AE3000.




Panasonic PT-AE4000 Projector


As a side note, the AE4000's lamp eco-mode has more of an effect on light output. On the AE3000, dropping the lamp into eco-mode reduced light output by 18%. On the AE4000, it reduces it by 32%. On both models, you lose up to 41% of potential light output if you set the 2.0x zoom lens to the maximum long throw position (smallest image from any given distance).

• Improved color accuracy. The Cinema 1 mode delivers virtually perfect color balance, measuring almost exactly 6500K across the entire gray scale with a beautifully flat line on the color temperature graph. For those who want to pull it out of the box and run without worrying about calibration, this is as close as it gets to ideal. Discs that are properly transferred will be seen as the director intended the films to be seen, including whatever tints and color biases that may have been engineered into the original.

• Improved Detail Clarity Processor. The AE3000 has a Detail Clarity Processor that you can set to either On or Off. When activated, the picture appears sharper and fine details pop out. Sometimes this effect is desired and sometimes it isn't, depending on the nature of the material being viewed. On the AE4000, the "Detail Clarity Processor 3" is an improved system that lets you choose the amount of resolution enhancement you want in the picture. You activate it by selecting a level from 1 to 7. The factory default is position 2. We found that boosting it to 3 or 4 lent the picture additional apparent resolution, without adding unwanted artifacts. Raising it to 7 goes way over the top for typical film material, and makes skin look like it has the texture of sandpaper. But overall, this system is more precise and user friendly than the earlier version.

• Improved Frame Interpolation. Panasonic uses the marketing term Frame Creation for its frame interpolation system. The AE3000 had three options for Frame Creation: Off, Mode 1 and Mode 2. Mode 1 buffered two frames and created one or more interim frames from those. Mode 2 buffered three frames and created one or more interim frames. Mode 2 was more comprehensive, but created more video delay.

The AE4000 incorporates the second generation of this system, and is thus called Frame Creation 2. It has the same Mode 1 and 2 as the original, but it has a new Mode 3. This also buffers three frames for analysis, but it performs much more processing to achieve a better result. Video delay in Mode 1 is modest, more noticeable in Mode 2, and more visible yet in Mode 3. Modes 2 and 3 put the picture visibly out of synch with the audio. Thus an audio delay is required to keep the picture and sound in synch when using the Frame Creation system.

The Frame Creation system reduces motion judder in increments-it is somewhat reduced in Mode 1, more so in Mode 2, and virtually non-existent in Mode 3. It accomplishes this with only occasional subtle artifacts. Depending on the material being viewed, Frame Creation can impart a hyper-reality to the image, making a movie look as it if were made with an HD videocam rather than a film camera. Some people like this effect, and others find it quite objectionable. Either way, this effect on the AE3000 and AE4000 is subtle when compared to competing models from last year on which the effect is more pronounced.

One demo that is quite interesting, if you ever have the chance to stage it, is to run a projector without frame interpolation side by side with the AE4000. When the pictures are adjacent to one another and the AE4000's clean, stable image is used as a reference, it is startling to see just how much judder and instability there is in the picture that is not being processed with frame interpolation.

The bottom line is that some users will want to use Frame Creation on everything they watch. Some will prefer to use it selectively, on material like animated films and sports broadcasts. Some won't use it at all. But it is nice to have the option.

• Advanced Gamma Adjustments. On the AE3000, gamma controls are straightforward and basic, consisting of three separate up or down controls for the low, mid, and high range of the curve. This set of controls is available on the AE4000 also, and is labeled as "Simple." But in addition, the AE4000 offers an "Advanced" system that provides a great deal more control for precise fine-tuning. R, G, B, and Y components can be adjusted independently at nine different points on the curve rather than three. Most users won't be bothering themselves with this, but those into precision adjustment of their video display will appreciate it.

• Two programmable 12-volt triggers. On most projectors, the 12-volt trigger is an outbound signal that will activate an electric screen, or withdraw powered curtains, etc., when the projector is powered on. On the AE4000, there are two triggers, and they can be programmed to act either as inbound or outbound triggers. With this flexibility, you can wire together a whole array of components in the theater to activate simultaneously.

• Increased resistance to dust. The metal housings containing the LCD panels have been partially sealed in a way that they were not on previous models. This modification will further reduce the potential for dust particles to reach them.

• Intelligent Lens Memory. Lens memory was introduced by Panasonic on the AE3000. This feature enables you to set up the projector with a 2.40 widescreen, and zoom the lens to full frame 2.40 format when viewing a movie in 2.40 aspect ratio or higher. Then when native 16:9 material is being displayed, a push of the button moves the zoom lens to where the 16:9 image is centered full frame in the middle of the 2.40 screen. The objective is to let you enjoy super-widescreen format without the cost of an anamorphic lens. The AE4000 retains this feature and takes it one step further-now you don't have to press the button to change lens positions. The projector will automatically detect the format of the image being displayed, and the lens will reconfigure itself to accommodate it. This feature is optional. If you prefer to be proactive and select the lens position yourself, you can deactivate the auto-detect feature.


Other Features Carried Forward from the AE3000
In addition to the new or enhanced features/capabilities just reviewed, the AE4000 has all of the other features found on the AE3000, including:

• User-friendly Menu Interface. We didn't mention this benefit on previous models but should have. The AE4000 and predecessors offer a menu that remembers the adjustment you made previously, and will enable you to bypass the normal access route through the menu in order to get back to that same adjustment.

For example, the Frame Creation setting is deep in the Advanced section of the menu, and the first time you go there requires anywhere from 9 to 16 clicks depending on the route you take. But if you set Frame Creation to Mode 1, and then decide you want to see what Mode 2 looks like, it only takes two clicks to get back to the Frame Creation control to reset it. On most projectors, you have to go through the entire 9 to 16 click sequence all over again. This is true of all adjustments including color, gamma, and so on. This makes all menu controls much easier to access and manipulate.


Another feature of the user-friendly menu is that once you have selected a control to adjust, the menu disappears and just the control bar for the one function you are adjusting drops to the bottom of the screen. That way you can see precisely the effect that adjustment is having on the picture. On many competing models, the entire menu remains in place, and you are left to wonder what is happening to the picture. The more we work with projectors, the more we grow to appreciate these user-friendly features that appear on the AE4000.

• Gaming Mode. Video delay is not a good thing for gaming, and audio delay does not fix the problem. So the AE3000 and AE4000 both have a feature which is not called Gaming Mode, but could be. It is called Frame Response, and it lets you adjust the speed of frame delivery from the buffer. Your options are "Normal" and "Fast." "Normal" will provide normal video processing and results in a frame delay of about 3 frames (assuming Frame Creation is off). "Fast" will eliminate some of the standard video processing overhead and cuts frame delay to about 1.5 frames. There is no way for a video picture to appear instantaneously with zero delay on any digital video display, so the Fast frame delivery feature on the AE3000/4000 is about as good as it gets.

• Smooth-screen filter. Panasonic home theater projectors are famous for their Smooth Screen technology--essentially a filter that removes visible pixelation. The AE4000 has this same feature. We used to think that Smooth Screen reduced the sharpness of the image. It does not. Keep in mind when setting up a competing projector with the AE4000 in a side by side test, the "0" settings on the sharpness menus are not identical. Panasonic's models always have the sharpness setting default to zero with no artificial edge enhancement. Competing models usually default to zero also, but their so-called "0" setting often has some built in edge enhancement. On such models, the sharpness control needs to be turned off, or down to -5 or -10 depending on the model in question, to equal what Panasonic models are already defaulted to. Conversely, you can turn the sharpness setting on the AE4000 up to +5 or so to more closely approximate what 0 is on competing units. Once you balance out the edge enhancement, there is no significant difference in image sharpness between the AE4000 and other models in its price range. And if you boost the Detail Clarity Processor to +3 or +4, you get an extremely sharp picture with an abundance of detail definition.

• On-board Wave Form Monitor. The wave form monitor assists in the calibration of the projector, and for those into serious tweaking it is a great tool to have available. Professional installers in particular will find this tool useful. The AE4000 and its predecessors are the only home theater models anywhere near this price range that have this feature.

• Split Screen Calibration. Introduced initially on the AE2000, this as been carried forward in both the 3000 and 4000. It enables you to select a portion of the screen image, then duplicate it side by side. Having done this, you can apply image control adjustments, and they will appear on the right image while holding the left image static. This lets you see the changes you are making to the picture in "before and after" presentation. Thus you can see precisely the effects of the changes you are making. You can finish by either saving or discarding the changes you've been experimenting with. For many users, this is a great educational tool that helps you understand the nature and range of the various adjustment controls available to you.


Limitations
There are several things to keep in mind if you are planning to install an AE4000. The most important is that the combination of the zoom lens and eco-mode lamp can curtail lumen output significantly. The Cinema 1 mode is about 550 lumens with the lamp on full power and the zoom set to its shortest throw distance (largest picture from any given distance). Given the contrast of this projector, that is plenty of light to fill a 150" diagonal screen in a dark room, and still have a sparkling high contrast image.

However, if you move the projector back to its maximum throw distance, you lose 40% of the light, so Cinema 1 drops to about 330 lumens. You would probably want to either move the projector forward, or reduce the screen size, or switch to a brighter operating mode like Normal. These trade-offs should be taken into consideration during the planning phase. Similarly, putting the lamp into eco-mode sacrifices 32% of your light. That may or may not be something you can accept based on the screen size, throw distance, and desired operating mode.

Air Filter. Another thing to keep in mind is that the AE4000 has an air filter that should be cleaned every 100 hours of use. That sound like an onerous task, but it isn't. Cleaning does not entail replacing or washing the filter. It just needs to be vacuumed, so we suggest you get a hand-held vacuum cleaner for about $25 and keep it handy in your theater room. The air filter cartridge easily unsnaps from the side of the unit with a poke of the finger. Pulling the filter cartridge, giving it a thorough vacuum, and clicking the cartridge back into place takes about 30 seconds. The manual requests that you do this after every 100 hours of use, or once every 50 movies or so. Keeping the filter free of dust build up will give you maximum lamp life, and reduce the chances of getting any dust contamination inside the unit.

Focusing. If we are looking for tiny things to complain about, we could mention that it is a bit harder to focus the AE4000 than it is competing models. For one, the Smooth Screen filter pretty much erases any distinct pixel structure. On most projectors, getting the pixels as sharp as possible is the ultimate objective, but that is not possible on this unit since discrete pixels are not there. So you have to look at the graphics provided, which, for the purpose of fine focusing, is not quite as ideal.

Beyond that, the powered focus does not have a fine step function, so it is easy to overshoot the target. We found ourselves running back and forth through the sweet spot several times until we hit it just right. It takes a bit of fussing with, but once it is focused it stays there until you move the projector.

Warranty. The warranty is more limited that many in the home theater market. The purchase price includes parts and labor service for one year or 2000 hours of use, whichever comes first. By filing a claim form similar to a mail-in rebate, Panasonic will extend it to two years or 2000 hours, whichever comes first. The 2000 hour limit is not typical in the industry, and is something to be aware of if you plan on using your projector for many hours a day. If you run your projector for 5.5 hours per day, 7 days per week, you will hit the 2000 hour limit in 12 months. In this case the extension secured by filing the claim form does you no good. On the other hand, if you don't spend more than 2.7 hours a day, seven days a week, watching your projector, you get the full two years of warranty.


Conclusion
The Panasonic PT-AE4000 sets a new benchmark for price/performance in the home theater industry. In both picture quality and features, it easily surpasses the AE3000. And at just $1,999 it will have an earthshaking effect on prices throughout the industry. No other projector is as fully-loaded with user friendly features as this one; other than the AE3000, no other competing model even comes close in features and functionality. But what it always comes down to is picture quality. And in this regard, the AE4000 surpasses not only the AE3000, but all other 1080p models that we have yet seen under $3,000. It is not the brightness unit on the market by any stretch. Several other inexpensive 1080p models have brighter Cinema modes. But if you are looking for extremely high image quality and are willing to give up a little lumen output to get it, the AE4000 produces a refined, elegant picture that is extremely difficult to beat.

Since the AE4000's picture quality not only surpasses the competitors in its price range, but rivals and in some cases exceeds that of "high-end" models selling for five times the price or more, it warrants a solid 5 stars for performance. Since it has more features than any other home theater projector ever built, 5 stars is not even enough to illustrate its distinction in this category. Similarly, its ease of use is unrivaled-perfect color calibration out of the box in Cinema 1 mode, smart menus that are easy to navigate, lens memory to accommodate 2.40 super widescreen without an anamophic lens-no other projector has all of these things, and most have none of them.

All of this adds up to a remarkable value proposition: at a street of $1,999, we've simply never seen this much performance at this price. Panasonic has been extremely tight-lipped about this product launch. Until now many thought the company was dropping out of the home theater projector market. Today's announcement makes it clear that they are here to stay. The Panasonic PT-AE4000U will be one of the hottest selling home theater projectors of the fall season, and we enthusiastically give it our highest recommendation.

JVC RS25 Home Theater Projector REVIEW

Evan Powell, November 9, 2009
ProjectorCentral.com

JVC has earned a dedicated following of enthusiastic videophiles who eagerly await news of their latest home theater projectors, all built around JVC's proprietary D-ILA light engines. Every year, due to the company's glowing track record for performance, a standing backlog of orders always needs to be filled before they can get around to issuing samples for review.

JVC's newly released 1080p home theater projectors for this fall include the DLA-RS15 ($5,495), the DLA-RS25 ($7,995), and the DLA-RS35 ($9,995). These models are also being marketed by JVC's Consumer Products Division as the HD550, HD950, and HD990) This review will focus on the RS25 (HD950). To put things into perspective, the differences between the three models are these:

Contrast specs: The RS15 is rated at 32,000:1, the RS25 is 50,000:1, and the RS35 is 70,000:1.

Lumen specs: The RS15 is rated at 1000 lumens, and the RS25 and RS35 are 900 lumens.

THX Certification, ISF Calibration modes, VGA input terminal, and Color Management System (CMS): The RS25 and RS35 have all of these, the RS15 has none of them.

Manual Aperture: The RS25 and RS35 each have 16 steps between maximum and minimum settings, and the RS15 has three steps.

Warranty: The RS35 has a three year warranty; the other two models come with two years.

In short, there isn't much difference at all between the RS25 and RS35. The RS25 is basically an RS35 with slightly lower full on/off contrast and a two-year warranty.

Features in common between all three models include a powered 2.0x zoom/focus lens, powered lens shift, Clear Motion Drive (frame interpolation), custom gamma adjustments, anamorphic vertical stretch, screen correction modes, and an automatically retracting lens cover. The connection panel on the side of the unit offers two HDMI 1.3 inputs, one component, one S-video, one composite, an RS-232c port, and a 12 volt trigger to activate an anamorphic lens sled. (The two higher priced models also have a VGA port that is missing on the RS15). All three models look identical, in elegant glossy black casework, and they all weigh 24.7 lbs.

The JVC DLA-RS25 (a.k.a. HD950)

Brightness: With some vendors quoting up to 2000 lumens or higher for 1080p models, many buyers get concerned with a model that is rated at only 900 lumens. And the fact is, if you are looking for a super bright home entertainment projector you can use with the lights on, there are other models that will do that better and cheaper than the RS25. But if you are interested in replicating the commercial movie theater experience in a classic dark home theater, the JVC models are plenty bright. In fact their Cinema modes are actually brighter than comparable Cinema modes on several competing units that have much higher ANSI lumen ratings.

On our RS25 test unit, we measured Dynamic mode at 841 lumens. Other precalibrated modes available include THX, Cinema 1, Cinema 2, Cinema 3, Natural, and Stage. All six of these measured between 750 and 800 lumens. While they don't vary much in light output, they do vary in color temp, saturation, and gamma presets. For dark theater viewing, our preference was to start with the Cinema 1 mode and tweak it up a bit to get the best picture quality from the RS25 that it is capable of (more on this below).

All of those lumen readings were taken with the zoom lens at widest angle, the manual aperture wide open, and the lamp setting on high. Changing any of these reduces lumen output. With respect to the zoom lens effect, there was a paltry 24% drop in brightness when moving from maximum wide angle to maximum telephone. This is the least loss of light we've seen on a 2.0x zoom lens; we typically see loss of about 40% on a zoom lens of this range. Moreover, if you set the lens to the zoom's midpoint, which is its optical sweetspot, it loses only 9% from its wide angle position. Excellent!

Switching the lamp power from High to Normal cuts light output by 31%, which is a bit more of a drop than we see on most lamp power adjustments (typical reductions are in the 20% to 25% range). The shift in lamp power cuts the THX mode from 758 to 519 lumens, which is still plenty of light for a 120" screen.

The projector's factory default is to Normal lamp mode, and at this setting the expected lamp life is 3000 hours. Operating in High lamp mode reduces anticipated life to 2000 hours. The retail price of a replacement lamp is $399, which is typical for this class of projector.

Fan noise in Normal mode is extremely quiet. We'd call it on the verge of silent. When in High lamp mode, fan noise is more noticeable. It is a low frequency whir that shouldn't bother anyone, unless they are sitting right next to the projector. The loudest fan noise you will ever encounter is with lamp power on High and the High Altitude setting on. Here fan noise becomes apparent, but even in this situation it is not objectionable due to its relatively low frequency.

Other than zoom lens placement and lamp power setting, your third way to control light output is with the manual aperture. At wide open, you can get the brightness discussed above. But each click of the aperture control will close it down and curtail light output by about 3 to 4%. Closing it down all 16 steps reduces brightness to 45% of what it was when the aperture was wide open. This is a great tool for adjusting light output to exactly what you need for the screen size and screen gain you are working with. As far as I can recall, JVC projectors are the only models that have this feature.

Contrast. The RS25 is rated at 50,000:1, and the RS35 at 70,000:1. There is no difference in the projectors except for the fact that the RS35's components have been cherry picked to squeeze a bit of extra contrast out of them. We don't have an RS35 here to do a side by side visual comparison, but we would expect the difference to be a slightly blacker black on the RS35. However, the difference couldn't possibly be dramatic, since the RS25 already has the blackest black levels of any projector we've yet seen, including the Epson 8500 which is rated at 200,000:1.

Regardless of contrast specs, what everyone wants to know is how the RS25 actually looks on screen compared to competing 1080p projectors like the Epson 8500 or the Panny AE4000. There is no simple answer to this. The RS25 looks either higher in contrast, or lower in contrast, or equal in contrast to these competing units, depending on the average light level and dynamic range of the scene being projected at the moment. In a dark scene with highlights (a cityscape at night for example), or a scene with a lot of pure black with relatively few highlights (say, rolling credits or the Sony Pictures logo), the RS25 looks higher in contrast than any of its competitors. With this type of material the very deep blacks of the RS25 are riveting.

As the amount of black in the scene is reduced and average light level is increased, the RS25 loses its advantage. In some scenes it looks identical in contrast to the 8500UB or the AE4000. In brighter scenes with sufficient dynamic range, the 8500 UB, and particularly the AE4000, can look higher in contrast. Thus, none of these projectors beats their competition in contrast performance all of the time. Each has certain types of material at which it excels relative to the others.

However, this much is true: when the scene is of average light level and moderate to high dynamic range, the difference in apparent contrast between the RS25 and its competitors is not dramatic. Though the 8500UB and the AE4000 surpass the RS25, the difference is not anything that most viewers would consider to be huge. On the other hand, when it comes to scenes with lots of black, the RS25's advantage over its competition is much more evident. All of these models look very solid standing alone, and it is only when they are placed side by side in a dark viewing space that the differences become apparent.

THX Mode. The THX certification is intended to indicate conformance to industry standards including D65 color temperature, 2.2 gamma, and Rec.709 color gamut. In theory, two projectors operating in a "THX certified" mode should look the same, at least in color balance, since they are supposed to be calibrated to the same standards. However, when setting the RS25 and the Epson 8500 side by side with both in their respective THX modes, the pictures are different in color balance. So despite the impression of perfection you might draw from the THX logo, don't assume that the THX mode on every projector is perfectly calibrated and couldn't benefit from a bit of adjustment.

With regard to the RS25, the THX mode on our sample is biased slightly toward yellow/green. This cannot be adjusted since color temperature controls are locked out in THX mode. Furthermore, color saturation looks low at the factory default setting of zero. However, this can be adjusted. The HD color bar pattern indicated that a +11 setting for color saturation was accurate, and we preferred the picture that the RS25 delivered at this setting.

Extensive color calibration and gamma adjustment controls are available on all other operating modes on the RS25. This projector is capable of delivering a magnificent picture once it is fine tuned. Given its price of $7,999, a professional calibration is pocket change in comparison, and well worth the incremental investment.

Clear Motion Drive. JVC's implementation of frame interpolation, Clear Motion Drive, works extremely well for live performance subject matter in 1080p/60. If you are watching a Cirque du Soleil performance or Swan Lake Ballet on Blu-ray, or the Eagles Farewell I Tour on HD-DVD (will they ever get around to releasing this masterpiece on Blu-ray?!), the RS25's picture shows a real boost in clarity and depth with Clear Motion Drive activated. And even more good news ... there are absolutely zero artifacts to contend with. The picture simply looks more pure, details pop with more clarity, the stage looks more three-dimensional, and one gets the sense that the actors have a more immediate presence. With subject matter that has a lot of motion, the benefit is particularly obvious as motion blur is reduced. But even subject matter that has little motion, B.B. King in concert while seated in his chair for example, or Dianna Krall at the piano, there is a subtle but genuine sense of increased reality. The so-called "digital video" effect from frame interpolation that doesn't look so good in movies works to great advantage with this type of material. You want the impression of being in the same room with the performers. If you are watching any live performance material in 1080p/60 on the RS25, turn Clear Motion Drive on High for the best possible picture quality.

Clear Motion Drive also has a tangible beneficial effect on HD sports broadcasts as far as reduced motion blur is concerned. But with other types of material it is less successful. Most of the time there is little visible benefit to using it on standard def DVDs that are upscaled to 1080p/60 by the player. The picture looks about the same either way on many DVDs, with a slight bit of improved clarity on some.

Clear Motion Drive does not work well on 24 fps film sources being transmitted in 24p. There are simply too many distracting artifacts to make it usable. When it comes to movies, it is the least successful of the frame interpolation systems we have seen on home theater projectors. We preferred to leave it off for this type of material.

Placement, throw distance and lens shift flexibility. All of the JVC models just released throw a 120" diagonal image from a distance of between 12 and 24 feet. For the optical sweetspot of the lens, a throw of between 16 and 20 feet is ideal. If you want seats at about 1.33x the screen width, they would be at 11.5 feet from the screen, so the projector would be comfortably behind the audience. The vertical lens shift covers a total span of 2.6 picture heights, and horizontal shift is a maximum of 1.7 picture widths.

Though it is easy to ceiling mount this projector (and most users probably will), ideally we would prefer to place it on an open shelf above and behind the audience and use the least amount of lens shift as possible. If a rear wall mount is considered, keep in mind that the unit itself is 19" long, and a rear clearance of 8" from a wall is required for proper heat dissipation. This means the front of the projector will extend out 27" from the wall. So a typical bookshelf installation is not in the cards.

A note on the Air Filter. In addition to maximizing optical performance, shelf mounting also makes it easier to access the air filter for periodic cleaning. JVC recommends this be done "regularly" but does not specify beyond that. This filter is fragile and needs to be washed carefully and air dried before putting it back in the projector. Vacuuming the filter is not an option, as it will damage the material.

Competition

The most direct competitor to the JVC RS25 is the Sony VPL-VW85, priced at $7,999. Both of these are LCoS-based projectors. JVC calls it D-ILA and Sony calls it SXRD, but these terms are marketing names for their respective implementations of LCoS technology.

Another new 1080p model in the same price range is the Optoma HD8600. That model has just arrived, and we have yet to do any side by side work with these two models.

Since the Sony VW85 has not yet arrived, we have no way to compare them visually, but we will be working on the HD8600 this week. In the meantime, here is a comparison chart of basic features which lists the data that we have on these three models at this point in time.

When it comes to comparing the RS25 to lower priced models such as the Epson 8500UB, the Mitsubishi HC6800, and the Panasonic AE4000, the big question of course is, "What do you get for the extra cash?" The RS25's most obvious advantage over all of the lower priced models is superior black level. In scenes with a lot of black, the RS25 stands clearly in a class of its own. It also has very bright Cinema modes, the brightness of which can be fine-tuned with the manual iris. I don't recall any of the other lower priced models having this feature.

When setting the RS25 against another unit on the same shelf and projecting the same distance, it will usually show a brighter image than a competing model that is also set in its optimum cinema mode. Part of this is due to its inherently bright cinema modes, and part is due to the limited amount of light loss from its zoom compared to the zooms on, say the 8500 or the AE4000. These lumen differences can be mitigated to some degree with proper installation, so it is important to take them into account if you happen to encounter a side by side comparison.

In terms of general picture quality with HD source material, the comparisons become a bit more murky. Despite its superior black level, the RS25 is not the hands down winner in all situations. Lower priced models have become extremely competitive with high priced 1080p projectors. The Panny AE4000, while not as bright in comparable cinema modes, shows higher contrast and somewhat greater picture depth in many average scenes. It has a smoothness and clarity that the RS25 can match but cannot surpass. And the AE4000's frame interpolation system is head and shoulders above that of the RS25 for 24p source material.

We are continuing to do side by side comparisons, and more will be written on this as we develop the material.

Conclusion

The JVC DLA-RS25 is another beautiful projector in the JVC tradition. It puts out a superb image with the deepest blacks of any digital projector we've ever seen. Its bright cinema modes, and the ability to fine tune their light output with a precision manual iris, makes it an ideal choice for a variety of rooms and screen sizes. Though the Clear Motion Drive does not do well with 24 fps movie material, is it not really meant to. Clear Motion Drive works beautifully with HD sports as well as a variety of live performance subjects in 1080p/60, and there are many 1080p home theater projectors that don't have this feature at all.

JVC's challenge is simply that of price. Historically speaking, the $7,995 price tag is eminently reasonable for a projector of this caliber. And the RS25 certainly is a step forward in quality beyond the RS20 that it replaces. The challenge is that image quality in the lower priced 1080p projectors has gotten extremely competitive. The leap in price from $2500 to $8000 does not buy a quantum leap in image quality. But if you have the cash and the desire to see the deepest black levels possible on your home screen, the RS25, or perhaps the RS35, are the clear choices. In this regard, nothing in the lower priced options comes close.

Panasonic Showcases 85-inch Plasma Display at 2009 CEDIA Convention TH-85PF12U

ATLANTA, GA. (September 9, 2009) - Panasonic Professional Display Company, a unit of Panasonic Corporation of North America, the industry leader in professional Plasma displays, will offer a preview of its new 85-inch Plasma display, available later this year, at the CEDIA Convention, Sept. 10-13, in Atlanta, Georgia.

The industry’s first 85-inch, full HD 1080p Plasma, the TH-85PF12U takes advantage of Panasonic’s Neo PDP technology™, touting slimmer, lighter weight and brighter displays, with lower power consumption. This new professional display will be showcased at CEDIA, bridging the gap between the company’s 65- and 103-inch full HD Plasma displays and filling the lineup of large format professional displays. Designed for commercial, business and custom home-theater applications, the 85-inch Plasma is the equivalent in screen size to four 42-inch displays and features a newly developed high-definition “Neo Plasma display panel” that achieves a spectacular image resolution of 1,080 lines and a high contrast ratio of 40,000:1 (2,000,000:1 dynamic). The result is a vibrant, high-contrast, high-resolution image with a real sense of depth and scope.

“Panasonic’s latest Plasma innovation, the 85-inch display, is perfectly suited for the custom installation industry,” said Andrew Nelkin, President, Panasonic Professional Plasma Company. “Our 103-inch Plasma proved very successful within the CEDIA community and we are excited to provide a new screen size that gives the custom installer a viable product to fit the niche between our 65-inch Premiere Plasma and the granddaddy of them all, the 103.”

Even with effective wide-screen dimensions of 74.4 by 41.8 inches, the TH-85PF12U is significantly thinner and lighter than past Plasmas. The main body depth is only 3.9 inches, and with the weight per inch reduced by 30 percent, the overall weight of the display is approximately 260 lbs.

The 85-inch Plasma is also capable of being installed vertically, allowing the display of life-size models – creating enormous visual impact for digital signage, commercial messaging and audio/video presentation applications. It will be available in fall of 2009.

*****

About Panasonic Professional Display Company -- Based in Secaucus, N.J., Panasonic Professional Display Company, a unit of Panasonic Corporation of North America, is the industry leader in professional Plasma displays. Panasonic offers a wide-range of displays with the industry's best image quality, ideal for education, retail, boardroom or the ultimate home theater experience. Our broadcast-quality production monitors with true color performance are an industry standard. With the richest blacks, the widest range of sizes and resolutions, a plug-in modular architecture that allows an unparalleled level of customization, and incredible Panasonic's award-winning Concierge service, Panasonic is America's choice for professional plasma and display models. For more information on Panasonic Professional Display Company, please visit www.panasonic.com/proplasma.

InFocus Unveils ScreenPlay SP8602 Projector for Larger-than-Life Home Entertainment

Feature-Rich SP8602 Home Theater Projector Packs a Punch with High-Performance Optics, Rich Connectivity and Customizable Skins
WILSONVILLE, Ore. --(Business Wire)-- Sep 08, 2009- InFocus® Corp., the industry pioneer in digital projection technology, today announced the revival of its ScreenPlay line of projectors with the introduction of the SP8602. This advanced home theater projector features native 1080p resolution and produces the deepest blacks and brightest, most vibrant colors for home theaters. It’s bright enough for multipurpose rooms or viewing with the lights on. The SP8602 offers state-of-the-art high-performance optics, a 30,000:1 maximum contrast ratio and video-optimized 1300 lumens for stunning clarity, color and vibrancy, recreating a true cinematic experience with astounding realism.

The new home theater projector will be on display at the CEDIA Expo in Atlanta, September 10-13, at the booth of Panamorph (#1259)—an InFocus partner and a leading maker of home cinema conversion lenses.

“When we decided to build on the tradition of the InFocus ScreenPlay series, we knew that we had to make this projector one of our best home theater models yet,” said Benjamin Joy, product line director at InFocus. “The InFocus ScreenPlay 8602 combines rich styling, stunning imagery, full features and connectivity to create a truly immersive cinema experience that will amaze both casual and hard-core home theater enthusiasts.”

The ScreenPlay 8602 is an ideal upgrade from 480p, 720p or older generation 1080p projectors. It features Texas Instruments DLP® DarkChip technology with BrilliantColor™ to display varying shades of blacks and more than 1 billion vivid colors with razor-sharp accuracy. Using Pixelworks DNX™ 10-bit video processing, the SP8602 delivers ultra-smooth playback of film and video content, including a proprietary motion engine with 120Hz support that allows for a faster, fluid transition between frames in moving images and a fast color refresh for color stability and motion quality.

To make installation and perfect projection easier, the SP8602 offers:

Centered lens with lens shifts (+5%/-30% vertical and +/- 15% horizontal) that can beam an image of up to 300 inches from anywhere in the room

Automatic ceiling detection that will flip the image when necessary

Image warping to adjust the picture on imperfect surfaces and produce crisp, square images

The SP8602’s outer design offers users the option of interchangeable “skins” to match theater or living room décor. The skins allow users to choose from matte black, matte white, glossy black, walnut or pre-primed for custom design installations. An integrated cable management system eliminates the unsightly mess of cables for an elegant installation. The SP8602 also uses the latest in high-definition connectivity, providing a complete suite of analog and digital connectivity, including onboard HDMI 1.3 support.

“The SP8602 not only puts up the great image we’re accustomed to from InFocus, it has a lot of flexibility,” said Doug O’Brien of custom integrator Projectus in Portland, Ore. “For our customers who want to upgrade to 1080p, we love that the SP8602 allows them to replace any prior InFocus home theater projector without moving the mounting location.”

Availability
The InFocus ScreenPlay 8602 will be available in late October. Contact your authorized InFocus ScreenPlay dealer for pricing and availability. For more information, please visit http://www.infocus.com/Products/Projectors/SP8602.aspx.

About InFocus Corp.
InFocus is the industry pioneer and a global leader in the digital projection market. The company’s digital projectors make bright ideas brilliant everywhere people gather to communicate and be entertained – in meetings, presentations, classrooms and living rooms around the world. Backed by more than 20 years of experience and innovation in digital projections, and over 245 patents, InFocus is dedicated to setting the industry standard for large format visual display. The company is based in Wilsonville, Ore. with operations in North America, Europe and Asia. For more information, visit the company’s Web site at www.infocus.com.

InFocus, In Focus, INFOCUS (stylized) and ScreenPlay are either registered trademarks or trademarks of InFocus Corp. in the U.S. and abroad. All other trademarks are used for identification purposes only and are the property of their respective owners in this and other countries. All rights reserved.

Mitsubishi HC6800
1080p Home Theater Projector
Evan Powell, September 21, 2009
ProjectorCentral.com

The Mitsubishi HC6800 ($3,495) is one of the two new 1080p models being released this month by Mitsubishi, the other being the entry level HC3800 ($1,495). The HC6800 delivers a beautiful, sharp, natural video image with very little digital noise. It is not leading edge in terms of contrast, and it lacks frame interpolation, which several 1080p models in its price range now have. But it has a 1.6x powered zoom and focus lens that several competing units don't have. That feature can help eliminate the need for an anamorphic lens for those who want to set up a 2.40 widescreen system. The HC6800 also has almost zero fan noise, extensive calibration controls, and a better than average warranty.


Mitsubishi HC6800 Specifications
(subject to change)
ANSI lumens: 1300

Contrast (full on/off): 30,000:1

Light Engine: 1920x1080, native 16:9, 3LCD.

Connection Panel: Two HDMI 1.3 ports, one VGA port, one set of YPbPr component inputs, one composite, one S-video, one RS-232c, and a 12V trigger.

Lens and Throw Distance: 1.6:1 powered zoom/focus lens with vertical and modest horizontal lens shift. Throws a 120" diagonal 16:9 image from 12.3 to 19.8 feet.

Lamp Life: 4000 hours low mode, 2000 hours standard

Replacement Lamp Cost: $459.

Warranty: Two years on the projector, one year or 500 hours on the lamp.



The Mitsubishi HC6800

Advantages
Natural, filmlike picture. The single most striking attribute of the HC6800 is its natural looking image. For the videophile, the most desirable digital projectors are those that don't look digital. The HC6800 accomplishes this with flying colors. There is very little digital noise, virtually no pixelation, no overdriven sharpness, no overly brilliant or blown out highlights. The image is simply natural and filmlike, and a genuine pleasure to watch.

Excellent Cinema Brightness. For dark room home theater, the maximum lumen rating on a projector is generally irrelevant. The real question is how bright the picture is after calibration for ideal cinema viewing. This measurement almost never appears on a spec sheet. In its factory default Cinema mode, our test sample measured 703 lumens, which is brighter than most other home theater projectors in Cinema mode (measured with lens at wide angle setting, and lamp on full power).

However, the factory defaults in Cinema mode rendered an excessive green in the image. After boosting red and blue, and substantially reducing green, we were able to obtain a beautifully color-balanced picture. Those calibration adjustments reduced overall lumen output to 649 lumens.

And there is more good news--the position you choose to set the HC6800's 1.6x zoom lens has surprisingly little effect on lumen output. Remarkably, moving the lens to its maximum long throw position reduced brightness by just 13% from its reading at maximum wide angle. For a lens of 1.6x zoom range, we normally expect a 25% to 30% loss of light.

Thus, you can plan your throw distance without much concern for light loss. For this projector, we'd recommend placing it such that the zoom lens is in the middle of its range. If you want a 120" diagonal 16:9 image, the zoom range will allow you to place the projector at a minimum of 12.3 feet, and a maximum of almost 20 feet from the screen. The ideal throw distance of about 16 feet would let you use the optical sweetspot of the lens, with only a very minor loss of light compared to wide angle. Furthermore, if you want to sit at a viewing distance of 1.2x to 1.5x the screen width (which is a comfortable range for many), you'd be sitting 10.5 to 13 feet from the screen. Thus, the projector can be placed comfortably behind the seating area on a rear shelf or free-standing rack, and the cost and effort to ceiling mount it is avoided.

Low lamp mode. Dropping the HC6800 into low lamp mode reduces lumen output by 28%. The advantage is that it is expected to double lamp life from 2000 to 4000 hours. On some projectors, low lamp mode also reduces fan noise, but the fan noise on this model is so low already, that it is not likely to be a factor in your choice of lamp setting.

The bottom line is that after video calibration, if you place the unit at mid-zoom range and put it into low lamp mode, you still get about 435 lumens. This is just about ideal for a 120" image on a low gain screen in a dark viewing room. If you want to go with a larger screen, there is plenty of headroom available by putting the lamp into full power.

Contrast. The rating on this unit is 30,000:1. That doesn't sound like much compared to the Sony VW85 at 120,000:1, or the Epson 8500 at up to 200,000:1. But on the other hand, the new Samsung A900, priced at a whopping $13,000, is only rated at 12,000:1, and that projector produces a picture some videophiles salivate over. The HC6800 has plenty of contrast to produce a brilliant, sparking image with solid blacks, good shadow detail, and excellent color saturation, even when taken to a 120" image size or larger.



Powered zoom, focus, and lens shift. This is an important feature if you want to use the zoom capability to accommodate a 2.40 format widescreen installation. Simply zoom to a wider angle setting to fill the 2.40 screen when you are viewing a movie in that format, and zoom forward to view standard 16:9 material in the center of that screen. The advantage is that you avoid the cost and bother of an anamorphic lens, and you retain the native resolution one-to-one pixel match between the 1080p display and 1080p source material when viewing 2.40 material. Several of the competing 1080p projectors in this price range lack a powered lens, so this may be a key factor in your decision.

The lens shift range is a total of 2.6 picture heights vertical, and a mere 5% of the picture width in either direction side to side. So there is not much leeway to place the projector off of dead center horizontally.

Two anamorphic modes. If you wish to set up a 2.40 rig using an A-lens (I am weary of typing out the phrase "anamorphic lens" so henceforth it shall be A-lens, or simply lens if the context is clear), the HC6800 has the capability of switching back and forth between 2.40 format movies or 16:9 material without moving the A-lens. Thus it can be installed permanently without the extra cost and hassle of the motorized track.

Fan noise. Nothing to worry about here. Mitsubishi has led the way in audible noise reduction, and this one is as quiet as they come. It is almost silent in low power mode, and not much louder in full lamp mode.

Extended lamp warranty. The projector itself has a two-year warranty, which is good but not exceptional in the industry. But the lamp has a one-year or 500 hour (which ever comes first) warranty that is quite unusual. Most vendors offer only 90-day warranties on lamps.


Limitations
No frame interpolation. Frame interpolation is used to smooth motion judder and reduce motion blur. It is a controversial technology that sometimes has side effects people object to. Thus on products that feature it, it is offered as an option that the user can activate or deactivate based upon the type of material being viewed. This feature appeared last year on models from Panasonic, Sanyo, and Epson. This month, new models offering frame interpolation capability have been announced from Sony, Infocus, Vivitek and JVC. It is not available on the HC6800.

Precalibrated modes are too green. On our test sample, all precalibrated modes had a green bias. This is not unusual in high brightness modes, but the Cinema mode was too green as well. Since the HC6800 is being sold through custom installers and specialty retailers, those from whom you buy it should provide calibration services, so this is not really a big deal. But if our test sample is any indicator, be aware that if you buy it without calibration services, you may need to do some color adjustments yourself, or hire an ISF trained video technician to get the picture optimized (that service typically costs in the neighborhood of $300.)

No Internet sales. The HC6800 is being made available through authorized custom installers, and through certain retailers such as Magnolia. As such, it is not supposed to be sold on the Internet. As of this writing there are a few Internet dealers offering it at discounted prices, but be aware that there may be some confusion on the validity of the warranty depending upon where those dealers are sourcing their inventory.

One advantage to buying from custom installers or Magnolia is that they can offer installation and calibration services along with the product. Another advantage is that a retailer like Magnolia can offer low or no interest financing if they choose to. The disadvantage to buying from installers and specialty retailers is that there is usually little or no discounting.

Mitsubishi's prohibition of Internet sales is limited to their Diamond Series products, which does not include the HC3800 (although the HC3800 does have a high quality Diamond Series glass lens on it). This new 1080p model is hitting the market at a retail price of just $1,495, and all of Mitsubishi's authorized Internet dealers are carrying it.


Competition: Mitsubishi HC6800 vs. BenQ W6000
Before we get to the differences, let's note that the Mitsubishi HC6800 and the W6000 are quite similar in many respects. Both are native 1080p resolution projectors with an MSRP of $3,495. They have similar throw distances--to fill a 120" screen, the HC6800 requires roughly 12 to 19 feet, while the W6000 needs 14 to 21 feet. Both have about two and a half picture heights of vertical lens shift. Both have two HDMI ports, two options for component video input, a serial control port, and a single 12-volt trigger. Both have anamorphic stretch modes to accommodate an A-lens. Neither model has frame interpolation.

That is about where the similarities end. As far as differences go, they are these:

• The HC6800 is 3LCD, and the W6000 is DLP. Beyond the very subtle differences in picture quality to be discussed momentarily, this means that the HC6800 will require periodic air filter cleaning, whereas the W6000 is filter free. On the other hand, it also means that some users will experience occasional DLP rainbow artifacts on the W6000, while there will be none on the HC6800.

• The W6000 is brighter in its brightest operating modes, although these modes are not well color balanced (we got about 2000 lumens out of the W6000 in its brightest configuration, but the picture was not something you'd want to spend much time watching). Nevertheless, it has some advantage if you plan to project under ambient light conditions and are not picky about color balance. Conversely, after calibration for optimal Cinema use, we found the lumen output on the HC6800 and W6000 to be almost identical.

• The W6000 is somewhat higher in contrast. There is a greater range between black and white in any given image. However, the HC6800 is capable of deeper black levels.

• The HC6800 has powered zoom, focus, and lens shift, while the W6000 is manual. That means the HC6800 is easier to use with a 2.40 screen, if you wish to use the zoom feature to accommodate both 2.40 and 16:9 format material on a 2.40 screen.

• Both expect a maximum of 2000 hours lamp life in standard mode. In low power mode, the HC6800 is expected to get 4000 hours, while the W6000 is 3000 hours.

• The W6000 has a 280-watt lamp, compared to a 170-watt lamp on the HC6800. The HC6800 will throw off less heat in the room, and has lower fan noise.

• Mitsubishi offers a two year warranty with one year or 500 hours (whichever comes first) on the lamp. BenQ offers a one year warranty with 90 days on the lamp.


Setting aside all of the nuts and bolts issues, for many buyers it really gets down to which projector gives you the best picture. Believe it or not, this is a very difficult call. Neither projector looks very good in factory default settings, but the W6000 is decidedly more out of whack than the HC6800 in this regard. They are both biased toward green, but the W6000 is also maladjusted for contrast, brightness, and gamma as well. Both of these models need more adjustments than usual out of the box to look their best. If you are not accustomed to calibrating video systems, a professional calibration of them will improve their picture quality immensely.

What is most surprising to us is that after calibration they look extremely similar--many scenes look virtually identical. Once we had modified their respective Cinema modes, we measured lumen output on the W6000 at 658, while the HC6800 measured 649. The W6000 ends up being slightly higher in contrast, and the HC6800 is slightly smoother with less digital noise. But most viewers looking at them side by side would be most impressed with how similar they look. The differences between them are subtle, and they have to be examined closely side by side to see them.

Thus, it eventually gets down to desired functionality and price. The HC6800 is a Diamond Series product which is not supposed to be sold on the Internet, although there are a few doing so at the moment. If you find the HC6800 available only through custom installers and specialty retailers, it is not likely to be discounted much below the $3,495 MSRP. Meanwhile, the W6000 is sold on the Internet, and street prices are in the range of $2,800 as of this writing.

There is no striking difference in picture quality between the HC6800 and the W6000 that would justify a significant price differential. So if all you care about is picture quality, the W6000 is the better deal if it ends up selling for $700 or more less than the HC6800. However, the extra price of the HC6800 does buy some benefits beyond picture quality that you may care about--lower fan noise, less heat output, a powered zoom/focus lens, a more substantive warranty on both the projector and the lamp, and perhaps some calibration service depending upon who you buy it from.


Conclusion
The Mitsubishi HC6800 is a solid, well-constructed projector being offered at a fair price. However, at an MSRP of $3,495, it faces stiff competition in the 1080p category. From what we've seen in the marketplace thus far, it certainly holds its own in picture quality but does not in any special way uniquely outperform the competition. But this can and will be said about many of the new models being released this fall.

In general, 1080p picture quality is getting much better than it used to be across the board. So this year it is harder to see radical differences between the models. Currently we have the LCD-based HC6800 set up with the BenQ W6000 (DLP) and the Sony HW15 (SXRD/LCoS). The most startling aspect of the comparison is how similar they look despite their three different imaging technologies. Moreover, if you set up any of these models against the much more expensive Samsung A900 ($12,999), or the Vivitek H9080HD ($14,999), astute consumers will be left scratching their heads wondering what you get for the extra money. The differences in picture quality are quite often subtle at best. You'd think a projector that costs five times as much would look dramatically better, but it doesn't.

In the world of 1080p home theater projectors, we are moving into an era in which picture quality itself will be less of a factor in a buying decision. Rather price, extra features, service, support, and vendor reputation will weigh more heavily in the buyer's decision matrix.

The HC6800 has an array of features that will match perfectly with the needs/interests of many buyers, especially those interested in 2.40 widescreen installations. After many hours of viewing on our Da-lite JKP Affinity screen, I asked myself what I wished it had. The first and only thing that came to mind was a good frame interpolation system--for me that is a feature I'd love to have seen on this model. But I did not want it to be brighter, and I did not want it to be higher in contrast. Overall, the picture was beautifully balanced and natural, and a genuine pleasure to watch. Those who end up owning the HC6800 will enjoy it thoroughly.

BenQ W6000 1080p DLP Home Theater Projector
Bill Livolsi, September 18, 2009
ProjectorCentral.com

BenQ's new W6000 is a 1080p DLP projector that is an interesting blend of low cost and high function for home theater. It includes high lumen output, impeccable sharpness, high dynamic range, and great placement flexibility. The factory default settings need some serious work -- color needs adjustment, as do brightness and contrast, but a competent calibration can bring the W6000 to its full potential. The BenQ W6000 is currently selling for less than $2,800.


W6000 Specifications
ANSI lumens: 2500

Contrast (full on/off): 50,000:1

Light Engine: 1920x1080, native 16:9, single-chip DLP with 280W lamp.

Video Compatibility: 1080p/60/50/24, 1080i, 720p, 576p, 576i, 480p, 480i.

Connection Panel: Two HDMI 1.3 ports, one YPbPr component input, one VGA port, s-video, component video, one RS-232C port, one USB port, one 12V trigger.

Lens and Throw Distance: 1.5:1 manual zoom/focus lens with manual vertical and horizontal lens shift. Throws a 100" diagonal 16:9 image from 11' 9" to 17' 8".

Lamp Life: 2000/3000 hours.

Replacement lamp price: Unknown.

Warranty: One year, 90 days on lamp.


Advantages


Lumen output. The W6000 is a bright little projector. In the default Cinema mode, our test sample measured 853 ANSI lumens, which gives the W6000 one of the brightest Cinema modes available. After our calibrations, resulting in a much more balanced image, light output was 658 ANSI lumens. In other words, you can put a high-contrast, color-balanced image that's perfect for film up on a 150" diagonal screen in a light-controlled room. Low lamp mode still produces 579 lumens. Even using the telephoto end of the zoom lens, which causes a 25% drop in lumens, still nets you 435 lumens, which is easily enough for a 120" screen and probably larger.

But let's say you want to bring the W6000 out of the theater and into the living room so you can watch a football game and eat some pizza. If your only concern is image brightness, you can use Dynamic mode, the Lamp Native color temperature setting, and Brilliantcolor to create a 2061-lumen powerhouse of an image. Color balance is almost nonexistent, with an extremely heavy slant towards green, but it's certainly bright enough to do the job. Disabling BrilliantColor improves color balance but also cuts light output nearly in half, to 1137 lumens.

Contrast. The W6000 has very good dynamic range, which causes high-contrast scenes to look fantastic. A word of caution, though: the default calibration has Brightness set too low and Contrast set too high, which increases dynamic range, but it does so at the expense of realism. The image has blown out highlights, especially in characters' faces - if there is any light shining on them, they appear to have spotlights installed in their foreheads. A more realistic picture can be obtained by reducing Contrast and increasing Brightness. This picture has less dynamic range, but appears much more life-like.

Sharpness and detail. The picture displayed by the W6000 looks razor-sharp when using high-definition content. Every detail is transmitted faithfully from the disc to your screen, leading to an immersive, window-like experience. The only problem is that sharpness is set too high by default, leading to some artificial enhancement; you'll want to tone it down a bit if you're looking for a more natural image.



Placement flexibility. More and more often, we're seeing DLP projectors with extended zoom and lens shift capabilities, and the lensing of the W6000 is quite versatile. The projector has a 1.5:1 zoom lens, allowing it to project a 100" diagonal image from 11' 9" to 17' 8". Lens shift allows for a total range of 2.5 image heights and 1.4 image widths. This allows you to place the picture 25% of the image height above or below the centerline of the lens, or move the picture 20% of the image width in either direction.

This flexibility allows for any mounting option you choose. You can place the projector between the seats, on a low coffee table. You can use a ceiling mount. Or you can use a rear shelf mount, and aim the projector more or less dead-on at the screen. This is one of the easiest ways to install a projector yourself -- all you have to do is purchase a suitable shelf, preferably one without any backing to allow for ventilation.

Connectivity. The W6000 has two HDMI ports, so you can directly connect any high-definition sources you own. It also has a set of YPbPr component inputs and a VGA port, both of which will accept a high-definition signal. The legacy composite and s-video connections make an appearance, for older devices. On the data side, there are inputs for USB, RS-232, and a 12V trigger.


Limitations



Out-of-the-box color. After calibration, the W6000 has very life-like, well-saturated color. Before calibration, however, color is a mess. On our test sample, the entire image was heavily biased towards green, which essentially rendered the pre-programmed color temperature settings useless. Instead, starting from one of the User color temperature settings, you can adjust the gain and bias of red, green, and blue until the image is balanced properly. This process is made much more precise by the use of a light meter, but the human eye is a very sensitive instrument all by itself and you can get reasonably good color without any equipment at all.

No frame interpolation. The W6000 lacks a frame interpolation system. Frame interpolation is a technology that looks at the frames of film or video, then creates interim frames in order to enhance the smoothness of motion. It was perhaps the biggest development in home theater projectors last year, and people are still debating its desirability and effectiveness. Many new models coming out this fall will have some form of frame interpolation, but the W6000 does not.

Image noise. When compared to the competition, the W6000 had more evident image noise. This manifests as a dazzling, shimmering, or dancing graininess, especially in blocks of mid-toned or lighter colors. This can be distracting to some people, while others find it easy to ignore.

Audible noise. While we're on the subject of noise - the projector occasionally produces a high-pitched, low-volume whine for about one second at a time, every few minutes. It is otherwise very quiet; fan noise is low in pitch and volume and overall easy to ignore. If your installation has the projector too close to the audience, you might notice this sound, so it is best to mount the projector a few feet away from the seats.

Remote control. BenQ has been using the same remote control for their home theater projectors for several years now, and there is a certain merit in consistency. The remote is a large tower design, with lozenge-shaped buttons. Functions are written out in clear, easy-to-read text which can be illuminated with a strong red backlight. All of this is wonderful. However, the same things that bothered us about it in 2007 are still bothering us now. The remote includes a whole slew of buttons - 36 in all - and it can be a little overwhelming at times. Occasionally, we found ourselves digging through the menu to find a function which had its own remote button, because we forgot it was there. The buttons also have a tendency to stick, so you might end up pushing a given button more times than you intended to.


Shootout:
BenQ W6000 versus Mitsubishi HC6800
Note: the content of this section is reproduced in our review of the Mitsubishi HC6800.

BenQ's W6000 and Mitsubishi's HC6800 are quite similar in many ways. Both are 1080p projectors with retail prices of $3,495. They have similar lensing; to fill a 120" screen, the W6000 needs 14 to 21 feet of throw while the HC6800 needs 12 to 19 feet. They have similar vertical lens shift ranges. Both have two HDMI ports, two options for component video input, a serial control port, and a single 12-volt trigger. Both have anamorphic stretch modes to accommodate an A-lens. Neither model has frame interpolation.

The similarities end there, though. As far as differences go, they are:

•The W6000 is DLP, and the HC6800 is 3LCD. Beyond the inherent differences in picture quality to be discussed momentarily, this means that the HC6800 will require periodic air filter cleaning, whereas the W6000 is filter free. It also means that some users will experience occasional DLP rainbow artifacts on the W6000, while there will be none on the HC6800.
•The W6000 is brighter in its brightest operating modes, so it has the advantage if you plan to project under ambient light conditions. Conversely, after calibration for optimal cinema use in a dedicated dark viewing room, we found the lumen output to be almost identical.

•The W6000 is higher in contrast. There is a greater range between black and white in any given image. However, the HC6800 is capable of deeper black levels in darker scenes.

•The HC6800 has powered zoom, focus, and lens shift, while the W6000 is manual. That means the HC6800 is easier to use with a 2.40 Cinemascope screen, if you wish to use the zoom feature to accommodate both 2.40 and 16:9 format material on a 2.40 screen.

•Both expect a maximum of 2000 hours lamp life in standard mode. In low power mode, the HC6800 is expected to get 4000 hours, while the W6000 is rated for 3000 hours.

•The W6000 has a 280-watt lamp, compared to a 170-watt lamp on the HC6800. The HC6800 will throw off less heat in the room, and has lower fan noise.

•Mitsubishi offers a 2 year warranty with one year or 500 hours (whichever comes first) on the lamp. BenQ offers a 1 year warranty with 90 days on the lamp.

Setting aside all of the nuts and bolts issues, for many buyers it really gets down to which projector gives you the best picture. Believe it or not, this is a very difficult call. Neither projector looks very good in factory default settings, but the W6000 is decidedly more out of whack than the HC6800 in this regard. They are both biased toward green, but the W6000 is also maladjusted for contrast, brightness, and gamma as well. Both of these models need more adjustments than usual out of the box to look their best. If you are not accustomed to calibrating video systems, a professional calibration of them will improve their picture quality rather dramatically.

What is most surprising to us is that after calibration they look extremely similar, and indeed many scenes look virtually identical. Once we had modified their respective Cinema modes, we measured lumen output on the W6000 at 658, while the HC6800 measured 649. The W6000 ends up slightly higher in contrast, and the HC6800 is slightly smoother with less digital noise. But most viewers looking at them side by side would be most impressed with how similar they look. The differences between them are very subtle, and they have to be examined closely side by side to make any differentiation.

Thus, it eventually comes down to desired functionality and price. The HC6800 is a Diamond Series product which is not intended for sale on the Internet. At this writing there are a few Internet dealers quoting discounted prices, but whether they will continue to do so remains to be seen. If you find the HC6800 available only through custom installers and specialty retailers it is not likely to be discounted much below the $3,495 MSRP. Meanwhile, the W6000 is sold on the Internet, and street prices are in the range of $2,800 as of this writing.

There is no striking difference in picture quality between the HC6800 and the W6000 that would justify a significant price differential. So if all you care about is picture quality, the W6000 is the better deal. However, the extra price of the HC6800 does buy some benefits beyond picture quality that you may care about-lower fan noise, less heat output, a powered zoom/focus lens, a more substantive warranty on both the projector and the lamp, and perhaps some calibration service depending upon who you buy it from.


Conclusion
The BenQ W6000, at factory default settings, is a bit of an ugly duckling. Contrast and brightness are out of alignment, as are color balance and saturation. Sharpness is too high. However, with a little perseverance and some remote-control kung-fu, it emerges looking like a swan. With a very bright cinema mode and great contrast, the W6000 is a solid choice for large-screen home theater in a dark room or Sunday afternoon football in the living room.

We are withholding star ratings for all 1080p projectors released this season until we have a better feel for the state of the market. Once we have reviewed several more 1080p projectors which were announced at the CEDIA expo, we will begin assigning our five-star ratings to all products reviewed since that time.

DVDO EDGE Firmware Release - Deep Color support has been added

Firmware v1.3 (beta)
Release date: July 23, 2009

What's new in EDGE Firmware v1.3 compared to v1.2.2?

Deep Color support has been added. EDGE can accept color depths of 24/30/36 bits on its inputs. EDGE can output 24/30/36 bits on its outputs.
The Deep Color function is independent for the HDMI interface between a source and EDGE’s inputs, and between EDGE and a display.
Deep Color enable menus are located in the Advanced Controls menu using these paths:
Main Menu > Settings > Advanced Controls > Input Deep Color
Main Menu > Settings > Advanced Controls > Output Deep Color

Please read this Important Notice about the Deep Color feature.

Deep Color increases the bandwidth requirements of your HDMI interface. The HDMI interface may run as much as 50% faster, depending on the bit depth. Some users will experience an HDMI failure when running Deep Color modes. It may appear as no picture, or as a distorted picture.

For that reason, the Deep Color feature defaults to "disabled." You will have to go into the menus to enable it.

If you have an HDMI failure after enabling Deep Color, press the GUIDE button on your EDGE remote. The GUIDE button implements “safe mode” which temporarily suspends the Deep Color feature. This should give you a picture, and you can then go into the menus to disable Deep Color.

If you do have a failure, you will have to upgrade your HDMI cables, use shorter cables (in some cases), or disable the Deep Color feature.

To download EDGE Firmware v1.3, fill out the questionnaire at the bottom of the page, and click on "I agree"



http://www.anchorbaytech.com/dvdo_edge/EDGE_firmware_v1.1.php

New JVC D-ILA Home Theater Projector Line
Features Top Model With 70,000:1 Native Contrast

New features include ISF certification, high speed frame rate and more.

ATLANTA, September 10, 2009 – JVC updates its award-winning line of D-ILA home theater projectors with the introduction of six new models, each offering the high native contrast that has made JVC projectors top-selling favorites among the most demanding home theater enthusiasts. The new line includes four THX® Certified projectors and all six achieve unprecedented contrast ratios without the need for artificial contrast enhancing techniques, such as a dynamic iris. In fact, JVC’s new top-end model boasts a native contrast ratio of 70,000:1 – the highest among all currently available home theater projectors.


The new projectors are the DLA-RS35, DLA-RS25 and DLA-RS15 to be marketed by JVC’s professional products group, and the DLA-HD990, DLA-HD950 and DLA-HD550, available through JVC’s consumer electronics group. All six projectors feature the same D-ILA technology and features found in previous models, but add improvements in both performance and usability.


New for 2010 is JVC’s double-speed 120Hz Clear Motion Drive technology to reduce motion blurring, and a new screen adjustment mode to optimize the projector for different screen types – features available on all six new models. Four of the six new projectors – DLA-RS35, DLA-RS25, DLA-HD990 and DLA-HD950 – offer JVC’s new original picture modes, which provides advanced processing that adjusts for the different way that projectors process color compared to the color mixture method used in film. As a result, the projector delivers the subtle nuances typically associated only with a movie theater presentation. What’s more, these same four new models are certified by ISF and so include an ISF C3 mode so they can be professionally calibrated.


All six new projectors use JVC-developed 0.7-inch full HD D-ILA devices and the company’s wire-grid optical engine. These key technologies combine to deliver unprecedented native contrast, meaning that there is no dynamic iris to artificially inflate contrast specifications. As a result, the projectors simultaneously deliver true blacks and extraordinary luminance detail.


The pinnacle of this performance is found in the new DLA-RS35 and DLA-HD990. These projectors offer the highest performance yet of any D-ILA home theater projector, with a native contrast ratio of 70,000:1. This unparalleled performance is achieved in part by using components that are made to the most exacting of tolerances. This includes the selection of only the highest performing optical assemblies, the selection and matching of the D-ILA devices, and final adjustment by highly trained JVC technicians. In addition, the DLA-RS35 and DLA-HD990 come with a three year warranty.


Native contrast ratio specifications for the other new projectors are:
DLA-HD550 – 30,000:1
DLA-RS15 – 32,000:1
DLA-RS25/DLA-HD950 – 50,000:1


The top four models – DLA-RS35, DLA-HD990, DLA-RS25 and DLA-HD950 – are all THX Certified (for all worldwide markets) to ensure accurate and exceptional picture quality in the home theater environment. With strict attention to image quality and signal processing performance, THX certification promises that these projectors are capable of presenting a wide range of video content at maximum resolutions with the correct color and luminance levels. In addition, THX has created a battery of signal processing tests that challenge the projector’s scaling, motion conversion and de-interlacing capabilities. This type of in-depth analysis predicts how the projectors will present a variety of high definition and standard definition content.


These same four models also feature color management that interpolates colors individually by R, G, B, C, Y, or M, in three separate axes of color phase, chroma saturation and brightness. Up to three customized color settings can be stored for future use.


Features shared by all six new projectors include:
•Three JVC-developed D-ILA devices (red, green, blue) for a naturally rich, flicker-free picture;
•HQV Reon-VX video processor developed by Silicon Optix to ensure excellent image reproduction with precision I/P conversion and scaling;
•A high-performance 1.4 – 2.8:1 zoom lens with motorized focus features a large diameter, all-glass lens system with 16 elements in 17 groups that includes an ED lens to project a full HD image with exceptional depth and minimal chromatic aberration;
•Manual adjustment of the gamma curve via an on-screen display, allowing the viewer to adjust projector luminance levels by either increasing contrast in scenes that are too dark or dimming washed-out scenes to ensure precise brightness levels suited to individual preferences or viewing conditions. Up to three settings can be adjusted and stored for future use;
•Flexible set-up with a ±80 percent vertical and ±34 percent horizontal motorized lens shift function that allows the projected picture to be moved horizontally or vertically via the remote control.
Other features include an external 12-volt trigger (not available on the DLA-HD550) that can be used to automatically raise and lower a screen or draw curtains, or it can be linked to engaging the V-Stretch mode and move an optional anamorphic wide screen lens system into place. Also, an automatic lens cover opens and closes with power on/off.


All six projectors comply with HDMI version 1.3 (Deep Color/CEC) specifications, which provide for billions of colors and reproduce subtler shades of grey, and CEC compatibility for system control.


The new JVC D-ILA projectors begin delivery in September, 2009 at the following prices: USD
DLA-RS35/DLA-HD990: $10,000.00
DLA-RS25/DLA-HD950: $8,000.00
DLA-RS15: $5,500.00
DLA-HD550: $5,000.00


About JVC U.S.A.
JVC U.S.A., headquartered in Wayne, New Jersey, is a division of JVC Americas Corp., a wholly-owned subsidiary of Victor Company of Japan Ltd. JVC distributes a complete line of video and audio equipment for the consumer and professional markets. For further product information, visit JVC’s Web site at http://www.jvc.com or call 1-800-526-5308

MITSUBISHI DIGITAL ELECTRONICS AMERICA ANNOUNCES NEW HC3800 HOME-THEATER PROJECTOR
High-Definition Projector Debuts at CEDIA 2009 in Atlanta
IRVINE, Calif., September 8, 2009 — Mitsubishi Digital Electronics America’s Presentation
Products Division, known for award-winning, high-quality, high-definition presentation and display
products, today introduced its HC3800 HD home theater projector. Designed for budget-minded doit-
yourself video enthusiasts or home-theater newbies, the HC3800 delivers 1080p resolution for a
true high-definition viewing experience.
“Mitsubishi continues to lead in home-theater projection, especially in terms of value,” said Wayne
Kozuki, product marketing manager, Mitsubishi Digital Electronics America’s Presentation
Products Division. “It’s always exciting to bring such high-end entertainment experiences to a level
where more people can enjoy them at home.”
Mitsubishi’s new HC3800 projector uses Texas Instruments’ latest 1080p DLP® chip, the
DDP3021 Digital Light Processing® TrueVision™ Image processing with BrilliantColor™. It
blasts 1200 lumens and provides an outstanding 500:1 ANSI (measured 3300:1 full ON, full OFF)
contrast ratio for truly high detail and remarkable color depth for maximum video display impact.
Combining BrilliantColor processing technology using a patented color-processing algorithm and
Mitsubishi’s new super-sharp, high-quality Diamond® lenses, the HC3800 gives viewers rich, vivid
realistic images.
Viewing widescreen 2.35:1 aspect ratio films is easy with the HC3800 projector, thanks to its
Anamorphic Lens Mode 1 and 2 support. In the past, users needed an expensive lens railing or
tracking apparatus to install or remove an anamorphic lens, depending on the desired 2.35:1 or 16:9
film aspect ratios. With the new HC3800, users can now simply position an anamorphic lens
permanently in front of the projector lens and select the appropriate Anamorphic Mode 1 or Mode
2, either 2.35:1 or 16:9 aspect ratios for the corresponding movie format. It’s a simple and
economical design that saves time and effort while providing the ultimate home theater viewing
experience.
Mitsubishi’s HC3800 is affordable and offers an exceptionally low cost of ownership with an
estimated 5000-hour lamp life* in low lamp-life conservation mode. It’s also designed filter-free
with an advanced semi-sealed construction that makes the projector’s optics resistant to dust, dirt
and other micro particles within its light path. Periodic maintenance is greatly reduced, making the
projector more economical over time, and allowing users more time to enjoy their home theater.
The projector has a convenient and simple top-access lamp design for easy lamp exchanges.
Subdued scenes are easy to hear with the HC3800’s quiet engine, and the projector includes a native
digital HDMI™ input for true high-definition connectivity. Lightweight at less than eight pounds,
the highly portable HC3800’s digital keystone correction makes set-up easy, efficient and more
flexible in different room configurations.
“Mitsubishi is committed to increasing value in our home-theater and presentation projectors,” said
James Chan, senior director, product marketing, Mitsubishi Digital Electronics America’s
Presentation Products Division. “We are excited to offer a wide selection designed to meet the
needs of first-time home-theater and DIYers, as well as enthusiasts who want the best they can
afford without compromising on quality.”
Pricing, Availability, Warranty
The estimated price of Mitsubishi’s HC3800 will be $1395; the projector will be available in third
quarter 2009 through popular online resellers and authorized Mitsubishi dealers. The projector
comes with Mitsubishi’s two-year limited warranty on parts and labor plus a one-year limited
warranty on the lamp.
About Mitsubishi Digital Electronics America Presentation Products Division
Mitsubishi Digital Electronics America’s Presentation Products Division markets an extensive line
of professional presentation, front-projection high-definition home entertainment, and rearprojection
video wall cube display systems and digital signage monitors that are designed with DLP
or LCD technology. MDEA is known for its award-winning high-quality accurate color
reproduction technology. Products are sold through authorized distributors, resellers, retailers and
system integrators throughout the United States and Mexico. Mitsubishi Digital Electronics
America is located at 9351 Jeronimo Road, Irvine, Calif., 92618. For more information, please call
888-307-0312 or visit http://www.mitsubishi-hometheater.com
# # #
*For an explanation of how this estimate was calculated, visit www.mitsubishi-presentations.com. This estimate does
not extend or otherwise modify the warranty for the lamp.
Diamond is a registered trademark of Mitsubishi Electric, Inc. Digital Light Processing, BrilliantColor, TrueVision and
DLP are trademarks or registered trademarks of Texas Instruments. HDMI is a trademark of HDMI Licensing, LLC.

MITSUBISHI DIGITAL ELECTRONICS AMERICA ANNOUNCES NEW HC6800 DIAMOND SERIES PROJECTOR AT CEDIA 2009
High-Contrast, High-Definition Projector Available Exclusively through System Integrators
and Leading Home Theater Retailers
IRVINE, Calif., September 8, 2009 — Mitsubishi Digital Electronics America’s Presentation
Products Division, known for award-winning, high-quality, high-definition presentation and
display products, today introduced its newest Diamond Series projector designed for the finest
high-definition home theater environments.
Mitsubishi’s 1080p HC6800 Diamond Series high-contrast projector offers quality and value for
end-users. This new projector is designed for easy installation and is available exclusively
through custom home theater systems integrators and leading retail channels such as Best Buy’s
Magnolia Home Theater.
“The HC6800 brings more features to the Diamond Series and projects movie images even more
crisply,” said Wayne Kozuki, product manager, Mitsubishi Digital Electronics America’s
Presentation Products Division. “It offers a fantastic combination that gives easy installation and
incredible picture quality with a touch of a button.”
Mitsubishi’s new Diamond Series projector features convenient motorized vertical and
horizontal lens shift that makes installation quick and easy. Users simply project a test pattern
grid onto their screen and line up the image with the fast track, then fine tune using a step-bystep
tracking process.
The HC6800 projector boasts an amazing 30,000:1 contrast ratio that increases depth and detail
in dark scenes, and its 1500 ANSI lumens provides all the brightness demanded by dedicated
home theater environments.
The HC6800 follows Mitsubishi’s Diamond heritage with its high speed automatic iris uses
polarization to create one of the highest contrast ratios available in a projector of this caliber.
Rich details, deep blacks and great depth and dimension are obvious in dark scenes such as those
in classic film noir and action films. This improved iris creates a quick black-to-light image shift
that provides dynamic, smooth transitions between light and dark scenes and sharp overall details
in dark video images.
The HC6800 Diamond projector complements Mitsubishi’s flagship home theater projector, the
HC7000, both on display in Booth 2701 at CEDIA 2009 in Atlanta, September 10-13, 2009. The
new HD HC6800 is designed for home theater aficionados who want to recreate a professional
movie theater experience. The projector’s sleek and highly stylized design features a rich matte
black cabinet finish. Like Mitsubishi’s other home theater projectors, the HC6800 model is one
of the quietest projectors on the market, so viewers hear a movie instead of distracting fan noise.
Viewing widescreen 2.35:1 aspect ratio films is easy with this new projector; it boasts
Anamorphic Lens Modes 1 and 2 support. In the past, users needed an expensive lens railing or
tracking apparatus to install or remove an anamorphic lens, depending on the desired 2.35:1 or
16:9 film aspect ratios. With the HC6800, users simply position an anamorphic lens
permanently in front of the projector lens and select the appropriate Anamorphic Mode 1 or
Mode 2either 2.35:1 or 16:9 aspect ratios—for the corresponding movie format. It’s an
economical, user-friendly design that saves time and effort while providing the ultimate home
theater viewing experience.
Two HDMI™ version 1.3 inputs provide easy set-up options for multiple video inputs. The
projector’s 3 LCD technology delivers amazing color, detail and road-tested reliability. Using a
durable, advanced three-panel design, Mitsubishi’s HC6800 projector produces rich and vibrant
colors with extraordinary details for outstanding picture quality.
“The new HC6800 projector demonstrates our continued commitment to Mitsubishi’s top-ofthe-
line home theater Diamond Series of projectors,” said James Chan, senior director,
marketing, Mitsubishi Digital Electronics America’s Presentation Products Division. “It adds a
new level of product quality and excellence for our home theater channel customers and endusers.”
Pricing, Availability, Limited Warranty
Mitsubishi’s HC6800 is competitively priced and will be available this month through authorized
Mitsubishi dealers such as Best Buy’s Magnolia Home Theaters. Each projector comes with
Mitsubishi’s two-year limited warranty on parts and labor plus a one-year limited warranty on
the lamp.
About Mitsubishi Digital Electronics America Presentation Products Division
Mitsubishi Digital Electronics America’s Presentation Products Division markets an extensive
line of professional presentation, front-projection high-definition home entertainment, and rearprojection
video wall cube display systems and digital signage monitors that are designed with
DLP or LCD technology. Mitsubishi Digital Electronics America is known for its high-quality
accurate color reproduction technology. Products are sold through authorized distributors,
resellers, retailers and system integrators throughout the United States and Mexico. Mitsubishi
Digital Electronics America is located at 9351 Jeronimo Road, Irvine, Calif., 92618. For more
information, please call 888-307-0312 or visit http://www.mitsubishi-hometheater.com
# # #
DLP is a registered trademark of Texas Instruments. HDMI is a trademark of HDMI Licensing, LLC.

CASIO REFRESHES SUPER SLIM PROJECTOR LINEUP

New XJ Projector Models Feature Next Generation Technology and Competitive Price Point

DOVER, NJ, JUNE 17, 2009 — Casio America, Inc., announced today the release of six new additions to the Super Slim lineup featuring up to 3000 ANSI lumens, while maintaining the slim, sleek form that has become synonymous with Casio projectors. Casio has refreshed their super thin, super bright micro portable projector line with the announcement of the models - XJ-S58, XJ-S53, XJ-S48, XJ-S43 and XJ-S38, XJ-S33 featuring DLP® projection technology. The price point for the six new projectors is approximately $100 lower than past models, making Casio’s super slim projectors the perfect solution for someone looking for a professional-quality projector at a reasonable price. The new lineup will be on display at Casio’s Booth # 2949 at the InfoComm Show that opened today in the Orange County Convention Center in Orlando, FL.



Casio delivers up to 3000 ANSI lumens output, while maintaining the industries’ slimmest projector* lineup at 1.7” thick and under four pounds in weight. The brightness and versatile 2X power zoom lens allow the Super Slim projectors to be used in a boardroom, conference or classroom, where brightness is an important feature. The price point allows for the projectors to be available to educators and business executives who do not wish to sacrifice brightness or resolution for size.

Additionally, the USB equipped models, XJ-S58, XJ-S48 andXJ-S38, enable users to make PowerPoint and other presentations wirelessly and without a PC.

“Casio is thrilled to introduce these six new additions to the Super Slim projector line,” said Frank Romeo, Vice President of Casio’s Business Projector Division. “Casio continues to create affordable projectors with improved quality in brightness and zoom for the business and education industries.”

The new models will also support connectivity for control through RS-232 and will be compatible with Crestron, Extron and AMX products. This feature, along with the flexibility of 2X power zoom lens and super slim design, make it perfect for low profile placement in any conference room or classroom.

The USB equipped models allow for wireless connectivity through an optional WiFi receiver. This feature will allow for expanded connectivity in the conference room, as it will be enable up to four PC’s to connect at a time.

For portable applications, the USB port also supports PC-less presentations with your USB thumb drive**. Through Casio’s EZ-Converter Pro software you can convert and present spreadsheets, word processing documents and presentations including PDF files.

All models are equipped with wide-angle 2X power zoom providing the highest magnification in a data projector. This power zoom will enable projection from short distances of 2.8 feet and can reach a total of 30 feet. Boasting the world’s thinnest body*, Casio’s Super Slim measures only 1.26” at its thinnest point with an overall thickness of 1.69”.

The XJ-S58, XJ-S53, XJ-S48, XJ-S43 and XJ-S38, XJ-S33 models feature DLP projection technology and will be available through Casio’s authorized pro AV dealers and resellers. Planned pricing will start from $699- $1199 MSRP. For more information please log on to www.superslimprojector.com.

* As of June 2009, based on a Casio survey of Micro Portable projectors with 2,000+ ANSI lumens.
** Requires software included with XJ-S58 and XJ-S48

Series
Model Name
Brightness
USB Host Function

XJ-S Series
XJ-S58/XJ-S53
3000 ANSI lumens
XJ-S58 only

XJ-S43/XJ-S48
2700 ANSI lumens
XJ-S48 only

XJ-S33/XJ-S38
2300 ANSI lumens
XJ-S38 only


MAIN FEATURES OF NEW SUPER SLIM PROJECTORS

Permits projection without a PC or through a wireless PC connection
(XJ-S38, XJ-S48, XJ-S58)
Wide-angle 2X power zoom - highest magnification in any sub 4 pound data projector
“Vertical auto-keystone correction” automatically corrects for keystone distortion
“Direct power ON/OFF” functions reduce set-up and take-down times
True XGA displays permits compressed display of WXGA/WSXGA+/UXGA, etc.
Vertical image inversion feature enables projection from fixed ceiling installations
Control terminal (RS-232C compatible enables the power to be turned on and off and input signals to be switched remotely

BenQ Introduces Three New DLP® High-Definition Projectors for Home Theater & Entertainment
W600, W1000 and W6000
2009-08-13

TAIPEI, TAIWAN, August 13, 2009 – BenQ announced today the expansion of its HD projector lineup with the introduction of three new models: the W6000 (1080p), W1000 (1080p), and W600 (720p), targeting tech-savvy home theater enthusiasts and content-conscious home entertainment fans. Engineered with Texas Instruments’ DLP® technology, all three front-projection one-chip models deliver outstanding HD cinematic enjoyment via advanced BrilliantColor™ processing, high brightness, and high contrast ratios. High-end specifications – ranging from Hollywood Quality Video (HQV™) processing, advanced lamp technologies, and customizable color preference to dual HDMI, super long lamp life, and Panamorph® compatibility – are selectively incorporated into each model, distinguishing the W6000 as a well-equipped contender in the luxury 1080p home cinema segment; the W1000 as a versatile home entertainment 1080p projector; and the W600 as the perfect and fun 720p multimedia household projector. Whether your home boasts a dedicated cinema setup complete with stadium seating and screen curtains, or just a comfy couch in the family room, BenQ’s new HD home projectors effortlessly and affordably bring big-screen thrill into home life.

W6000: Ultra-Bright, Ultra-Contrast 1080p Luxury
The W6000 is home projection at its best, incorporating top technologies for luxury, cinema-class entertainment at home. It rivals high-priced models in offering full 1080p HD video at 24 frames per second – the same format used for professional movie filming and editing, as well as in Blu-ray DVD players. Movies are always pristine and immaculate without the degradation that inevitably occurs during the conversion process. Likewise, sophisticated HQV processing not only renders HD video sources in true 1080p high definition, but enhances standard definition content to new levels of clarity and vibrancy. Lower-resolution video sources such as 480i, whether analog or digital, are automatically converted to produce full HD-like image quality. The combined expertise of BenQ’s projector know-how, Texas Instruments’ DynamicBlack™ and Philip’s VIDI lamp technology delivers an astounding 50,000:1 contrast ratio for superbly rendered image definition, even in the darkest scenes, and a brilliant 2,500AL to counter any ambient room lighting. An arsenal of advancements further back the W6000’s breathtaking, bigger-than-life color reproduction: true 10-bit processing, BrilliantColor and a native Rec.709 color gamut, plus custom color preference via Independent Color Control. Challenging home installations are made easy and effortless with horizontal+vertical lens shift, 1.5:1 zoom ratio, dual HDMI inputs, and Imaging Science Foundation Certified Calibration Configuration (ISFccc) for optimized performance customized to the consumer’s home environment. And for true commercial theater replication, the W6000 can display in 2.35:1 aspect ratio using an optional Panamorph Lens.

W1000: FULL 1080P GLAMOUR FOR LESS
The W1000 finds its unique niche as a 1080p Full HD home cinema projector equipped with solid performance essentials. Like the W6000, it boasts a 6-segment advanced color wheel and BrilliantColor processing for exceptionally rich, true-to-source tones. Exclusive 3D Color Management and OSRAM’s UNISHAPE™ technology differentiate the W1000’s mastery of color: the former allows users 100% color customization without compromise; the latter amps image brightness up to 40% by varying the intensity of the projector lamp in synchronization with the color wheel. The result is movie magic with boldly rendered hues and never-before-noticed dark detail definition. A high 2,700:1 contrast ratio harnesses the 1,800AL for deep, rich image quality, even with ambient room lighting. Top access lamp door and dual HDMI inputs afford easy installation and hookup. A generous 4,000-hour eco lamp life is icing on consumer budgets.

W600: Sensible 720p Home Entertainer
BenQ’s W600 is the sensible solution for huge-screen enjoyment of all home entertainment devices. Gaming, videos, pictures, TV, and more are easily connected via dual HDCP-compliant HDMI ports as well as RGB, Composite Video, S-Video, and Component Video interfaces. Graphic-intensive games and complex movie scenes are immaculately rendered in 720p high-definition, backed by an advanced 6-segment color wheel, BrilliantColor, UNISHAPETM, and 3D Color Management. BrilliantColor affords up to a 50% increase in brightness, enhances mid-tone hues, and expands the color palette beyond RGB (red/green/blue) to also include yellow, white, magenta, and cyan for more realistic and lifelike color reproduction. 3D Color Management enables users to fine-tune hue, saturation, and gain of individual colors so that specific applications are optimized to user preference. Flawless color accuracy, deeper blacks, brighter whites, and sharp detail definition are additionally supported by 2,000AL brilliance and a 3,000:1 high contrast ratio. A class-leading 4,000-hour eco lamp life and sub-1W standby mode further solidify the W600 as a sensible choice for affordable, fun home entertainment.

The W6000 will be available worldwide at the end of July, followed by the September global release of the W1000 and W600. For more information, please visit BenQ.com

CANON CANADA REDEFINES MID-RANGE DSLR CATEGORY WITH
THE NEW EOS 7D DIGITAL SLR CAMERA
The EOS 7D Features Fast Eight fps Continuous Shooting, Class-Leading 18-Megapixel Resolution
and Full HD Video Recording with Variable Frame Rates and Manual Exposure Control
MISSISSAUGA, ON., September 1, 2009 – Canon Canada Inc., a leader in digital imaging, today introduced a revolutionary camera that redefines the highly competitive mid-range DSLR product category: the Canon EOS 7D Digital SLR camera. Professional photographers and advanced amateurs have been demanding higher performance and more diverse functions in their cameras, and Canon has answered – with the new EOS 7D. Far more than a slight improvement from a previous model, the EOS 7D DSLR is a brand new product that stands on its own with new features never before seen in any Canon camera. Whether it’s shooting at eight frames per second (fps), focusing with the new Zone AF mode or recording 24p Full HD video, the EOS 7D DSLR camera satisfies the most rigorous professional requirements with durability, flexibility, high-resolution images and customizable controls. With its unprecedented out-of-the-box performance and high-end feature set, the EOS 7D is poised as the ultimate step-up camera for serious photographers or a second camera for professionals in the field.
The EOS 7D boasts significant EOS advancements including a completely new 19-point Autofocus system, a new Canon iFCL Metering System (Intelligent Focus, Colour, Luminance) and a new Intelligent Viewfinder. An 18-megapixel Canon CMOS sensor and Dual DIGIC 4 Imaging Processors fuel the EOS 7D’s 14-bit A/D data conversion and its ability to freeze fast motion in high-resolution with eight fps continuous shooting up to 126 Large JPEGS using a UDMA CF card, positioning this camera for the studio as well as the sideline. The EOS 7D captures beautiful low-light images with or without a flash, at occasions such as a dance recital or wedding reception, thanks to a wide range of ISO speed settings from 100-6400 (expandable to 12,800). In addition to its new still capture capabilities, the EOS 7D features Full HD video capture at 1920 x 1080 resolution with selectable frame rates of 24p, 25p or 30p. Native 24p recording helps videographers achieve a more cinema-style look for their footage without the need for post-processing.
“The EOS 7D represents a completely new chapter in digital photography and Canon product development. This camera stands alone as the most functional and innovative DSLR Canon has released to-date, bringing together all of the best professional features offered, along with numerous user requests at a price-point everyone can appreciate,” stated Ian Macfarlane, Vice President and General Manager, Consumer Imaging Group, Canon Canada Inc.
The Evolution of Vision, the EOS 7D’s New Autofocus System
The Canon EOS 7D boasts the most advanced AF system ever seen in an EOS SLR. The completely re-designed system includes a new multi-axis cross-type 19-point AF grid, where the focusing points are evenly spread out across the image plane and clearly displayed through Canon’s new Intelligent Viewfinder. All 19 points are f/5.6-sensitive for both horizontal and vertical cross-type focusing, while the center AF point adds high-precision diagonal cross-type sensitivity for f/2.8 and larger aperture lenses. The Canon EOS 7D Digital SLR camera is the first EOS SLR to feature 19 cross-type focusing points that remain fully functional with maximum apertures as small as f/5.6, which brings the performance of the AF system to unprecedented levels for assignments as varied as fast-moving sports action or low-light wedding ceremonies.

The Canon EOS 7D’s AF system allows numerous AF area selection modes never seen before in an EOS SLR camera. New modes include:
• Spot AF mode reduces the size of a single AF point to focus on small subjects like an animal in a cage.
• AF Point Expansion mode uses a cluster of AF points adjacent to the selected AF point to automatically assist focusing on moving subjects, such as an athlete on the run.
• Zone AF divides the 19 AF points into five selectable focusing zones and makes it easier to achieve focus with subjects that are difficult to track with Single Point AF or AF point expansion, such as birds in flight.
Additional AF improvements include a revised Automatic AF point selection sequence that allows a user to pick any one of the 19 AF points as a starting point for tracking moving subjects in AI Servo mode. (Previous EOS models required the subject to first be acquired by the center focusing point.) If the subject moves away, the camera will continue to track the movement with the remaining points and display the active focusing point in the viewfinder. Also, a time-saving feature is AF Point Switching, which allows photographers to select and register one AF point for horizontal compositions and a second AF point for vertical shooting, ideal for studio and portrait photographers.
To complement the new AF system, the exposure metering system for the EOS 7D has been completely re-designed to take colour information into account, another first for an EOS system. Canon’s iFCL metering includes a 63-zone dual-layer metering sensor that reads both illumination and colour for consistent results in all lighting conditions, keeping exposure levels stable from shot to shot, even as the light source changes.
Canon’s new Intelligent Viewfinder uses a liquid crystal overlay to provide clear and precise displays of focusing points and zones, on-demand grid lines and a spot metering circle. The LCD overlay can also be illuminated in extreme low-light situations or turned off completely. The EOS 7D camera’s viewfinder includes a large all-glass pentaprism with an antireflective coating to maximize clarity and provide a brighter display. The EOS 7D’s Intelligent Viewfinder features 1.0x magnification with 100 percent coverage for accurate composition and checking of detail.
EOS HD Movie: Empowering the World of Videography
Canon has blazed new trails in HD video capture with the 5D Mark II. Now, the EOS 7D takes DSLR video to new heights with Full HD capture featuring fully manual exposure control, and selectable cinematic frame rates for both NTSC (National Television System Committee) and PAL (Phase Altering Line) standards. Compatible with more than 60 Canon EF and EF-S lenses, the EOS 7D lets videographers take full advantage of the camera’s large CMOS sensor to achieve the dramatic frame composition they desire. At the heart of the EOS 7D are two key proprietary Canon technologies, Dual DIGIC 4 Imaging Processors and a large APS-C–sized CMOS sensor, helping to render stunning color reproduction, amazing depth of field and fine detail, even in low-light conditions. The Canon EOS 7D allows for three video recording modes – Full HD and HD in a 16:9 aspect ratio and Standard Definition (SD) in a 4:3 aspect ratio, all at selectable frame rates. The EOS 7D Digital SLR camera will record Full HD at 1920 x 1080 pixels in selectable frame rates of 24p (23.976), 25p, or 30p (29.97); 720p HD recording at 50p or 60p (59.94) and SD video at frame rates of 50p or 60p (59.94). The EOS 7D features a new dedicated button to initiate live view for both video and still shooting. Once engaged, the same dedicated button will start and stop video recording. Like the EOS 5D Mark II, the Canon EOS 7D Digital SLR camera provides users with the capability to use an external stereo microphone for professional audio effects or a built-in monaural microphone for convenience.
The Features You Asked For
A helpful new tool for architectural and landscape photography where angles and perspective are critical is Canon’s new built-in Dual Axis Electronic Level, featuring an artificial horizon over the image on the rear LCD in Live View or in the viewfinder using illuminated AF points for easy leveling while shooting. The dual axis electronic level shows both horizontal roll and vertical pitch, making it easy to identify when the camera is in a fixed level shooting position and ready to take the shot.

The EOS 7D’s pop-up flash features a built-in Integrated Speedlite Transmitter for control of multiple off-camera EOS Speedlites without the need for an external transmitter. This built-in wireless option is a compact and economical solution for studio and wedding photography with multiple flash set-ups.
A new Intelligent Macro Tracking function helps reduce blur during macro shooting by recognizing when a macro lens is attached and automatically adjusting the AI Servo sampling frequency. This AI Servo adjustment accounts for camera movement forward and back, a typical occurrence when moving in close for a macro shot as photographers rock back and forth, or a flower blows in the wind.
Once in your hands, you can immediately feel the ergonomic improvements of the Canon EOS 7D camera, starting with a new super-fluid body design with continuous curves outlining the top of the camera and a revised grip that fits better in a user’s hand. The camera has a new Quick Control Button, which opens an easy-to-navigate menu on the camera’s LCD. From this menu, users can adjust all camera settings including AF modes as well as set custom button functions, an insightful new feature that can easily customize each button’s function to the photographer’s preference. Another new feature is the RAW/JPEG toggle button providing quick dual-format shooting, allowing photographers to quickly add large JPEG or RAW file formats to their already selected shooting mode at the touch of a button.
The Canon EOS 7D camera also features a new large, clear 7.6-centimetre solid structure Clear View II LCD with 920,000 dot/VGA resolution for enhanced clarity and colour when viewing images. The camera’s nine internal seals enhance weather resistance, and its 150,000-cycle shutter durability positions the EOS 7D as a “workhorse” for professionals in any photography discipline.
New Wireless Connectivity
Canon is announcing the availability of the new WFT-E5A wireless file transmitter (WFT) exclusively for the EOS 7D Digital SLR camera. The WFT-E5A wireless transmitter offers professional photographers a wide range of digital connectivity options including IEEE802.11a/b/g and Ethernet, ideal for commercial and studio work. The WFT-E5A wireless file transmitter opens the door to new possibilities in remote and Geotagged shooting applications. Photographers can fire up to 10 cameras simultaneously from across the room or across the country while maintaining control over camera settings and remote live view on a laptop or smart phone.i The WFT-E5A wireless transmitter can also transfer and display images on DLNA (Digital Living Network Alliance) compatible televisions and photo frames. Geotagging is now possible via Bluetooth, using compatible GPS devices to append coordinate data to the images.

Pricing and Availability
The Canon EOS 7D Digital SLR camera is scheduled to be delivered to Canadian dealers at the end of September, and will be sold in a body-only configuration at an estimated retail price of $2,099.99ii. It will also be offered in two kit versions with Canon’s EF 18-135mm f/3.5-5.6 IS USM zoom lens at an estimated retail price of $2,599.00iii and Canon’s EF-S 15-85mm f/3.5-5.6 IS USM at an estimated retail price of $2,899.99 . The Canon WFT-E5A wireless file transmitter is scheduled to be available in early November and sell at an estimated retail price of $899.99iv.
Canon Digital Learning Center
Online visitors and Web surfers are encouraged to browse the Canon Digital Learning Center and take advantage of the various educational resources that Canon has to offer for novices and advanced photographers alike. The Canon Digital Learning Center provides a schedule for a wide variety of Live Learning classes across the country with renowned photographers as well as online resources and tips. The site also features online tutorials for beginners and professionals to learn their way around a digital SLR camera and inkjet printer and unlock the full creative control of digital photography. To learn more about each program and register, please visit: www.usa.canon.com/canonlivelearning
About Canon Canada Inc.
Headquartered in Mississauga, Ontario, the company employs 1,400 people at its offices nation-wide, servicing the Canadian market from coast to coast. Innovation and cutting-edge technology have been essential ingredients in Canon's success. Canon's leadership in imaging, optical and document management technology and solutions is based in large part on the thousands of patents the company has secured throughout its history. For the 16th consecutive year, Canon Inc. is among the top three US patent recipients.
The company’s comprehensive product line includes networked multifunction devices; digital copiers (colour and black and white); printers, scanners, image filing systems and facsimile machines; calculators, digital camcorders, digital and analogue cameras and lenses; semiconductor, broadcast and other specialized industrial products.
Canon supports programs that help preserve and protect the environment. The company instituted the Clean Earth Campaign in 1990, which assists various environmental and recycling initiatives. The Campaign has also supported leading environmental organizations, such as World Wildlife Fund - Canada and the Canon Envirothon.
For more information, visit www.canon.ca

CASIO INTRODUCES WORLD’S BRIGHTEST MICRO PORTABLE PROJECTORS

XJ-S68 and XJ-S63 Offers 3500 Lumens Brightness and Utility for Business Professionals and Classroom

DOVER, NJ, JUNE 17, 2009 — Casio America, Inc., announced today the release of the world’s brightest* Micro Portable projectors. The XJ-S68 and XJ-S63 feature 3500 ANSI lumens and maintain the Super Slim form for which Casio projectors are know. The models, using DLP® projection technology, will make life easier for road warriors and mobile presenters, and ensure their presentations will be seen in any lighting conditions. Everyone from ProAV installers to the mobile presenter will appreciate the high brightness output in the Super Slims’ low profile package. The fourth generation of projectors in the Super Slim line will be on display at Casio’s Booth # 2949 at the INFOCOMM that opened today in the Orange County Convention Center in Orlando, FL.



While maintaining the industries’ slimmest business-quality projector**, Casio has achieved 3,500 ANSI lumens output. This brightness level and versatile 2X power zoom lens allows the Super Slim projectors to be used in the boardroom, conference, or classroom, where brightness is key. Whether in the dark or in a bright room, at 3500 ANSI lumens the Super Slim projectors are the perfect solution for business executives and educators who are looking to project a crisp, bright image, lesson or presentation.

Additionally, the USB equipped XJ-S68 model enables users to make PowerPoint and other presentations wirelessly and without a PC.

“Casio is thrilled to introduce these two new additions to the Super Slim projector line,” said Frank Romeo, Vice President of Casio’s Business Projector Division. “Casio continues improving the performance and value of the Super Slim projector with these 4th generation models.”

The new models will also support connectivity for control through RS-232 and will be compatible with Crestron, Extron and AMX products. This feature, along with the flexibility of 2X power zoom lens and super slim design, make it perfect for low profile placement in any conference room or classroom.

The XJ-S68 will include a USB port for wireless connectivity through an optional WiFi receiver. This feature will allow for expanded connectivity in the conference room, as it will be enable up to four PC’s to connect at a time.

For portable applications, the USB port also supports PC-less presentations with your USB thumb drive***. Through Casio’s EZ-Converter Pro software you can convert and present spreadsheets, word processing documents and presentations including PDF, files.

Both models are equipped with wide-angle 2X power zoom providing the highest magnification in a data projector. This power zoom will enable projection from short distances of 2.8 feet and can reach a total of 30 feet. Boasting the world’s thinnest body**, Casio’s Super Slim measures only 1.26” at its thinnest point with an overall thickness of 1.69”.

The XJ-S68 and XJ-S63 models feature DLP projection technology and will be available through Casio’s authorized pro AV dealers and resellers. Planned pricing will start from $1,299 - $1,399 MSRP. For more information please log on to www.superslimprojector.com.

*As of June 2009, based on a Casio survey of Micro Portable projectors weighing 4 lbs or less, as defined by Pacific Media Associates.
**As of June 2009, based on a Casio survey of Micro Portable projectors with 2,000 + ANSI lumens.
***Requires software included with XJ-S68

Series
Model Name
Brightness
USB Host Function

XJ-S Series
XJ-S68/XJ-S63
3500 ANSI Lumens
XJ-S68 only


MAIN FEATURES OF NEW SUPER SLIM PROJECTORS
3500 ANSI Lumen Brightness for clear, crisp presentations in any room
True XGA displays permits compressed display of WXGA/WSXGA+/UXGA, etc.
Wide-angle 2X power zoom - highest magnification in any sub 4 pound data projector
“Vertical auto-keystone correction” automatically corrects for keystone distortion
“Direct power ON/OFF” functions reduce set-up and take-down times
USB Host function Permits projection without a PC or through a wireless PC connection
(XJ-S68 only)
Vertical image inversion feature enables projection from fixed ceiling installations
Control terminal (RS-232C compatibleenables the power to be turned on and off and input signals to be switched remotely

New XJ Projector Models Feature Next Generation Technology and Competitive Price Point

DOVER, NJ, JUNE 17, 2009 — Casio America, Inc., announced today the release of six new additions to the Super Slim lineup featuring up to 3000 ANSI lumens, while maintaining the slim, sleek form that has become synonymous with Casio projectors. Casio has refreshed their super thin, super bright micro portable projector line with the announcement of the models - XJ-S58, XJ-S53, XJ-S48, XJ-S43 and XJ-S38, XJ-S33 featuring DLP® projection technology. The price point for the six new projectors is approximately $100 lower than past models, making Casio’s super slim projectors the perfect solution for someone looking for a professional-quality projector at a reasonable price. The new lineup will be on display at Casio’s Booth # 2949 at the InfoComm Show that opened today in the Orange County Convention Center in Orlando, FL.

Casio delivers up to 3000 ANSI lumens output, while maintaining the industries’ slimmest projector* lineup at 1.7” thick and under four pounds in weight. The brightness and versatile 2X power zoom lens allow the Super Slim projectors to be used in a boardroom, conference or classroom, where brightness is an important feature. The price point allows for the projectors to be available to educators and business executives who do not wish to sacrifice brightness or resolution for size.

Additionally, the USB equipped models, XJ-S58, XJ-S48 andXJ-S38, enable users to make PowerPoint and other presentations wirelessly and without a PC.

“Casio is thrilled to introduce these six new additions to the Super Slim projector line,” said Frank Romeo, Vice President of Casio’s Business Projector Division. “Casio continues to create affordable projectors with improved quality in brightness and zoom for the business and education industries.”

The new models will also support connectivity for control through RS-232 and will be compatible with Crestron, Extron and AMX products. This feature, along with the flexibility of 2X power zoom lens and super slim design, make it perfect for low profile placement in any conference room or classroom.

The USB equipped models allow for wireless connectivity through an optional WiFi receiver. This feature will allow for expanded connectivity in the conference room, as it will be enable up to four PC’s to connect at a time.

For portable applications, the USB port also supports PC-less presentations with your USB thumb drive**. Through Casio’s EZ-Converter Pro software you can convert and present spreadsheets, word processing documents and presentations including PDF files.

All models are equipped with wide-angle 2X power zoom providing the highest magnification in a data projector. This power zoom will enable projection from short distances of 2.8 feet and can reach a total of 30 feet. Boasting the world’s thinnest body*, Casio’s Super Slim measures only 1.26” at its thinnest point with an overall thickness of 1.69”.

The XJ-S58, XJ-S53, XJ-S48, XJ-S43 and XJ-S38, XJ-S33 models feature DLP projection technology and will be available through Casio’s authorized pro AV dealers and resellers. Planned pricing will start from $699- $1199 MSRP. For more information please log on to www.superslimprojector.com.

MAIN FEATURES OF NEW SUPER SLIM PROJECTORS

Permits projection without a PC or through a wireless PC connection
(XJ-S38, XJ-S48, XJ-S58)
Wide-angle 2X power zoom - highest magnification in any sub 4 pound data projector
“Vertical auto-keystone correction” automatically corrects for keystone distortion
“Direct power ON/OFF” functions reduce set-up and take-down times
True XGA displays permits compressed display of WXGA/WSXGA+/UXGA, etc.
Vertical image inversion feature enables projection from fixed ceiling installations
Control terminal (RS-232C compatible enables the power to be turned on and off and input signals to be switched remotely

DLP is a registered trademark of Texas Instruments. XGA is a registered trademark of International Business Machines Corporation, U.S.A. Other company and product names are trademarks or registered trademarks of their respective companies.

About Casio America, Inc.
Casio America, Inc., Dover, N.J., is the U.S. subsidiary of Casio Computer Co., Ltd., Tokyo, Japan, one of the world’s leading manufacturers of consumer electronics and business equipment solutions, established in 1957. Casio America, Inc. markets calculators, keyboards, digital cameras, mobile presentation devices, disc title and label printers, watches, cash registers and other consumer electronic products. Casio has strived to realize its corporate creed of “creativity and contribution” through the introduction of innovative and imaginative products. For more information, visit www.casiousa.com or www.superslimprojector.com

New portable premium projectors from NEC Display Solutions: NEC NP52 and NP62



Munich, 24 February 2009 - NEC Display Solutions is proud to announce the expansion of its portable projector series with two new premium models, the NEC NP52 and NP62 DLPTM projectors. These have been particularly developed for applications requiring portability and flexibility, with both models having an impressive contrast ratio of 1,600:1 and brightnesses of 2,600 ANSI lumens (NEC NP52) and 3,000 ANSI lumens (NP62) respectively. With a weight of 1.7 kg, the NEC NP62 is currently the most compact 3,000 ANSI lumens projector. Both models are ideal for deployment in customer visits, meetings or in training sessions. With features such as AutoFocus, Keystone Correction, Auto Power On or Auto Input Selection, they are operationally ready in the shortest of times whilst also being intuitive to use. A USB2.0 port offers the possibility of making presentations directly from a memory stick, without first having to connect a computer. An optional BluetoothTM adapter also allows images to be wirelessly transmitted from mobile phones or other hand-held devices.


The two new "Portable Premium" projectors from NEC Display Solutions are characterised by their outstanding image reproduction, combined with quick and intuitive operation. They are particularly addressed towards those users who are often on the road and who therefore require a high performance, portable projector. With their automatic functions ensuring excellent image reproduction, both the NEC NP52 and NP62 provide high quality pictures within only a few seconds, and without the need for any laborious manual adjustments. The devices can be flexibly adapted to the most diverse of different locations with only a few touches of a button. The AutoFocus function - unique in this price class - ensures sharp imaging at all times.

The vertical keystone correction function automatically checks the geometric shape of the picture when the projector is positioned at an angle, so that distortions of up to 40 degrees can be electronically compensated. When the colour of the background screen changes, e.g. due to a change of the presentation location, the wall-colour correction function automatically corrects the colour balance at the push of a button. The Auto Input function also ensures that connected signals are automatically recognised.

The contrast ratio of 1,600:1 and 1,024 x 768 XGA resolution ensure the best possible reproduction quality, whilst the BrilliantColorTM and VIDI technology mean that images are displayed with vibrant colour. With respective brightnesses of 2,600 and 3,000 ANSI lumens, outstanding image reproduction is possible even in daylight conditions. Loudspeakers have also been integrated into both models. The versatility of the projectors is underlined by a USB2.0 port that makes it possible for images to be projected directly from a USB-compatible data storage device, even when a notebook or PC are unavailable. The USB port also allows a BluetoothTM adapter to be connected so that wireless connection with mobile devices, such as smartphones or PDAs, can be made and image data from them directly transmitted into the projector.

In order to keep operating costs as low as possible, NEC Display Solutions employs lamps with a high lifespan of up to 3,500 hours in both projectors. In the absence of an input signal, a timer ensures that the device is automatically switched off so as to further help reduce energy consumption. NEC Display Solutions also lays great emphasis on environmental sustainability - which is why the manufacturer employs, for example, powder-coated, solvent-free housings for both models, and uses packaging materials made from recycled cardboard instead of polystyrene.

Projectors which have been particularly deployed for portable applications need to be protected against theft or unauthorised use. For this reason, the NEC NP52 as well as the NEC NP62 have been equipped with a Kensington lock connector. Inappropriate operation by third parties is also easily prevented by keypad locking and password protection.

Service concept, availability and price

The NEC NP52 is now commercially available. The NEC NP62 will be available later. Included in the package are a network cable (3.0 m) and VGA signal cable (1.8 m), an IR remote control unit, a protective lens cap, as well as a CD-ROM handbook and quick setup guide. The projector is supplied, including accessories, in a carry bag with carry handle. NEC Display Solutions provides a free, 3-year, next working-day service guarantee for the NEC NP52 and NEC NP62 at premises anywhere in Europe. The manufacturer also offers a guarantee period of six months or 1,000 hours of operation for the projector lamp.




Technical data


NEC NP52

NEC NP62

DLP
1x 1,4cm (0.55") DDR DMD Chip

1x 1,4cm (0.55") DDR DMD Chip

Recommended resolution

1.024 x 768 (XGA)
1.024 x 768 (XGA)

Contrast ratio

1600:1
1600:1

Brightness ANSI-Lumen

2.600
3.000

Power consumption 275W/235W/5W (Normal/Eco/Stand-by)

300W/235W/5W (Normal/Eco/Stand-by)

Weight 1,6 kg

1,7 kg

Extras
AutoFokus,
Auto Power On,
Quick-Start,
Direct Power Off,
Automatic and manual vertical keystone correction (V= ±40°),
Wall-colour correction,
Automatic signal recognition,
BrilliantColorTM and VIDI-Technologie,
Enhanced altitude mode,
Digital zoom,
OSM in 21 languages,
Password protection,
Keypad locking,
Off-Timer,
USB Viewer supports Bluetooth® transmission (optional Bluetooth(tm) adapter required),
Kensington lock connector

AutoFokus,
Auto Power On,
Quick-Start,
Direct Power Off,
Automatic and manual vertical keystone correction (V= ±40°),
Wall-colour correction,
Automatic signal recognition,
BrilliantColorTM and VIDI-Technologie,
Enhanced altitude mode,
Digital zoom,
OSM in 21 languages,
Password protection,
Keypad locking,
Off-Timer,
USB Viewer supports Bluetooth® transmission (optional Bluetooth(tm) adapter required),
Kensington lock connector

Connectors:
Computer Analogue:
1 input Min in D-SUB 15-pin

Video: 1 input RCA

Audio: 1 input 3,5 mm stereo mini jack

S-Video: 1 input Mini DIN 4-pin

PC control (RS-232):
1 input Mini DIN 8-pin (female)

USB connector: 1 USB 2.0 Port

Computer Analogue:
1 input Min in D-SUB 15-pin

Video: 1 input RCA

Audio: 1 input 3,5 mm stereo mini jack

S-Video: 1 input Mini DIN 4-pin

PC control (RS-232):
1 input Mini DIN 8-pin (female)

USB connector: 1 USB 2.0 Port


Audio function 0,3 W Mono loudspeaker

0,3 W Mono loudspeaker





All hardware and software names are brand names and/or registered trademarks of the respective manufacturers. All rights are reserved, including rights created by patent grant or registration of a utility model or design.


NEC Display Solutions Europe GmbH

NEC Display Solutions Europe GmbH has its European headquarters in Munich, Germany and is responsible for all business activities in EMEA, divided into the four sales regions Northern Europe, Western and Southern Europe, Central Europe, Eastern and South-East Europe with Middle East/Africa. NEC Display Solutions benefits from the technological know-how and technologies of the NEC Corporation and, with its own Research and Development, is one of the world's leading manufacturers offering the widest product range of display solutions in the market. The display product portfolio ranges from entry-level to professional and speciality desktop LCDs, via large-size Public Displays for Digital and Retail Signage (LCD and plasma technology) to plasma displays for home cinema applications. The Projector range offers products for all needs, from portable devices via business projectors to products for permanent operation (such as PoS applications) and digital cinema projectors. Managing Director of the European head office is Bernd Eberhardt.


Further information can be found on-line at:www.nec-display-solutions.com


NEC Corporation is one of the world's leading providers of internet, broadband network and enterprise business solutions dedicated to meeting the specialized needs of its diverse and global base of customers. NEC delivers tailored solutions in the key fields of computer, networking and electron devices, by integrating its technical strengths in IT and Networking, and by providing advanced semiconductor solutions through the NEC Electronics Corporation. The NEC Group employs more than 150,000 people worldwide.


Further information can be found on the NEC website at: www.nec.com

Touch screen solutions for NEC MultiSync® LCD4020 and LCD4620



Munich, 23rd March 2009 – NEC Display Solutions is proud to announce the enhancement of its LCD public displays product portfolio with 3M’s MicroTouch™ DST (dispersive signal technology) system as from today. The innovative touch screen technology, up to now only available with MULTEOS M40, M46 and NEC MultiSync® LCD3215 models, has now also been made available for the NEC MultiSync® LCD4020 and 4620. Without impairing in any way the outstanding image reproduction quality of NEC’s public displays, 3M’s patented dispersive signal technology achieves a fast and precise touch effect. The sensor also simultaneously functions as a robust protection glass. The enhancement of NEC’s touch solutions portfolio will be fully complete after a universal drivers update for all DST models in April 2009. This will make interactions with displayed objects much more versatile, with an expanded gesture recognition facility also enabling many more possibilities for user-display interactions. A significantly more flexible deployment of interactive display systems, for example as information points at the point of sale or in educational facilities, is therefore also guaranteed.


Intensive research and development by 3M is now allowing NEC Display Solutions to offer 3M’s innovative MicroTouch™ DST system for the NEC MultiSync® LCD4020 and LCD4620. The technology is based on a glass panel composed of a specially developed substrate material that has been equipped with sensor action to pick up the vibrations arising within the substrate arising from a finger or pen coming into contact with the glass. Thanks to the “dynamic touch” function, interactions can also be picked up even if larger objects have also been placed on the display’s surface. Overall, the technology guarantees quick and precise touch-sensitive performance.


MicroTouch™ DST technology comes as a fully-integrated solution and retains the elegant styling of NEC’s large format public displays. This is because additional bezels, which might otherwise impair the visual appearance of the display, are completely avoided. Since NEC public displays with the Option Slot allow an NEC Built-in PC to be incorporated within them, this creates the additional possibility of a stand-alone touch solution display.


An additional drivers update for the dispersive signal technology will become available in April 2009. This will allow NEC Display Solutions to satisfy the frequent desire for ever greater interaction flexibility. For example, objects displayed on the screen can now be changed and transformed in a considerably more versatile manner – this includes grabbing, expanding, zooming or rotation of the display content. In addition, gestures such as scrolling are also recognised by the software. This opens the additional possibility of integrating gaming functionality into public access applications.


NEC Display Solutions Europe GmbH

NEC Display Solutions Europe GmbH has its European headquarters in Munich, Germany and is responsible for all business activities in EMEA, divided into the four sales regions Northern Europe, Western and Southern Europe, Central Europe, Eastern and South-East Europe with Middle East/Africa. NEC Display Solutions benefits from the technological know-how and technologies of the NEC Corporation and, with its own Research and Development, is one of the world's leading manufacturers offering the widest product range of display solutions in the market. The display product portfolio ranges from entry-level to professional and speciality desktop LCDs, via large-size Public Displays for Digital and Retail Signage (LCD and plasma technology) to plasma displays for home cinema applications. The Projector range offers products for all needs, from portable devices via business projectors to products for permanent operation (such as PoS applications) and digital cinema projectors. Managing Director of the European head office is Bernd Eberhardt.


Further information can be found on-line at:www.nec-display-solutions.com


NEC Corporation is one of the world's leading providers of internet, broadband network and enterprise business solutions dedicated to meeting the specialized needs of its diverse and global base of customers. NEC delivers tailored solutions in the key fields of computer, networking and electron devices, by integrating its technical strengths in IT and Networking, and by providing advanced semiconductor solutions through the NEC Electronics Corporation. The NEC Group employs more than 150,000 people worldwide.

Further information can be found on the NEC website at http://www.nec.com


About 3M Touch Systems Inc.

3M Touch Systems Inc. is a global operation within the Electro & Communications Division of 3M. 3M is a globally-active, diversified technology company headquartered in St. Paul, Minnesota, USA. Additional information can be found at http://www.3Mtouch.com or http://www.3m.com/3Mtouchsystems/.



About 3M

A research-based, multi-technology company, 3M produces thousands of innovative products for highly diversified markets. Particular strengths are the numerous and frequently combined use of more than 40 distinct technology platforms, from which new customer application solutions are continually resulting. With 24 billion US-Dollars in annual sales, 3M employs around 75,000 people worldwide and has operations in more than 60 countries. For more information, visit www.3M.com.

NEC NP500WS and NEC NP600S: Short-distance projections



Munich, 19 March 2009 – NEC Display Solutions is proud to present to the market two innovative LCD projector models featuring short-distance projection capability. NEC is extending its projector portfolio in the education sector with these new models and is offering an outstanding technology solution to this particular market sector. The highlight of both projectors is their virtual remote control allowing full PC control of all projector functions. The NEC NP500WS and NEC NP600S can project pictures with a diagonal of 60” from a distance of only one metre. This means that presenters don’t cast any annoying shadows nor are they dazzled by the projector itself. The two models are ideal for small rooms and are also particularly suited for meetings and training courses where interaction between the participants is best undertaken directly in front at the whiteboard.


The unique Virtual Remote function allows all the projector settings to be directly computer controlled using the VGA cable, with the virtual remote control function able to be installed onto any computer. The software interface has been created to mimic an actual remote control unit with important buttons such as, for example, for choosing the operating mode, specifically represented. Such functionality is particularly important for the education sector where the projector is generally used by multiple people and a single remote control unit is otherwise too limited. It also means that the annoying climb over tables and chairs to switch a fixed installation-projector on or off is now no longer required.


Outstanding options for centralised network control and monitoring via the RJ45 LAN connection are additionally enabled by the PC Control Utility Pro 4 software. The NEC NP500WS and NEC NP600S have been equipped with a function allowing the programming of user-defined operating times so as to automatically switch them on and off. This can be set using the projector itself or via software-control over the entire network. Automatic error messages are also sent to the system administrator when a fault occurs indicating the source of the error, which makes maintenance of the devices significantly easier. The PC Control Utility Pro 4 software can be downloaded free of charge from the NEC homepage.


Additional practical features have also been developed for particular application within the education sector. For example, alongside the programming and alarm functions, the projectors have also been equipped with Off-Timer, Quick On and Off, and Direct Power Off. In addition, the NEC NP500WS and NEC NP600S have been equipped with an EcoMode function that even increases lamp lifetimes from 3,000 hours to up to 4,000 hours. When operating in Standby, the user also has the choice between normal standby and a special Power Safe mode featuring a power consumption of only 3 Watts. This ensures cost-efficiency as well as low operating costs (i.e. total cost of ownership.)


With WXGA (NEC NP500WS) and XGA (NEC NP600S) resolutions, the projectors also offer a contrast ratio of 600:1. Automatic vertical keystone correction of +/- 20 degrees as well as wall colour correction with whiteboard mode also ensure that the devices can be quickly set up in the most varied of deployment locations, whilst the practical connectors enable the highest possible flexibility in numerous deployment situations. The LCD projectors have been equipped with a DVI-I interface for digital signals that can also be used as a second analogue connector using the included adapter. In addition, the RS-232 interface allows the projectors to be controlled and maintained by PC. The integrated 7W loudspeakers also enhance the multimedia functionalities of the devices. With their low weight of only 3.3 kg the NEC NP500WS and NEC NP600S are ideal for fixed installations in educational facilities, or for mobile applications within companies.


Ensuring reliability and protection against unauthorised access, the projectors have been secured with a Kensington Lock connector, password protection, a lockable keypad as well as a security bar.


Availability and Price

The NEC NP500WS and NEC NP600S models are now commercially available. Included in the package are a network cable and a mini D-Sub signal cable, an IR remote control unit, replacement battery, protective lens cap, as well as a handbook CD and a quick setup guide. The projectors are supplied in a carry case with their accessories.



NEC Display Solutions Europe GmbH

NEC Display Solutions Europe GmbH has its European headquarters in Munich, Germany and is responsible for all business activities in EMEA, divided into the four sales regions Northern Europe, Western and Southern Europe, Central Europe, Eastern and South-East Europe with Middle East/Africa. NEC Display Solutions benefits from the technological know-how and technologies of the NEC Corporation and, with its own Research and Development, is one of the world's leading manufacturers offering the widest product range of display solutions in the market. The display product portfolio ranges from entry-level to professional and speciality desktop LCDs, via large-size Public Displays for Digital and Retail Signage (LCD and plasma technology) to plasma displays for home cinema applications. The Projector range offers products for all needs, from portable devices via business projectors to products for permanent operation (such as PoS applications) and digital cinema projectors. Managing Director of the European head office is Bernd Eberhardt.


Further information can be found on-line at:www.nec-display-solutions.com


NEC Corporation is one of the world's leading providers of internet, broadband network and enterprise business solutions dedicated to meeting the specialized needs of its diverse and global base of customers. NEC delivers tailored solutions in the key fields of computer, networking and electron devices, by integrating its technical strengths in IT and Networking, and by providing advanced semiconductor solutions through the NEC Electronics Corporation. The NEC Group employs more than 150,000 people worldwide.

Further information can be found on the NEC website at http://www.nec.com

MITSUBISHI DIGITAL ELECTRONICS AMERICA EXHIBITS HIGH QUALITY
HOME THEATER PROJECTORS AT CES 2009
IRVINE, Calif., January 7, 2009 — Mitsubishi Digital Electronics America’s Presentation
Products Division, known for award-winning, high-quality, high-definition presentation and
display products, is exhibiting its high quality home theater projectors that are currently available
at the 2009 International CES Expo, January 8-11 in Las Vegas.
HC7000U and HC6500U 1080p Diamond Series Projectors
As Diamond Series projectors, Mitsubishi’s new premium HC7000U and HC6500U 1080p
projectors signify the quality and value of its products for end-users, available exclusively
through custom home theater systems integration and high-end retail channels, designed for
home theater aficionados who want to recreate a professional movie theater experience. They
boast 3LCD panels and a new sleek and highly stylized design with a rich deep royal blue
cabinet in either a piano-like high gloss or a matte finish. They are also two of the quietest
projectors on the market today, emitting only 17 dBa in low mode.
The flagship HC7000U HD boasts a 70,000:1 contrast ratio for rich details, deep blacks, and
great depth and dimension, obvious in dark scenes like those in classic film noir and action films.
The HC6500U projector boasts a 15,000:1 contrast ratio that also increases depth and detail in
dark scenes. The HC7000U’s 1000 ANSI lumens and the HC6500U’s 1200 ANSI lumens
provide perfect brightness for dedicated home theater environments.
HC5500U 1080p Projector
Mitsubishi’s HC5500 is designed with inorganic 3LCD panels that are more durable and provide
a more consistent, evenly toned color image than previous generations. With a newly developed
LCD panel cooling duct, the HC5500 is one of the quietest projectors in the world at 19 dBa, so
viewers can focus on the movie instead of a distracting hum of the fan.
With the HC5500 Mitsubishi has also included an improved automatic iris function for quicker
black-to-light image shift and has increased the contrast ratio to 10,000:1. This combination
allows for dynamic, smooth transitions between light and dark and sharper overall details in dark
areas, even in fast-action spaceship scenes or classic film noir.
HC1600U 720p Projector
At 1700 lumens, the HC1600 uses Texas Instruments’ DLP® technology, is brighter than its
best-selling award-winning predecessor and fits more viewing environments. Mitsubishi’s low
cost HC1600 makes a dynamic large screen HD home theater experience truly affordable,
allowing more people to step up from fixed-size televisions to portable, flexible home
entertainment in high definition.
About Mitsubishi Digital Electronics America Presentation Products Division
Mitsubishi Digital Electronics America’s Presentation Products Division markets an extensive
line of display products for professional presentations, home entertainment, and video wall cube
display systems and digital signage monitors designed with DLP® or LCD technology. Known
for its award-winning, high-quality, accurate color reproduction technology. Mitsubishi display
products are sold through authorized distributors, resellers, retailers and system integrators
throughout the United States and Mexico. Mitsubishi Digital Electronics America is located at
9351 Jeronimo Road, Irvine, Calif., 92618. For more information, please call 888-307-0312 or
visit http://www.mitsubishi-hometheater.com
# # #
DLP is a registered trademark of Texas Instruments. .

MITSUBISHI DIGITAL ELECTRONICS AMERICA’S XD221U PROJECTOR
EMPHASIZES “AUDIO” IN CLASSROOM A-V
Groundbreaking Audio Features, Environmentally Friendly, Low Cost of Ownership
IRVINE, Calif., March 3, 2009 — Mitsubishi Digital Electronics America’s Presentation
Products Division, known for award-winning, high-quality, high-definition presentation and
display products, today announced its new XD221U classroom projector. With a 10-watt speaker
and audio mix capability, closed captioning decoder, user-friendly menus, and low cost of
ownership, Mitsubishi’s XD221U offers a rich combination of audio-visual features that makes
teaching more effective with technology that is easy to use.
“Teachers and trainers capture more attention and have greater impact when using multimedia
technology, and our new XD221U makes presenting easier than ever,” said Wayne Kozuki,
product manager, Mitsubishi Digital Electronics America’s Presentation Products Division. “The
audio features enhance the teachers’ ability to make the subject interesting not only visually, but
also through clearer sounds and audible information.”
Mitsubishi’s XD221U is designed with two separate 3.5mm audio inputs and a special built-in
audio mixer so the projector can simultaneously project audio from two sources, such as a DVD
and a third-party wireless microphone. Unlike any other projector available on the market today,
the XD221U’s “Audio Mix” feature allows users to adjust the volume levels of each input for its
10W built-in speaker. With this uncommon configuration, an instructor can orally interject key
points during a presentation and be heard over the video.
“I remember sitting in class trying to hear a teacher speak over the volume of an educational
program that we were watching, and the audio of the material tended to be louder than the
teacher’s voice,” said Kozuki. “With the XD221U, teachers can now clearly point out particular
details while the audience hears the other audio source at the same time. Students will pay closer
attention, be less distracted, and might even learn a little better.”
When the speaker is not in use, the projector has an ultra-hushed noise level of only 26 dBA in
low mode, so students hear the teacher and not the annoying hum of a fan. It also offers closed
captioning from a supported source. With a touch of a button, the built-in decoder transforms
words into subtitles projected on the screen, an important function for hearing-impaired students.
In order to lessen the impact on natural resources, Mitsubishi has engineered energy-efficient,
earth-friendly features into all of its new projector models. They have a low standby power mode
using less than one watt of power, lead-free solder on all printed circuit boards, and are paint free.
The XD221U blasts a rated 2300 lumens, ample brightness for well-lit classrooms, and is a native
XGA (1024 x 768 pixels) resolution projector that uses Texas Instruments’ DLP® technology that
is filter-free and helps decrease dust accumulation. Eliminating the filter saves on maintenance
costs, and a lamp-life rated to up to 4000 hours (in low mode) reduces the need for lamp
replacement. A convenient top-access lamp design saves time and money during infrequent lamp
replacements. The projector also features BrilliantColor®, which creates clear, vivid images from
a computer or video signal.
Intuitive, easy-to-use functionality is very important to many non-technical users, so Mitsubishi
has a simplified menu bar that includes seven basic features and a customizable option to allow
teachers to add a particular feature to the menu. This new easy menu helps reduce confusion
menu customization creates a menu bar for what teachers want and use most in a classroom.
The new XD221U includes dual 15-pin computer inputs as well as S-video and RCA video inputs,
so users can switch between a computer presentation and video with just a press of a button. It
also includes a built-in RJ-45 port for remote operation and management over a LAN, WAN or the
Internet.
Mitsubishi’s new projector is ultraportable at only seven pounds and has important security
features with password menu and display locks, plus an anti-theft hook design that locks the
projector in place to help deter theft. It has an RS232 connection for compatibility with third party
control devices and support for a computer loop out for external monitor display.
Instant shut-off lets users make rapid exits after a class using a quick power-down feature to
accommodate tight classroom or conference room schedules without damage to the projector.
“Our new XD221U confirms Mitsubishi’s reputation for advanced features in high quality
projectors for the education market,” said James Chan, director, product marketing, Mitsubishi
Digital Electronics America’s Presentation Products Division. “We are proud to offer the latest
technology in a package that is environmentally sensitive and offers a low overall cost of
ownership.”
Pricing, Availability, Warranty
Mitsubishi offers government, education and non-profit discount pricing for its projectors through
its network of authorized Mitsubishi dealers. The projector is currently available and comes with
Mitsubishi’s three-year limited warranty on parts and labor plus a one-year limited warranty on the
lamp. The XD221U is also covered by Mitsubishi’s award-winning three year Express
Replacement Assistance (ERA) Program, a nationwide comprehensive service provided for units
under warranty that offers next business-day replacement for down units.
About Mitsubishi Digital Electronics America Presentation Products Division
Mitsubishi Digital Electronics America’s Presentation Products Division markets an extensive line
of professional presentation, front-projection high-definition home entertainment, and rearprojection
video wall cube display systems and digital signage monitors that are designed with
DLP or LCD technology. MDEA is known for its award-winning high-quality accurate color
reproduction technology. Products are sold through authorized distributors, resellers, retailers and
system integrators throughout the United States and Mexico. Mitsubishi Digital Electronics
America is located at 9351 Jeronimo Road, Irvine, Calif., 92618. For more information, please
call 888-307-0312 or visit http://www.mitsubishi-presentations.com
# # #
DLP and BrilliantColor are trademarks or registered trademarks of Texas Instruments.

MITSUBISHI ANNOUNCES NEW HIGH RESOLUTION HL2750U SXGA+ PROJECTOR FOR DETAIL-ORIENTED APPLICATIONS
Combination of Features Provides Crisp Color, Outstanding Detail, Optional Lenses
IRVINE, Calif., March 9, 2009 — Mitsubishi Digital Electronics America’s Presentation Products Division, known for award-winning, high-quality presentation and display products, has introduced the HL2750U, its newest SXGA+ (1400 x 1050 pixels) resolution high-brightness LCD projector. The HL2750U is designed for easy-install applications that require high, accurate pixel details and vivid colors such as CAD/CAM, geographical and tactical mapping, and virtual simulation.
“The HL2750U is perfect for high-level briefings or meetings where a large amount of detail needs to be clearly magnified,” said Wayne Kozuki, product manager, Mitsubishi Digital Electronics America’s Presentation Product Division. “Even the smallest details appear crisp and clear so viewers get a better understanding of what they see.”
The HL2750U has a lightweight design of only 10.8 pounds and supports different lens sizes (long- and short-throw) for versatile installation options. It blasts 3100 ANSI lumens for a bright, clear image even in high-ambient light settings such as large classrooms or meeting rooms with windows.
Easy set-up features include digital vertical and horizontal keystone correction and an option that allows users to match selected background wall colors including beige, blue, green, pink and blackboard. Once the color is chosen, the projector automatically adjusts its color gamma to create the best image possible on that surface, making set-up in classrooms and conference rooms a breeze.
An estimated lamp life of 5000 hours in low mode and a side-loading lamp makes lamp replacement quick, simple and infrequent. Users don’t have to remove the whole projector from its mount; they just extract the old lamp from the side and replace it — saving time and money.
Network management is simple and easy with the HL2750’s embedded ProjectorView™ and RJ45 connectivity for LAN asset management control of up to 200 projectors. Its RS232c connection makes it simple to integrate with third-party control systems and an anti-theft security anchor is included to deter unapproved removal. Multiple inputs include dual computer inputs as well as DVI for native digital signals.
“In this demanding market, our customers require the most precise imaging technology available,” said James Chan, senior director, product marketing, Mitsubishi Digital Electronics America’s Presentation Products Division. “The HL2750 meets and exceeds those needs.”
A special DICOM-simulated version of the same projector, model MH2850U, is also available for the growing medical education and training market demand. This DICOM version supports blue and clear mode of DICOM that can be used for training medical students in reading X-rays, MRIs and other electronic scan outputs with the clarity that no ordinary projectors can match.
Suggested Pricing, Availability, Warranty
The new HL2750U is offered at a suggested retail price of $3995 and the MH2850U at $7,995, and both models are available from Mitsubishi’s professional dealer network. The projectors carry Mitsubishi’s award-winning three-year limited warranty on parts and labor, its exclusive three-year Express Replacement Assistance program, and a one-year or 500-hour (whichever comes first) lamp limited warranty.
About Mitsubishi Digital Electronics America Presentation Products Division
Mitsubishi Digital Electronics America’s Presentation Products Division markets an extensive line of professional presentation, front-projection home entertainment, and rear-projection video wall cube display systems and digital signage monitors designed with DLP® or LCD technology. The company is known for its award-winning, high-quality, accurate color
reproduction technology. Products are sold through authorized distributors, resellers, retailers and system integrators throughout the United States and Mexico. Mitsubishi Digital Electronics America is located at 9351 Jeronimo Road, Irvine, Calif., 92618. For more information, please call 888-307-0312 or visit http://www.mitsubishi-presentations.com.
# # #
ProjectorView is a trademark of Mitsubishi Digital Electronics America, Inc. DLP is a registered trademark of Texas Instruments

MITSUBISHI’S NEW WD3300U AND XD3200U ULTRA-QUIET PROJECTORS
FEATURE NEW COLOR WHEEL AND LAMP DRIVE DESIGN
FOR HIGH PERFORMANCE
IRVINE, Calif., March 3, 2009 — Mitsubishi Digital Electronics America’s Presentation
Products Division, known for award-winning high-quality, high-definition presentation and
display products, continues its commitment to the professional installation market with the
release of two new high-brightness installation-purpose projectors using Texas Instruments’
DLP® technology. The XD3200U XGA (1024 x 768 pixels) and widescreen WD3300U WXGA
(1280 x 800 pixels) are designed for lecture halls, large classrooms, boardrooms, conference
rooms, church sanctuaries and other presentation rooms.
“These installation projectors have a new color wheel, body design and lamp drive system that
help to increase overall performance, durability and reliability,” said Wayne Kozuki, product
manager, Mitsubishi Digital Electronics America’s Presentation Products Division. “These
improvements also make installation efficient and cost-effective; our dealers will choose these
models for the great installation features, and their customers will appreciate the price and
performance.”
In the past, dust could sometimes get on the color wheel and interfere with overall color
performance. These new projectors, however, create beautiful colored images with a virtually
sealed color wheel that helps prevent dust accumulation. This new color wheel design, along
with an improved air-flow cooling duct path, allows both the WD3300U and XD3200U operate
at a low 26dBA noise level (low mode). With these design enhancements audiences can now
experience presentations with amazing color performance without being distracted by any
projector fan noise.
Both models include a new lamp drive system designed to reduce the overall deterioration rate of
the lamp. This innovative design helps the lamp to retain consistent projection brightness over a
longer period of time while maintaining an estimated lamp life of up to 4000 hours in low mode.
A long lamp life dramatically decreases the overall total cost of ownership by reducing the
frequency of lamp replacements. When a lamp exchange is required, these new models are
designed with convenient side-loading lamp access, so the projector can stay in place on a shelf
or on the ceiling, saving time and money. Additionally, both of these installation projectors offer
a one-year or 500-hour (whichever comes first) limited warranty on the lamp.
The WD3300 shoots a rated 4000 lumens of brightness while the XD3200 blasts a rated 4500
lumens, making these models perfect for displaying bright and vivid images even in large rooms
or venues with bright ambient lighting.
Mitsubishi offers optional lenses that support various throw distances and room configurations.
The WD3300U and the XD3200U with its center lens provides a new quick and simple lensexchange
design. These projectors have a cut-out around the centered lens so switching lenses is
easier, increasing installation flexibility while decreasing installation time. They also have
motorized vertical and horizontal lens shift, auto focus and zoom, so set-up can easily be
completed in minutes.
Most importantly, Mitsubishi Digital Electronics America is “greening” its projectors starting
with these two models by designing them to be more environmentally friendly with energyefficient,
long lamp life; lead-free solder on all printed circuit boards; digital user manuals; and
the use of recycled paper in printed materials and packaging cartons. These projectors are the
first of a series designed to consume less than one-watt of power when in stand-by mode.
The projectors also boast Texas Instruments’ BrilliantColor™ technology, which uses colorprocessing
algorithms and system-level enhancements for greater brightness and truer, more
vibrant colors. They offer an HDMI™ input for native digital signals and RJ45 for remote
networking management, and a 10-watt audio speaker and variable audio output so that users
have the flexibility to adjust a presenter’s volume.
“Mitsubishi continually brings new technology to market, particularly that which increases
durability and saves time and money over the life of a projector,” said James Chan, director,
product marketing, Mitsubishi Digital Electronics America’s Presentation Products Division.
“And now, we’re even prouder to bring the first of our environmentally sensitive models, the
WD3300U and XD3200U, to our customers.”
Pricing, Availability, Warranty
The WD3300U wide screen and the XD3200U XGA projector are currently available through
authorized Mitsubishi dealers at very competitive prices. The projectors come with Mitsubishi’s
three-year limited warranty on parts and labor plus a one-year limited warranty on the lamp. As
with all Mitsubishi installation projectors, each is covered by the Express Replacement
Assistance (ERA) Program, a nationwide comprehensive service that offers next business-day
replacement for down units under warranty coverage.
About Mitsubishi Digital Electronics America Presentation Products Division
Mitsubishi Digital Electronics America’s Presentation Products Division markets an extensive
line of professional presentation, front-projection, high-definition home entertainment, and rearprojection
video wall cube display systems and digital signage monitors that are designed with
DLP® or LCD technology, and is known for its award-winning, high-quality, accurate color
reproduction technology. Products are sold through authorized distributors, resellers, retailers
and system integrators throughout the United States and Mexico. Mitsubishi Digital Electronics
America is located at 9351 Jeronimo Road, Irvine, Calif., 92618. For more information, please
call 888-307-0312 or visit http://www.mitsubishi-presentations.com
# # #
DLP and BrilliantColor are registered trademarks or trademarks of Texas Instruments. HDMI is a trademark of
HDMI Licensing, LLC.

Mitsubishi HC6500 Home Theater Projector Review
1080p LCD Home Theater Projector
Bill Livolsi, October 27, 2008

ProjectorCentral.com
Used with permission from ProjectorCentral.com. Copyright (2008) ProjectorCentral.com. All rights reserved.

This year, Mitsubishi has released two new "Diamond Series" 1080p projectors at two different price points. Their flagship model, the HC7000, was reviewed earlier this month, and is a good choice for dedicated dark room home theater. Now, the HC6500 has arrived, and brings with it solid performance at a lower price. High lumen output, a very sharp picture, and great shadow detail make it a good performer with HD film and video, while quiet exhaust and a 5,000 hour lamp life make it a pleasure to use. The HC6500 is for sale through authorized dealers for $3,495 or less.


Mitsubishi HC6500 Specifications
ANSI lumens: 1200

Contrast (full on/off): 15,000:1

Light Engine: 1920x1080, native 16:9, 0.7" three-panel inorganic LCD with 160W lamp.

Video Compatibility: 1080p/60/50/24, 1080i, 720p, 576p, 576i, 480p, 480i.

Connection Panel: Two HDMI 1.3 ports, one YPbPr component input, one VGA port, s-video, component video, one serial port, and a 12V trigger.

Lens and Throw Distance: 1.6x powered zoom/focus lens with powered vertical and horizontal lens shift. Throws a 100" diagonal 16:9 image from 10' 2" to 16' 6".

Lamp Life: 2,000 hours (5,000 hours in eco-mode)

Warranty: Two years.


The Mitsubishi HC6500

Advantages
High Lumen Output. The HC6500 is rated for 1,000 ANSI lumens maximum light output. Our test unit measured 752 lumens maximum, using the "High Brightness" color temperature setting. This setting is perfect for times when a little ambient light is desired; it gives color a greenish cast but does not significantly distract from the image. In our video optimized mode, which used the "medium" color temperature as a starting point, we measured 518 lumens on our test unit.

Low lamp mode causes a 22% decrease in lumen output, so video optimized mode drops to 408 lumens. The key benefit to low lamp mode is a substantial boost in lamp life, from 2000 hours up to 5000 hours. Depending on your screen size and type, room reflectivity, and ambient light conditions, low lamp mode may be the ideal choice for many users.

The HC6500 has a 1.6:1 zoom lens, and using the telephoto end of the lens results in a further 20% drop in lumen output. If you use both low lamp mode and the telephoto end of the zoom lens, video optimized mode drops to roughly 330 lumens. In this situation, smaller screen sizes and strict light control are preferred to ensure you still have a vibrant, bright picture.

Razor Sharp Picture. When the first Mitsubishi 1080p projector, the HC5000, was released, we commented on how sharp it looked when compared to the competition. Several generations later, we find ourselves saying the same thing about the HC6500. While not drastic, the projector has a clear and noticeable advantage in image sharpness and clarity that is visible when placed head to head with its LCD competition.

Good Shadow Detail, Open Midtones. While the HC6500 lacks the inky blacks of some of its competitors, it has very good shadow detail and rich, open mid-tones. This contributes to a sense of three-dimensionality that you would not anticipate from its relatively low contrast.

Whisper-Quiet Operation. The HC6500 comes as close to silent operation as we've ever seen. When standing any more than two feet away, it's hard to tell if the projector is even turned on. Coupled with very little heat exhaust, the quiet fan makes the HC6500 a good choice for small spaces and rooms with poor ventilation. There's little chance that this projector would distract you with noise or heat during use.



Powered Zoom, Focus, and Lens Shift. All functions of the HC6500's lens are motorized. The projector has a 1.6:1 zoom lens, which will display a 100" diagonal 16:9 image from 10' 2" to 16' 6". Lens shift has a vertical range of two and a half picture heights and a horizontal range of 5% in either direction. This allows for a wide range of mounting options; ceiling mounts are fairly simple and should not require the use of a drop tube, while rear shelf mounts are a possibility thanks to the 1.6:1 zoom. Powered focus is helpful in any mounting situation, since you can simply walk up to the screen, remote in hand, and make sure that focus is perfect. Oftentimes, adjusting a projector with manual focus is a two-man operation.


Disadvantages
Contrast. While shadow detail is very good, black level on the HC6500 is not quite as deep as the competition. This is evident when it is viewed side by side with a unit that has a deeper black, but when viewed alone, there is no sense that the HC6500 is lacking.

ANSI contrast on the HC6500 measured out to 304:1, which is better than a number of 1080p LCD projectors released last year which we measured at around 250:1. However, several of the new high contrast projectors coming to market this fall are generating higher ANSI contrast, including the Mitsubishi HC7000, which we measured at 409:1.

Color Requires Calibration. The HC6500 has easy-to-use color controls and is simple to calibrate. It does require calibration out of the box to reach its best possible performance. Our test unit required some fine-tuning to remove a green bias that was present with the factory default settings.

Available from Select Dealers Only. The Mitsubishi is in restricted distribution, and is available through local authorized dealers and some retailers such as Best Buy. Restricted distribution means restricted discounting, so you probably won't be finding this model available for much less than the sticker price anytime soon.

The good news is that the HC6500's retail price of $3,395 is significantly less expensive than most other limited distribution products. If you're looking for the personalized service of a local dealer, installation assistance, easy return for service, etc., but don't want to break the bank, the HC6500 may be the perfect option.


Shootout:
Mitsubishi HC6500 versus Panasonic PT-AE3000
Panasonic's AE3000, reviewed earlier this month, is the newest of their 1080p projectors. While the two projectors are both 1080p LCD models and sell in the same general price bracket, they are very different animals.

Lumen output. Panasonic's AE3000 has operating modes that are brighter than the HC6500. Our AE3000 test unit measured 1273 ANSI lumens maximum, while our HC6500 measured 752 lumens. The AE3000 also has "normal" mode, which has better color balance than its brightest mode but measured 792 lumens, putting it slightly above the HC6500's maximum output. If you plan to use your projector primarily in a room with some ambient light, the AE3000's higher lumen output might make it a more attractive option. However, the HC6500 puts out 518 lumens in video optimized mode, which is on par with the AE3000 in its Cinema modes.

Contrast. Panasonic's AE3000 had deeper black levels than the HC6500 in every scene we watched. This was expected, since the AE3000 is rated at 60,000:1 compared to 15,000:1 on the HC6500. ANSI contrast was visibly higher as well - the AE3000 measured 446:1 while the HC6500 measured 304:1. While this is not poor performance from the HC6500, it is on a level with last year's AE2000 rather than this year's model.

Sharpness. The HC6500 has an edge over the AE3000 in image sharpness and clarity of detail. Skin texture and fabric details are slightly better defined on the HC6500. This is not to say that the AE3000 is soft--it is sharp enough and equal in sharpness to other new 1080p models such as the Sony VPL-HW10. However, the HC6500 and the HC7000 stand out above the crowd as being particularly razor sharp.

Placement Flexibility. The HC6500 has a 1.6:1 zoom lens, and all functions are powered. The AE3000 has a 2.0:1 zoom lens, and only lens shift is not powered. However, the AE3000's lens shift has a vertical range of three picture heights to the HC6500's two and a half, and it has a horizontal range of 50% in either direction rather than 5% on the HC6500.

Cost. The AE3000 sells for $2,499 from various internet resellers, while the HC6500 sells for $3,495 from selected authorized dealers and retailers. This is kind of an apples-to-oranges comparison, as each distribution channel has its perks and downsides.


Conclusion
When all is said and done, Mitsubishi's HC6500 turns in a solid performance. Sharpness and detail are crystal clear, and high definition content looks stellar. The projector has the lumen power to light up a very large screen in a light-controlled room, or a smaller screen with some ambient light. The projector is stone quiet, has a long life lamp, and has a powered lens to make it easier to use. If you can live with not having leading edge contrast performance, or just want to buy a great projector from your local big box retailer, the HC6500 is a solid bet.

JVC Reveals New Details And Revised Specifications For New D-ILA Home Theater Projectors
Among four new projectors are two THX® Certified models with the industry’s highest native contrast ratio – 50,000:1.

WAYNE, NJ, September 25, 2008 – JVC today released additional technical information and revised specifications for four recently announced D-ILA home theater projectors to be available this fall. Among the four new full high-definition front projectors are two THX® Certified* models that offer a native contrast ratio of 50,000:1, the industry’s highest. The other two models achieve native contrast ratios of 32,000:1 and 30,000:1. Like current highly-acclaimed JVC projectors, all four new models achieve high contrast ratios without the use of an auto iris.


The new projectors are the DLA-HD750 and DLA-HD350, to be marketed by JVC’s consumer group, JVC Company of America, and the DLA-RS20 and DLA-RS10 from JVC’s professional group, JVC Professional Products Company. All four projectors were first announced earlier this month with lower contrast ratio specifications.


Contributing to the projectors’ superior native contrast ratio is a newly developed lens with a 16-step fixed aperture in the DLA-HD750 and DLA-RS20 that helps eliminate extraneous light that can reduce contrast levels and allows adjustment of brightness to suit user preferences. The DLA-HD350 and DLA-RS10 feature a three-step aperture. In addition, changing the structural design of the optical section from a conventional L-shape with a mirror to a straight configuration reduced light leakage. Combining this new structure with a highly efficient lamp allows the new projectors to achieve a brightness of 900 (DLA-HD750/DLA-HD20) and 1,000 (DLA-HD350/DLA-RS10) lumens.


The DLA-HD750 and DLA-RS20 are both THX Certified to ensure accurate and exceptional picture quality in the home theater environment. A trusted cinema and consumer brand, THX certification provides JVC a means to further differentiate its projectors from competitive offerings and communicate a clear message about quality to customers.


Core technologies and many of the features that earned earlier JVC projectors accolades from reviewers and users alike are also incorporated into the new projectors. But improvements in several key areas allow all four new models to deliver brighter, more intense images. What’s more, JVC has engineered an all-new chassis that is both smaller and more cost-efficient to manufacture.


Critical carried over technologies include JVC’s proprietary 0.7-inch full HD D-ILA devices and the company’s wire-grid optical engine. These will once again deliver the industry’s highest native contrast ratio, meaning that there is no dynamic iris to artificially inflate contrast specifications. As a result, the projectors simultaneously deliver true blacks and extraordinary luminance detail thanks to native contrast ratios of 50,000:1 (DLA-HD750/DLA-RS20), 32,000:1(DLA-RS10) and 30,000:1 (DLA-HD350).
JVC-developed D-ILA technology employs three (RGB) devices for a naturally rich, flicker-free picture even when there is rapid movement in the image. In addition, the optical engine with wire grid polarizers ensures precise light polarization without light leakage for true black level reproduction. Together, the D-ILA devices and the engine guarantee a smooth picture with vivid colors and high contrast.


Among key new developments is the use of the HQV Reon-VX video processor developed by Silicon Optix to ensure excellent image reproduction with precision I/P conversion and scaling. In addition, the DLA-HD750 and DLA-RS20 feature color management that allows control of colors individually by R, G, B, C, Y, or M, in three separate axes of color phase, chroma saturation and brightness. Up to three customized color settings can be stored for future use.


Also unique to the DLA-HD750 and DLA-RS20 is THX Certification. With a strict focus on image quality and signal processing performance, THX certification promises that the HD750 and RS20 are capable of presenting a wide range of video content at maximum resolutions with the correct color and luminance levels. In addition, THX has created a battery of signal processing tests that challenge the projector’s scaling, motion conversion and de-interlacing capabilities. This type of in-depth analysis predicts how the HD750 and RS20 will present a variety of high definition and standard definition content.


The JVC HD750 and RS20 will also feature THX Movie Mode, a pre-calibrated video setting for watching movies on DVD, Blu-ray HD or broadcast television. This playback feature is designed to recreate the cinema experience at home by setting the display’s gamma, luminance, color temperature and other settings to mirror those used by filmmakers in post-production. THX Movie Mode also ensures projector brightness is optimal for large screen viewing.


Features shared by all four new projectors include:
1. High-performance 2x motorized zoom lens
A new high-performance 2x zoom lens with motorized focus, zoom and shift features a large diameter, all-glass lens system with 17 elements in 15 groups that includes an ED lens to project a full HD image with exceptional depth. In addition, a unique automatic lens cover opens when the projector is powered up and closes when powered down to protect against dust.
2. Customized on-screen gamma control
Manual adjustment of the gamma curve is possible via an on-screen display, allowing the viewer to adjust projector luminance levels by either increasing contrast in scenes that are too dark or dimming washed-out scenes to ensure precise brightness levels suited to individual preferences. Up to three settings can be adjusted and stored for future use.
3. Flexible set-up
Setup is easy with the ±80 percent vertical and ±34 percent horizontal motorized lens shift function that allows the projected picture to be moved horizontally or vertically via the remote control.
4. Quiet Operation
A more efficient cooling system reduces fan noise to 19dB.


Other features include an external 12-volt trigger (not available on the DLA-HD350) that can be used to automatically raise and lower a screen or draw curtains, or it can be linked to engaging the V-Stretch mode and move an optional anamorphic wide screen lens system into place. Also, an automatic lens cover opens and closes with power on/off.


All four projectors comply with HDMI version 1.3 (Deep Color/CEC) specifications, which reproduce subtler shades of grey, and CEC compatibility for system control.


The DLA-HD350, available in either glossy piano black or glossy white, and the DLA-HD750, available in a pearl black finish, will be available in November through JVC Company of America. The DLA-HD350 will be available for less than $6,000, while the DLA-HD750 will be available for less than $8,000. Both projectors will be part of the company’s Procision series of premium-level products.


The DLA-RS10 and the DLA-RS20, available in a pearl black finish, will be available from JVC Professional Products Company in November for less than $6,000 and $8,000, respectively, and will be part of the company's Reference Series high end projector line.
About JVC
JVC Company of America and JVC Professional Products Company are both divisions of JVC Americas Corp., based in Wayne, New Jersey and a wholly-owned subsidiary of Victor Company of Japan Ltd. JVC Professional Products Company is a leading manufacturer and distributor of a complete line of broadcast and professional equipment. JVC Company of America markets a complete line of consumer video and audio equipment. For further product information, visit JVC's website at http://www.jvc.com.
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* THX certification is pending final testing and approval by THX Ltd.

Sanyo PLV-Z60 Review
720p LCD Home Theater Projector
Bill Livolsi, September 26, 2008

ProjectorCentral.com
Used with permission from ProjectorCentral.com. Copyright (2008) ProjectorCentral.com. All rights reserved.

After the release of the PLV-Z5 in October of 2006, Sanyo took a breather in their annual updating of their 720p line of projectors, instead choosing to focus on 1080p. This month, the venerable Z5 was finally taken out of production, and its replacement was announced - this time in a stealthy black case. The Sanyo PLV-Z60, Sanyo's newest 720p offering, gives you 470 real ANSI lumens in video optimized mode. Great contrast and vibrant color bring the image on the screen to life. With very little visible pixelation and excellent placement flexibility, the Z60 is a worthy successor to the excellent Z5. Upon release, street prices should be less than $1,199.


Specifications
ANSI lumens: 1200

Contrast (full on/off): 10,000:1

Light Engine: 1280x720, native 16:9, 0.7" 3LCD powered by a 145W UHP lamp.

Lamp life: Unspecified. Lamp replacements are $295.

Connection Panel: 2x HDMI inputs, one VGA input, two sets of component YPbPr inputs, one S-Video input, one composite input, one service port, one Kensington lock point, hardwired power on/off switch.

Lens and Throw Distance: 2:1 manual zoom/focus lens with manual H/V lens shift. Throws a 100" diagonal 16:9 image from 10.1' to 20.1'

Warranty: Three years.




The Sanyo PLV-Z60




Advantages
High Video-Optimized Lumen Output. Our test sample of the Z60 outputs 466 ANSI lumens in its brightest video optimized mode (which, for those interested, is Brilliant Cinema, lamp setting A1, color temperature Low 1, widest angle zoom). This is a slight improvement over the Z5's performance in Brilliant Cinema in terms of pure lumens produced, and a relatively large improvement in color fidelity and contrast when using this image mode. At 466 lumens, one could easily power a 120" screen in a light-controlled room, or a 96"-100" screen in a room with some ambient light.

As with all projectors that use long zoom lenses, the Z60 loses a significant amount of light when using the telephoto end of the lens - up to 39% of the total lumen output. With the settings listed above, this works out to 284 ANSI lumens. So, those using the maximum telephoto end of the zoom lens will want to give extra consideration to screen size and room lighting, as a too-large screen or too much ambient light will wash out a 284 lumen image fairly easily.

The low lamp option drops lumen output in any operating mode by 21%, so as one might imagine, using low lamp mode at the telephoto end of the zoom lens reduces lumen output significantly - down to 230 ANSI lumens with the settings listed above.




The Z60's Connection Panel


High ANSI Contrast for an LCD Projector. Most home theater LCD projectors we've tested recently, 720p and 1080p alike, yield an ANSI contrast measurement in the range of 200:1 to 300:1. The Z60 measured 312:1, which gives it a competitive edge over these other projectors. Simply put, the Z60 appears slightly higher in contrast than many of its LCD competitors, though this is only really visible when the two projectors are side by side in a dark viewing environment.

Well-saturated, Accurate Color. The Z60's color performance follows in the vibrant, well-saturated footsteps of the Z5. Color was pleasant and accurate out of the box using the "Low 1" color temperature setting, and a bit of fine tuning makes the Z60 look even better. Saturation was strong without being overdone, and overall the Z60 gives images a life-like feel.



The potential lens shift range of the Sanyo Z60.




Excellent Placement Flexibility. Like the Z5, the Z60 has a 2:1 manual zoom/focus lens, which allows the projector to display a 100" diagonal image from 10' 1" to 20' 2". Practically speaking, the Z60 can be installed in almost any room one would wish to use as a home theater, though the lumen concerns expressed above still hold true.




The Z60 also has an extensive lens shift range, both vertically and horizontally. The projector has a vertical lens shift range of three full picture heights plus an inch or two of leeway, and it has a horizontal range of 50% of the image width in either direction - you can place the entirety of the image to the left or right of the lens centerline. Since many projectors treat horizontal lens shift as an afterthought, this is a nice feature to see.

Low Visible Pixelation. While visible pixelation is not as much of a problem with LCDs as it used to be, the Z60 still offers exceptional performance in this regard. Visible pixelation on the Z60 disappeared when sitting at 1.2 times the screen width or greater. Since many people prefer to sit at 1.5 times the screen width or greater to reduce eye strain, visible pixelation should never become an issue with the Z60.

Three Year Warranty. Sanyo has been offering a three year warranty on their projectors for many years now, and the Z60 has that same excellent warranty. Sanyo states that most repairs are completed within 24 to 72 hours (though this is not a guarantee) and the company pays shipping in both directions. In an age of cost-cutting measures and outsourced technical support, it is nice to see a manufacturer stand behind their product. Sanyo's warranty is one of the best in the business.


Disadvantages
Transient Improvement. The Z60 has a control in the Advanced menu called "Transient Improvement," which boosts sharpness and is enabled by default. The problem is, it adds unnatural and unnecessary sharpness, and actually takes away from the natural look of the picture. And, since it's buried in the Advanced menu (which is hidden by default), users might have a hard time finding it so they can disable it. This is a minor annoyance, but on an excellent projector like the Z60, sometimes minor annoyances are easy to live with.

Evolutionary, not Revolutionary. You may notice the frequent comparisons between the Z60 and the Z5, and it's because the two projectors are more alike than they are different. While we would love to report that the Z60 offers performance that is leaps and bounds beyond the Z5, it simply is not true. The Z5 was an excellent projector when it was released in 2006, and it is still an excellent projector today. Those who were considering the Z5 before it was discontinued have every reason to be excited, but the bottom line is that happy Z5 owners have little cause to upgrade.


Comparisons:

Epson Cinema 720 versus Sanyo PLV-Z60
For a long time, Sanyo's Z5 reigned supreme in the ~$1,200 720p home theater market - that is, until the Epson Cinema 720 came along to de-throne it. Finally, a projector could match the contrast and clarity of the Z5 while exceeding it in other ways. Now that Sanyo's Z60 is coming to market, let's see how it stacks up against the reigning champion.



Lumens. The Cinema 720 is capable of serious light output - 482 ANSI lumens in "Natural" mode, and 727 in "Living" mode. The Sanyo Z60 hits the usable lumen ceiling at 466 ANSI lumens in "Brilliant Cinema" mode. Both projectors have a "Dynamic" mode, but neither are particularly well suited to the display of video or film. In this category, the Cinema 720 has a clear advantage.

Contrast. In certain scenes, the Cinema 720 and Sanyo Z60 look almost identical. Scenes involving both dark shadows and bright lights, for example, tend to look the same on both projectors. However, the Cinema 720 has an automatic iris with a wide range, so dark scenes will appear darker than those on the Z60, while bright scenes will appear brighter.

Placement Flexibility. Both projectors have a three picture height vertical lens shift and two picture width horizontal shift. Both feature 2:1 manual zoom/focus lenses, though the Cinema 720 has a few extra inches of adjustment range. The bottom line is that both projectors are very easy to install in almost any room.

Connectivity. The Z60 beats the Cinema 720 in connectivity. It has two HDMI 1.3 ports and two component video inputs, while the Cinema 720 has one of each. The Z60 will allow you to connect more devices directly to your projector, which some folks prefer, before being forced to run your video signals through your A/V receiver.

Clarity and Detail. The Cinema 720 projects a beautiful, detailed image, but the Z60 looks incrementally clearer, sharper, and more detailed. Subtle details in HD material seem to jump out on the Z60 slightly moreso than they do on the Cinema 720. While this category is a close call, the Z60 takes it.


Panasonic PT-AX200U versus Sanyo PLV-Z60
Panasonic has not yet released a new 720p projector in this fall, instead focusing on their 1080p line with the upcoming AE3000. However, we decided to see how Panasonic's AX200 fared when placed head to head with Sanyo's new Z60.

Lumen output. The AX200 is clearly and obviously brighter than the Z60 in its brightest mode. The AX200's "Normal" mode is capable of cranking out 1600 ANSI lumens, while the Z60's brightest usable mode for video is Brilliant Cinema at 466 ANSI lumens. For large screens and rooms with considerable ambient light, the AX200 is the easy choice.

Contrast. The AX200 is capable of much brighter whites than the Z60, but black levels suffer in comparison. In comparable image modes, the Z60 has slightly duller whites, but much blacker blacks, making it appear to be higher in contrast. In a light-controlled room, the Z60's contrast advantage becomes more apparent.

Color. Out of the box, color on the Sanyo Z60 is very good, while the AX200 appears oversaturated and slightly greenish. Both can be improved with some fine tuning, but the Z60 wins in this category simply because one can "plug and play."

Sharpness and Clarity. The Z60 has a sharper picture with more apparent detail than the AX200 when displaying identical content over an HDMI connection. It is so clear, in fact, that it almost makes the AX200 appear slightly soft. All in all, the Z60 more accurately portrays the source material, and as such wins this category.


Conclusion
Sanyo's PLV-Z60 is an impressive projector. It delivers a sparkling, pristine image with plenty of pop and accurate color. The 2x zoom lens, extensive lens shift, and abundance of HDMI and component video inputs make it easy to install. It lacks the on/off contrast of the Epson Cinema 720 and the superpowered lumen output of the Panasonic PT-AX200, but it compensates with a beautiful, film-like image that's razor sharp and crystal clear. If you're looking for a new projector for your light-controlled home theater, this is the one for you.

SANYO ANNOUNCES PRICE BREAKTHROUGH ON NEW 720p HOME THEATER
PROJECTOR
- The PLV-Z60 features a super-bright 1200 lumens and impressive 10000:1 contrast ratio,
producing crystal-clear images and beautifully saturated colors
- 12-bit digital processing provides video decoder, scaler and gamma curve generator for great
picture performance
- Includes 2 HDMI inputs, versatile lens shifting system and near-silent fan
- 3D color management system adjusts hue, gamma curve and color levels
CHATSWORTH, CA. -- August 28, 2008 -- SANYO, one of the world’s largest manufacturers of LCD and
DLP projectors introduces the PLV-Z60, a 720p LCD projector that features SANYO's innovative 3D color
management system, a high contrast ratio of 10,000:1, an installation-friendly lens shifting function, and many
of other features representing a step forward in price performance for a home theater projector.
The bright PLV-Z60 is equipped with three wide 16:9 HD LCD panels that produce a 1280 x 720 pixels (2.76
million) image. A 12-bit digital processing IC provides video decoding, scaling and gamma curve generation
and coupled with the projector's 10000:1 contrast ratio, the PLV-Z60 delivers exceptional picture quality with
deep, rich back levels and beautifully saturated colors, even when ambient light is present.
To facilitate ease of installation and operation, the PLV-Z60 is outfitted with SANYO's advanced lens shifting
function and a 2x optical zoom, which allows projection of a 100" image from only 9.8 to 20 feet away. The
side panel adjustments move the lens vertically and horizontally to project a geometrically accurate and
undistorted picture. Fine-tuning of image settings including hue, gamma curve and color levels, enables
compensation for specific conditions in any environment. The Advanced Mode provides a range of
adjustments to further customize the PLV-Z60's image, such as lens iris adjustment, black level expansion,
contrast enhancement, outlines compensation, and RGB offset. For protection of the lens, the PLV-Z60 was
equipped with a motor-operated sliding shutter that opens and closes the shutter via the remote control.
A full compliment of input terminals is provided, including two HDMI connections, two sets of component
video inputs, along with composite and S-video connections to ensure maximum flexibility with all types of
components. The D-Sub 15 input is provided for direct connection of a PC.
The PLV-Z60 is equipped with a redesigned internal cooling structure that minimizes fan noise to 22dB in
economy mode, promoting greater enjoyment during quiet passages of a film or TV show. This is critical
because a 1200 lumen projector could generate a tremendous amount of heat. At this level of brightness, the
fan is ‘on’ most of the time and the noise can be extremely loud and disruptive, especially in smaller home
theaters where the projector and the audience are in close proximity.
“The PLV-Z60 offers a high performance, extremely cost-effective solution for high definition projection,”
states Mark Holt, Vice President and General Manager for SANYO’s Presentation Technologies Division. “The
flexibility of installation, the quite fan, and simplicity in user adjustable operations makes the PLV-Z60 an
excellent choice for setting up a home theater.”
PLV-Z60 Specifications
Contrast Ratio: 10,000:1 (vivid mode)
Brightness: 1200 ANSI lumens
Video Inputs: HDMI x 2, Component x 2, D-sub 15pin, Composite (RCA), S-Video
Control Ports: Mini DIN 8-pin (RS232)
Dimensions: 15 (W) x 5 (H) x 12 (D) inches
Weight: 11lbs.

Sanyo PLV-Z3000
September 16, 2008 - SANYO Electric Co., Ltd. (SANYO) announces the PLV-Z3000 as its most advanced projector for consumer-use home theaters. The PLV-Z3000 features ‘Dynamic Predictive Frame Interpolation Technology’ that utilizes speeds of 120Hz*1 in the industry’s first*2 5:5 pull-down*3 mode for incredibly smooth video projection even for scenes with intense motion, a super high contrast ratio of 65,000:1 allowing jet-black color reproduction, and a whisper-quiet cooling fan at 19-decibels*4 permitting viewers to hear even the most quiet and sensitive scenes. With all these features and many more ‘standard’ features, such as the industry’s most advanced lens shifting*5 functions among others, the PLV-Z3000 will be on sale in Japan starting from November 28, 2008.
　Full HD home-use projector shipments worldwide are expected to reach approximately two hundred thousand units by the end of FY 2008. Also, the market for these projectors is expected to increase by double globally, potentially reaching as much as four hundred thousand in annual shipments by the end of FY 2010 (according to internal company studies). With the use of HD signal sources becoming more widespread, projectors capable of meeting the growing needs will become more in demand. Since SANYO’s entry into the home-use projector market in 2002 with its highly acclaimed “Z” series, there has been increasing demand for quality home-use projectors. SANYO is very proud to announce the addition of its most advanced projector for consumer-use home theaters.
　Regarding this advanced top-level projector, Dr. Keiichi Yodoshi, Vice President of SANY